A magazine show with an edge, The Living Room won awards for its creative and dynamic approach to covering the arts. These excerpts from series two cover a wide range of artists, from those working in multimedia to those puttng stencil art on walls. Also featured are dub band Kora, novelist Kelly Ana Morey and drummer Anthony Donaldson. In the second to last clip, Taika Waititi pretends he hasn't done any rehearsals for his one man show Taika's Incredible Show, which features an alien with ridiculous teeth and Gunther the dancing German.
Each episode of this kids horror series features three ‘curse busting’ stories. In this first episode, student Jack Williams traces the curse back to creepy Charles Killian’s fondness for satanic rituals. Killian dies a fiery death and damns Room 21’s future students. Despite grave warnings, the new principal unlocks the classroom — and the curse awakens. In the second story it’s studious Celia’s turn to contain and destroy a ‘body jumping’ spirit before it claims her soul; the last tale pits Johnny against a fat-hungry warlock who comes a ‘splatter-tastic’ cropper. A second season followed in 2008.
On Christmas Eve 1953 a volcanic eruption caused a massive lahar to flow down Whangaehu River. When the Wellington-Auckland express crossed the rail bridge at Tangiwai minutes later, it collapsed and carriages plunged into the flooded river. 151 people died out of 285, in NZ's worst rail accident. This 2002 documentary examines events and the board of inquiry finding that the accident was an act of God. This excerpt demolishes the story that Cyril Ellis could have warned the train driver what lay ahead, and argues there was a railways department cover-up at the board of inquiry.
In the 1940s and 50s sheep shearers Godfrey and Ivan Bowen developed the 'Bowen Technique', an innovative method involving rhythmical sweeps of the handpiece. The Guardian described Godrey as having arms that “flow with the grace of a Nureyev shaping up to an arabesque”. Here he runs through the 'blows' (strokes) designed to achieve "maximum speed, quality work with a minimum of physical effort". Shearing Technique was originally produced in 1956; this shorter cut screened in New Zealand theatres in 1958 with English coming of age film High Tide at Noon.
Pre-dating Peter Jackson's arrival (Bad Taste) by three years, New Zealand's first horror movie sees Michael Hurst making his movie debut as he fights mutants (including Bruno Lawrence) on Waiheke Island. Hurst's character is out to avenge the mad scientist who forced him to kill his parents. A grand prize-winner at a French fantasy festival (with cult director Alejandro Jodorowsky on the jury), David Blyth's splatterfest marked the first of many horrors funded by the NZ Film Commission. It was also the first local showcase of the smoothly-flowing Steadicam camera.
This 1966 NFU film shows highlights of the fourth rugby test between the touring British Lions and New Zealand's All Blacks. Filmed in the days before live telecast of home matches (it was feared attendance would be affected) the Eden Park test features some classical rucking and free-flowing back-line play. A broken collarbone reduces the Lions to 14 men early on (injury replacements were not allowed) and the All Blacks prevail 24-11. Coached by Fred Allen, a great AB line-up (the Meads bros, Tremain, Nathan, Gray, Lochore) won the series 4-0.
This documentary looks at Christchurch-based experimental theatre company The Clinic. Since 1999 the group has been making concept-driven works - "idea[s] stemming from a dream, a conversation, or even a costume". Often characterised by global multimedia collaborations performances might take place in abandoned buildings, nightclubs or online. This excerpt explores the genesis of the company and their free-flowing ethos. It features The Peculiar Case of Clara Parsons and a show in development at Christchurch Cathedral that includes writer Jo Randerson.
A 24-year-old Helen Clark (complete with long flowing locks) features in this NZBC current affairs footage from the annual conference of Young Labour — the Labour Party’s youth division. Twenty five years before she will become NZ’s first elected female Prime Minister, Clark is a junior politics lecturer making her way in the party machine as she chairs a session about abortion law reform. The room might be smoke filled but the atmosphere is more earnest than Machiavellian; and, while commitment to the cause is strong, expectations are more finite.
In this 1985 Colenso commercial, a Creme Egg is a guilty pleasure behind raised desk lids for two school kids. Courtesy of some smooth copywriting, the narrator lets on that the cherubic girl and devious boy are doomed by the “smooth shell of Cadbury dairy milk chocolate and the irresistible creamy flowing yolk that will ultimately give them away!” The Murray Grindlay composed chorus “don’t get caught" (with egg on your face) entered Kiwi pop culture. Variations of the commercial ran until 1996; in 2016 stuntwoman Zoe Bell later shared her fondness for the product on Instagram.
This post war newsreel features footage of Māori Battalion solders returning from WWII onboard the ship Dominion Monarch, into Wellington Harbour. The soldiers are greeted with a huge pōwhiri and ensuing hākari at Aotea Quay where the kaimoana and pia flow freely. The reel then follows the regional celebrations of men returning home in Kuku and Ngaruawahia. The narrator soberly recalls the casualty rate of the Māori Battalion (five men in seven). This footage features in the documentary, Maori Battalion - March to Victory.