Never mind Keeping Up with the Kardashians; in 2003 New Zealand reality TV had The Rippins. Denise (aka Peach) is the second wife for property developer Pat 'Spider' Rippin. This first episode follows the pair on a holiday to Port Douglas, Australia, accompanied by three of Denise’s four adult children. The fly-on-the-Sheraton-hotel-suite-wall camera captures the champagne, smoking, tanning, breast implants and false teeth over the passage of a New Year's Eve party. NZ Herald reviewer Fiona Rae described the show as "classic car-crash television".
This showcase for Arthur Baysting's sleazy, comedic alter-ego Neville ("on the level") Purvis ("at your service") is notorious for containing the first use of the f-word on a New Zealand television show. As a result, Baysting was banned and crossed the Tasman to find work (an irony given the show's anti-Australian jokes). Surviving segments from the show include a launch by PM Rob Muldoon, a tour of Avalon, a performance by Limbs Dance Company (including Mary-Jane O'Reilly), a visit to the Close to Home set, an interview with a garden gnome fan, and some Mark II Zephyr worship.
In this edition of the Kiwi social history series all things whānau are explored: a single mother who burnt the bills she couldn't pay; a man hurt by his father's inability to express emotion; and a gay Māori man lay their souls bare. This programme explores the changes in attitudes towards family life, marriage and children, from the restrictive early years of the century to more permissive times. The intersections between race, class and gender illuminate the personal stories, and put them in a social and historical context.
New Zealand is a nation that has been scarred by war: from the horrendous loss of lives at Gallipoli to the decimation of the 28th Māori Battalion, Kiwis have gone to war in their 1000s, and many have not returned. This Our People, Our Century edition explores the experiences of soldiers, and the families who waited at home. It also examines the long tradition of protest against war, from the anti-Vietnam movement to the more recent anti-nuclear protests. The script by Philip Temple, won a best documentary script award at the 2000 NZ TV Guide Television awards.
Peter Wells and Stewart Main’s acclaimed drama screened in primetime and was ground-breaking in featuring AIDS. Wells' script is based on the death of one of his friends — one of the first New Zealanders to die from the disease — but the living are the focus, as Wells creates an intimate “strange and foreign land” occupied by those close to someone who is dying. Andy’s friends confront both their own mortality and the deadly new disease stalking their community, while his conservative family grapples with never having come to terms with his sexuality. The excerpt features the opening 10 minutes.
London-based jazz saxophonist Nathan Haines returns home to perform with the New Zealand Symphony Orchestra, where he's accompanied by his bassist father, Kevin, and guitarist brother, Joel in a musical family reunion. They've followed different paths since the mid-80s when Nathan was 14 and they used to play as a trio (seen here in archive footage). The NZSO concert features standards and new songs from the brothers. This documentary backgrounds those songs, and follows the tricky business of melding jazz group and orchestra in rehearsal and concert.
Winner of multiple awards, this 40 minute film aims to teach families how to manage communication with a deaf child. Narrator Peter Brian guides young families through the steps they can take to ensure their deaf child is able to develop speech and communication as effectively as possible. The documentary includes interviews with two deaf adults living full lives. In an early example of crowdfunding, a sponsorship body was set up to fund A Deaf Child in the Family. It was one of a number of shorts written and directed by Frank Chilton which focussed on people living with disabilities.
In 2002, musician Moana Maniapoto was prevented from using her first name to market herself in Germany because it was copyrighted by someone else. That bewildering experience prompted this award-winning doco made with partner Toby Mills. It explores wider issues of commercial exploitation of 'exotic' indigenous cultures by global companies — a vexed area which Western intellectual property law seems ill-equipped to deal with. There are case studies of the good, the bad and the ugly over usage by brands including Lego, the All Blacks, Ford, Moontide and Playstation.
An urban Maori trust, Te Whanau o Waipareira has developed from modest beginnings as a vegetable selling co-op into the biggest employment and training organisation in West Auckland. This documentary by Toby Mills and Aileen O'Sullivan examines its operations through the eyes of four people who have had their lives turned around by its all encompassing social, health, justice and education programmes. Interviewees include Pita Sharples and trust CEO John Tamihere (who recounts early struggles to be accepted by government, council and business sectors).
This 1961 edition of Pictorial Parade visits Western Samoa shortly before it gains independence from New Zealand. Locals are seen voting in the May referendum, where a huge majority voted to self-rule. Surgeon Ioane Okesene and his large family feature in this newsreel; daughter Karaponi is filmed marrying her Kiwi partner Bill McGrath in Apia. (Trivia fact: Rugby legend Michael Jones' mother, Maina Jones, is among the wedding guests.) Western Samoa's close ties to Aotearoa are highlighted, with stories of locals moving downunder to study, such as medical student Margaret Stehlin.