In this short film, a Cook Island school cleaner (Whale Rider's Rawiri Paratene) responds to an unusual graffiti message on a girls’ toilet wall, with life-changing consequences for him and the mysterious author. Paratene's performance won him a Qantas Film and TV Award; the film also won Best Short and Screenplay (Paul Stanley Ward). Tupaia travelled to more than 15 festivals and director Chris Dudman was nominated for a Leopard of Tomorrow (Best Short) at Locarno. Dudman, Ward and producer Vicky Pope teamed up on another short film success, Choice Night (2010).
Artist Tanja Thompson, aka Misery, joins her Mum Rochelle to take a magical tour of Tanja's life — from childhood and time as a graffiti artist, to the rise of her art, fashion and toy empire. In the second excerpt, Misery leaves her boutique next to Illicit Clothing in K' Road, and visits the Taipei Toy Festival to unveil her 3D characters. She also shows us animated footage inspired by them. Mark Albiston made the documentary for arts slot Artsville, after featuring Misery on his own arts show The Living Room. It won Best Arts/Festival Documentary award at the 2006 Qantas TV awards.
Wellington band The Black Seeds present the debut episode in this TV series profiling creative Kiwi culture. They begin by going behind the scenes on their action-packed music video Hey Son (with Bret McKenzie donning a Captain Cook meets Freddie Mercury number). There’s an early profile of Auckland graffiti/ streetwear artist Misery (complete with cycle interview, and cameo from artist Elliot 'Askew' O'Donnell), London-based Ta Moko artist Te Rangitu Netana talks about life away from home, and tattooing Robbie Williams; and there’s a piece about skateboarding mag Manual.
Poet, activist and soon-to-be Mayor of Waitemata, Tim Shadbolt explores the often-maligned art of graffiti in this 1981 special for documentary slot Contact. Shadbolt searches for wit and inspiraton from school desks and court holding cells, to the bathrooms of trendy restaurants. Some of these scribbled sentiments — like “Rob Muldoon before he robs you” — have passed into legend. The best material however, comes from a group of high school girls, encouraged by their right-on English teacher during a class of well-supervised rebellion: “castrate rapists — have a ball!”
A graffiti artist (Ropata Matthews) gets sprung by the cops while tagging. But his younger brother ends up being the fall guy and at the receiving end of long arm of the law. The hero heads into the Tamaki night, and with spray can and marker signs his views on politics (including on one of the infamous Iwi/Kiwi billboards from the 2005 National Party campaign). Ultimately he’ll need more than words to repay his brother. Co-written with Savage, the film was the first dramatic short directed by actor Tearepa Kahi (Mt Zion). It was invited to play at the Berlin and Clermont-Ferrand Film Festivals.
"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.
In the eighth episode of this tale of family, factory and music, the Saumalus protest the sale of Murdoch Textiles and expeted loss of jobs. Indian-Kiwi student Dev (Shaan Kesha) enlists Moana in his plan to break into the boss’s office and make the workers' voices heard. Even if Dev’s blundering scheme doesn’t impress Moana, it does enable subtle marketing use of the show’s sponsorship from Telecom (now Spark) — “what’s your phone number again? 027 SHITFORBRAINS?”.
In this 1982 short film, Harry (Goodbye Pork Pie's Kelly Johnson) and Pheno (Donogh Rees) are bored Wellington rebels on a crime spree: tagging, stealing art and hijacking a bus to the badlands of nearby Makara Beach. It was the era of Muldoon, Springbok Tour protests, spacies and dole queues. The film captures the disillusionment of its youth, especially in the outcome of the duo's pursuit by a tyro cop (Duncan Smith). Johnson was fresh from Pork Pie, and Donogh Rees a young actor on the rise. Director Richard Riddiford went on to helm features Arriving Tuesday and Zilch.
Just after midnight on November 18, 1982, Neil Roberts, a 22-year old anarchist, exploded a bag of gelignite outside the Whanganui police computer centre, killing himself instantly. In this short film, director William Keddell uses a fictional character — Eric, a young man awoken in bed at the exact moment of detonation — to take a psychological road-trip exploring the events leading up to what is arguably NZ’s most famous case of homegrown political terrorism. Real-life friends and associates of Roberts make cameo appearances in supporting roles.
The Aotearoa Hip Hop Summit held in Auckland 2001, was the biggest hip hop event ever staged in New Zealand. This documentary showcases the hottest names in the four elements of NZ hip hop: break dancers, graf artists, MCs and DJs. Featuring international acts from Germany and Australia, with Ken Swift representing old skool break dancing from New York and Tha Liks from Los Angeles. Local acts include Che Fu, Te Kupu, King Kapisi, P Money and DJ Sir-Vere. Presenters are Hayden Hare and Trent Helmbright.