Host Paul Holmes puts the life of opera star Dame Malvina Major in the spotlight and discovers her origins in a large Waikato family whose first love was country music. Guests include John Rowles and Dame Kiri Te Kanawa (a fellow pupil of their often terrifying teacher, “the tiny force behind the biggest voices”, Dame Sister Mary Leo). Major’s triumphs are revisited, as is her decision to give up her international career to farm with her husband in Taranaki. A good sport throughout, she even manages a yodel for a ukulele-led family sing-along.
In September 1974, NZ reels from the premature loss of Norman Kirk — dead at 51 after just 20 months as prime minister. For this NZBC current affairs show, reporters Joe Coté and George Andrews head to the provinces to find out how Kirk is remembered by the ordinary men and women he valued so much. In less than stellar Labour strongholds in Central Otago and Taranaki, they meet people won over by a politician prepared to listen and treat them as equals. Their palpable affection is shared by Pacific leaders Gough Whitlam, Albert Henry and Michael Somare.
This episode in the Pioneer Women series dramatised the story of Hera Ngoungou. In 1874 in Taranaki, Māori kidnapped an eight-year-old Pākehā girl — Caroline “Queenie” Perrett — possibly in retribution for her father breaking a tapu. Her family didn’t see her again until she was 60, when she was a grandmother and had spent more than 50 years living with, and identifying as, Māori. A moving (Feltex award-winning) performance from Ginette McDonald (aka Lyn of Tawa) mixes stoicism with an acknowledgement of good times and a sense of loss for what might have been.
This Philip Temple-scripted episode of Our People, Our Century covers stories of New Zealanders and their turangawaewae: a piece of land they call their own. The importance of the land to farming families, and to the economy of NZ is explored through the eyes of three families. Elworthy Station in South Canterbury is being farmed by a 5th generation Elworthy. Two elderly ladies reminisce on their childhood in remote Mangapurua, near Raetihi in the central North Island. And a Māori family in Taranaki reflects on their decision to sell the family farm.
Based on a novel by the late Ronald Hugh Morrieson — whose stories painted hometown Taranaki as a hotbed of colourful characters and dodgy dealings — Predicament is a prohibition-era tale of blackmail, anxiety and criminal partnerships. Awkward teen Cedric (Hayden Frost) meets two oddball misfits (played by Conchord Jemaine Clement and Australian comedian Heath 'Chopper' Franklin), and becomes entangled in a plot to blackmail adulterous couples caught in the act. Jason Stutter's film went on to win six Aotearoa Film Awards in 2011.
In this fifth season episode of Māori Television’s hunting show, presenter Howie Morrison Jnr slings his rifle over his shoulder and heads to Taranaki to accept Matt Newton’s invitation to sample the region’s hunting experiences. First up, he sidesteps the bush bashing and heads into the skies with Precision Helicopters. After whakapapa stories over tea — World War II fighter pilots and deer recovery — the pair are inspired to go out and shoot down goats and stags. Then it’s wild bull in the scrub. ‘Today’s tip’ looks at bowhunting with Kevin Watson.
Māori Television’s award-winning news and current affairs show took its bold name from a colonial government department. This 2017 episode profiles four non-conformists: Mongrel Mob boss Rex Timu’s war on P; Raihania Tipoki's waka protest against East Coast oil surveying; Taranaki mother Tina Tupe's preparations for her own tangi; and globetrotting screenwriter David Seidler. Seidler makes an annual trip to a Tarawera cabin – he has a Kiwi son to a Māori woman – and talks about his Oscar-winning movie The King’s Speech, and his admiration for kapa haka.
This was the 24th edition of New Zealand Mirror, a 1950s National Film Unit series promoting New Zealand to British audiences. The first clip, about rugby's Ranfurly Shield, was deemed “too topical” by the UK distributor, and cut from later editions. The clip in question captures the colour of the national obsession (knuckle bones, livestock parades) at Athletic Park, where Taranaki challenge shield holders Wellington. It was later seen in Kiwi theatres as a short, playing with 1982 rugby tale Carry Me Back. The latter segments show Kaiapoi ploughing, and Wairakei thermal energy.
New Zealand artist Michael Smither (well known for his idiosyncratic realist paintings, such as Rocks with Mountain) is a man of many theories and ideas. This film, made for TV, documents his experiments rebuilding eroded beaches around Taranaki with driftwood. Only partially successful, these experiments nonetheless reveal Smither as something of a visionary. They contrast with the New Plymouth City Council's own efforts to check sand erosion; and over two decades later, Smither's less orthodox methods look the more sensible, and sustainable.
In Māori mythology Maui fished up the North Island from the sea; here the fisherman plunging into the depths is a giant drill ship, Discoverer II. By the 1960s technological changes had made it possible to prospect for oil in shallow offshore waters. This NFU film documents the months-long process of exploring for oil and gas, and the discovery of the underwater dome off the Taranaki coast that came to be known as the Maui gas field — one of the largest in the world in 1969. The field was subsequently exploited and was mostly depleted by the early 2000s.