Being Eve was a popular and self-aware comedy-drama for teens. It launched the career of actor Fleur Saville, who played 15-year-old teen anthropologist Eve. This excerpt from episode 22 of series two sees angst and ambition collide, as Eve dreams of Hollywood success via a school Shakespeare production. Shakespeare himself makes a cameo (as Eve's muse), while she struggles with her original vision for the classic. But will she be upstaged by Sam? The series later won best drama at the 2005 NZ Screen Awards, and fostered young directing and producing talent.

Kiwi comedy-drama Being Eve "tacked the trails and tribulations of everyday adolescent life"  (as website The Spinoff put it). It launched the career of Fleur Saville, starrig as amateur teen anthropologist Eve. In this excerpt from episode 10 of series one, Eve grapples with the day-to-day stuff of negotiating relationships (now that Matt is her boyfriend, does she have to sit next to him in every class?). Friends and family expose their relationship-challenging racial prejudices. Rated best drama at the 2002 NZ TV Awards,  Being Eve was nominated for an International Emmy.

This 1968 segment from an early Sunday night magazine show provides light-hearted visuals for a classic Kiwi song. Though written by Rod Derrett as a parody, 'Rugby, Racing and Beer' became an unofficial national anthem of the 60s, where it was an icon of the Kiwi male's recreational trio of choice. The clip takes the perspective of a "little shaver" being educated in his national heritage by various footy-playing, boozing'n'betting paternal role models (aka blokes afflicted with 'Kiwiitis'). The early New Zealand music video finishes with scenes of packed terraces at Athletic Park.

Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace. 

This episode of the six-part Our People, Our Century series explores the mix of cultures that Aotearoa-New Zealand has become. In these excerpts, a Chinese Kiwi family speaks of the racism they experienced, from the poll tax of the 1890s to their relative isolation — despite living in downtown Wellington. Artist Trevor Moffitt describes his father's “heavy silent disapproval” at his artwork; Moffitt went on receive acclaim for paintings that explore themes of New Zealand identity. Finally, mixed marriages between Māori and Pākehā shed some light on biculturalism.

This excerpt from TV One's 6.30PM News shows a famous photo opportunity from the 1983 Royal Tour downunder by Prince Charles and Princess Diana (with the recently issued baby William in tow). The scene of the doting parents and wee Will sitting on the lawn of Government House in Auckland was broadcast around the world. In front of the paparazzi George's future father bites on the iconic antenna of a Buzzy Bee, the heir apparent’s hair is still on his head, and a winsome Diana’s collar is perhaps not of the style that would later typify the 'People's Princess'.

Billy Apple: enigma, con man, or artist? Being Billy Apple looks at one of New Zealand's most controversial contemporary artists: a man who changed his name, then turned himself into a brand. Director Leanne Pooley (The Topp Twins: Untouchable Girls) follows Apple's life, and looks at his work in the context of the development of conceptual art overseas. This opening excerpt from the 70-minute documentary sees Apple talking with the filmmaker about whether it is important his face is even seen on screen.  

This consolidating episode of the archive-based New Zealand history series finds World War II at an end, the return of Kiwi servicemen and the country in an optimistic mood. That's sealed by the 1950 British Empire Games where New Zealand is third on the medal table. But rising prices and low incomes lead to more militant unionism, culminating in the fractious waterfront workers dispute of 1951. At the same time there's a new flowering of the arts. The New Zealand Symphony Orchestra is established and a new generation of writers and artists take centre stage.

This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.

This silent film from 1945 showcases the making of “to-day’s great drink” (beer!), at Dominion Breweries’ Waitemata Brewery in the Auckland suburb of Otahuhu. Post-war, beer consumption was about to boom, with DB set to meet the demand. The film extols automation throughout the production process (though humans are seen contributing to the craft). Beer was still being brewed on the Otahuhu site 70 years later. Made by pioneering commercial filmmaker Robert Steele, the 16mm silent film was likely made for screening at trade fairs or winter shows.