This documentary charts the journey of Auckland hip hop band Nesian Mystik, from their beginnings as an inner-city school band at Western Springs to gold albums and international acclaim. Filmed in New Zealand, London and Tonga the documentary explores the multi-cultural roots of the band members and the inspiration for their lyrics. Director Makerita Urale uses the Nesian Mystik story as a lens to reflect the wider picture of Māori, Pacific Island and Pakeha society in New Zealand.
Directed by Tainui Stephens, this 1990 TVNZ series surveyed Māori contemporary music. This second episode looks at the showband era (1950s - 70s), when musicians mixed genres (electric guitar, rock’n’roll) with Māori culture, to make a unique contribution to Kiwi show business. Acts like The Howard Morrison Quartet, The Māori Volcanics, The Quin Tikis and The Māori Hi-Fives took songs from marae to international cabarets. Music historian Chris Bourke praised the series for marking the role of showbands in the whakapapa of entertainers from Billy T James to Rim D Paul.
City Life screened from 1996 to 1998 and made a direct appeal to New Zealand's Gen X apartment-dwelling demographic. Following the lives of a tight-knit group of friends, and featuring racy shots of Auckland's K-Road and nightlife set to contemporary NZ pop music, City Life was NZ's answer to Melrose Place. In this excerpt from the first episode, the friends are thrown into conflict when one of their own (played by Kevin Smith) decides to marry outside the circle. Complications ensue when Smith shares a brief, but notorious, screen kiss with Charles Mesure.
This TVNZ entertainment special showcases Pacific Island contemporary and traditional fashion design, as well as music and dance. The live event and the TV show were both produced by Stan Wolfgramm and Julie Smith of Drum Productions. Wolfgramm also co-hosts this 2009 programme, along with Lotto presenter Sonia Gray. Fashion designers Francis Hooper, Denise L’Estrange-Corbet and Liz Mitchell appear as judges, and performers include John Rowles, Ben Lummis and Moana and the Tribe.
This four-part TVNZ series from 1986 surveyed the history of soul music, with a roll call of talented Kiwi performers belting out the genre's classics. In this first episode — presented by Dalvanius with Stevie Wonder braids — the focus is on the influential 60s soul music of New York label Atlantic Records. Singers include Bunny Walters, Debbie Harwood, The Yandall Sisters, Peter Morgan and more. Ardijah chime in with their contemporary soul hit ‘Your Love is Blind’. The series writer was Murray Cammick, founder of music magazine Rip It Up.
Marcus Lush goes "right up the guts" of the North Island from Wairarapa to Gisborne in this episode of his award-winning telly romance with NZ's railways. He meets railcar restorers and recounts the murders by rail porter Rowland Edwards in 1884. Particular praise is reserved for the "spectacular and beautiful" Napier to Gisborne line (now mothballed) with its viaducts at Mohaka and Kopuawhara. The latter is on the site of a flash flood that killed 21 workers in 1938 and it inspires an idiosyncratic Lush demonstration of NZ's then 10 worst disasters.
This selection offers three variations on the opening titles for TVNZ's beloved 80s music show. The theme music is 'This Heaven' by Auckland synth pop act Marginal Era; the mid-80s can also be spotted in the pink colour choice and in the basic computer graphics. Variations among the three sequences lie in the contemporary and vintage artists chosen in the montages of video excerpts — but all are bookended by classic pop images of the Beatles and the Rolling Stones.
Richard Nunns is a renowned expert in taonga pūoro — traditional Māori instruments like wood and bone flutes. This 2007 episode of the Māori Television arts show sits down with him as he narrates his collaboration with Brian Flintoff and the late Hirini Melbourne — “a magic coalition of separate skills” — and the journey they’ve undertaken to resurrect lost sounds. Inspired by museum objects, literature and song, the trio led the revival of the form in contemporary Aotearoa. Nunns says the pūoro would’ve functioned as “a cellphone to the divine” for tohunga (experts).
Made for the Plunket Society by the NFU, A Baby on the Way uses a blackboard and various experts in front of an antenatal class to provide birth education for early 70s Kiwi parents-to-be. Plunket Medical Director Neil Begg lowers his pipe to introduce the lessons, and contemporary advice for ensuring a mother’s health during pregnancy is given by doctors, nurses, and physios. The scenes involving breast massage and analgesics may have induced titters in school-aged audiences, unlike the brief-but-gory concluding birth (set to piped organ music).
This educational video was made by the NFU for the National Mountain Safety Council to promote awareness of bush safety. After a blackboard science lesson (check out a bearded Ray Henwood) things get interesting. A fictional trip into the bush turns into a Stubbies-clad 70s Kiwi version of the Blair Witch Project as we're told that one of the group will not survive the night, picked off by that fearsome killer: exposure. The message is serious, but the doom-laden tone induced titters in school classrooms and scout halls throughout NZ.