This second episode of the early 80s chat show sees host Ian Johnstone welcome Howard Morrison, Pita Sharples and Rosa Tamepo to talk about ‘breaking in’. Morrison and Sharples discuss being Māori ‘breaking in’ to a Pākehā world. Tamepo reflects on being a Pākehā married to a Māori. Sharples recalls being a Kahungungu boy from the backblocks at Auckland University; Morrison twists the theme to talk about growing up as a Te Arawa tama in Tūhoe country. Made by David Harry Baldock, the show was inspired by the relaxed style of English interviewer Michael Parkinson.
In this final episode of the 90s ‘docu-soap’, reality bites for the household of young Aucklanders. Vanessa demands to talk to cameraman/boyfriend/flattie Craig off-camera, and Craig's refusal to do so fails to help things. Geoffrey can’t remember vomiting in the bathroom; there’s frisbee in Cornwall Park and moments of romance; Christian gets a letter from his on/off Finnish girlfriend, and flunks chemistry at uni. But no flat lasts forever and Natasha packs up (taking her freeloading boyfriend with her), before the rest of the flatties go their separate ways.
This NFU film visits the remote Urewera to explore the world of the Tūhoe people. Their independence and identity have been challenged by historical tensions with Pākehā, and now modernity — as ‘children of the mist’ leave for education and jobs (at the mill, in the city). A tribal outpost in Auckland is visited, along with law student James Milroy. At a Ruatoki festival the debate is whether young people should manage tribal affairs. For director Conon Fraser the film (partly narrated by Tūhoe) revisited the subject of his last Looking at New Zealand episode.
This edition of the Rangatira (‘chief’) series on Māori leaders, looks at academic and politician Dr Pita Sharples, a key figure of the Māori cultural renaissance. The future Māori Party co-leader visits his Takapau home, acknowledges his pivotal time at Te Aute College, talks candidly about the pressures his tireless schedule places on his whānau, demonstrates his cherished taiaha, and goes ten pin bowling. In extensive interviews he enthuses about realising the dream of kaupapa Māori (education, language, prison) cultures, and on the importance of kapa haka.
In the early 1970s expat broadcaster Michael Dean took Aotearoa’s pulse, as it loosened its necktie and moved from “ice-cream on mutton, swilled around in tea” conservatism, towards a more cosmopolitan outlook. Dean asks the intelligentsia (James K Baxter, Tim Shadbolt, Peter Cape, Shirley Smith, Bill Sutch, Ian Cross, Peter Beaven, Pat Hanly, Syd Jackson, Hana Te Hemara) for their take. The questions range from “what does the family in Tawa sit down to eat these days?” to the Māori renaissance. Dean had made his name in the 60s, as a high profile broadcaster with the BBC.
The enormous significance to Māori of marae, as places of belonging where ritual and culture can be preserved, is explored in this Pita Turei-directed documentary. Made in conjunction with the NZ Historic Places Trust, it chronicles the programme to restore marae buildings and taonga around the country — and the challenge of maintaining the tribal heritages expressed in them. As well as visiting some of NZ's oldest marae, one of the newest also features — Tapu Te Ranga, in Wellington’s Island Bay, which is being built from recycled demolition wood.
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
“After the trouble at Miss Howick I realised that life with Vanessa was going to be a roller coaster.” These immortal lines from flatmate and cameraman Chris Wright open the fourth episode of the 1997 ‘docu-soap’. Sexual strife is in the house: Craig is having doubts about whether his relationship with Vanessa is monogamous; Christian gets a rejection letter from Finland; Natasha appears to have a tiff with Nick; and too much drinking at Ceilla’s 21st results in conflict. Elsewhere, the flatties face up to vomit, cleaning, freeloading boyfriends and a game of hacky sack.
This 2002 documentary profile of the late Ngāti Porou master carver and 2013 Arts Foundation Icon award winner Pakariki Harrison won that year’s Best Māori Language Programme at the TV Guide NZ Television Awards. The documentary follows Harrison, the eldest of 21 children from Ruatoria, who honed his practice while still a student at Te Aute College in Hawke’s Bay and who left a legacy as one of the finest tohunga whakairo (expert carvers) of his generation. It also examines the unique chisels used by the carver, and their specific uses and patterns.
The third slot of this 90s reality show mixes a beauty contest with the follow-on from Craig’s cliffhanger romantic revelation at the end of the previous episode. In pieces to camera the flattie/cameraman, his new girlfriend Vanessa and the other flatmates discuss what the burgeoning relationship means. Meanwhile the flatties watch the Warriors lose, Geoffrey gets a bit tiddly, and Christian ends the episode recalling Vanessa’s embarrassingly loud off-stage behaviour while Natasha was competing for the title of Miss Howick 1996.