Television talent show franchises like Got Talent and X Factor won huge global popularity in the first two decades of the 21st Century. In 2016 the format got an Aotearoa twist with this Māori Television series: each contestant’s routine had to include kapa haka. Hosted by Kimo Houltham, this first episode sees Norris Studios (jazz ballet), Mana Wairua (contemporary), and Sovreign (hip hop) compete to see who has "haka flair". Manu Wairua’s World War II-inspired act and Sovreign’s rākau (Māori weaponry) skills saw the judges send them to the quarter finals.
Directed by Tainui Stephens, this 1990 TVNZ series surveyed Māori contemporary music. This second episode looks at the showband era (1950s - 70s), when musicians mixed genres (electric guitar, rock’n’roll) with Māori culture, to make a unique contribution to Kiwi show business. Acts like The Howard Morrison Quartet, The Māori Volcanics, The Quin Tikis and The Māori Hi-Fives took songs from marae to international cabarets. Music historian Chris Bourke praised the series for marking the role of showbands in the whakapapa of entertainers from Billy T James to Rim D Paul.
In Haka Māori myth is re-told through a series of stirring haka performances. Men stomp, invoke, and do pūkana (tongue out, eyes wide) amidst spitting mud and fire and ... in Paremoremo Prison and under a motorway. These scenes are intercut with archive imagery of post-pākehā Māori life, from first contact to Maori Battalion, urban drift and protest. The film is a tribute to the raw power, and art, of haka. Ultimately the Once Were Warriors-like message "is positive because of the fierce, irresistible pride of the performances." Peter Calder, (NZ Herald, 1989).
This episode of the te reo Māori anthology series follows a scandalous relationship between Siva (Pua Magasiva), a 19-year-old Samoan man, and Haka (radio DJ Ngawai Greenwood) a 45-year-old Māori poet. Unable to contain their passion, the couple's public lovemaking hits the headlines. Siva's family take matters into their own hands. This episode marked the first on-screen starring role for Magasiva, who would make his name as nurse Vinnie Kruse in Shortland Street. Director Paora Maxwell later spent three years as Chief Executive at Māori Television.
Marae DIY is a long-running Māori Television series that brings a tangata whenua twist to the home renovation reality format: "marae knock out their 10-year plans in just four days". This Qantas Award-winning episode heads to Manutuke Marae (south of Gisborne) mid-winter in 2006. Marae DIY creator Nevak Rogers (aka Nevak Ilolahia) has Rongowhakaata whakapapa. Alongside co-presenter Te Ori Paki, Rogers plays cheerleader as her whānau rally to meet the goals: from french doors for the kitchen, to makeovers for the nannies (including a moko by Derek Lardelli).
Polyfest, the annual secondary schools' Māori and Pacific Island cultural festival, attracts around 90,000 people and 9000 performers from 64 schools to Manukau Sports Bowl. The 2017 Māori Television coverage, hosted by Sonny Ngatai, showcased every kapa haka performance over 50 30 minute slots. This episode features former winners and 2016 runners-up Ngā Puna o Waiōrea (Western Springs College), who perform routines including poi and haka. Puawai Taiapa (Pūkana) and social media stars Cougar Boys and Chardé Heremaia (Memoirs of a Māori) interview rangatahi.
This Māori Television series merged old media and new: giving a group of young people iPhones and storytelling workshops, and empowering them to tell their own fun stories. In this fourth season episode, the slices of life include: swimming with whales off Tonga, a Te Tai Tokerau marae challenge, holidaying in Sydney and learning to surf in Bali, filming live rugby league at Mt Smart, basketball trials, farewelling a mate at the airport with a haka, and a stage-shaking kapa haka act. Press on the 'CC' symbol below the screen to find subtitles for (occasional) te reo.
In 1973 Prime Minister Norman Kirk announced that the anniversary of the signing of the Treaty of Waitangi would be a unifying national holiday called New Zealand Day. The inaugural 1974 day featured a royal entourage, was watched by 20,000 people and screened live for TV. Excerpts include the Aotearoa pageant (from giant moa to the Age of Aquarius, including kapa haka, settler cabaret, and Howard Morrison as Kupe), and Kirk’s iconic — and more enduring — speech. New Zealand Day was abolished by the next (National) Government, who renamed it Waitangi Day.
The final episode of this long-running TVNZ show for Māori youth comes from a BBQ party atop Auckland's TVNZ HQ. When I AM TV began in 2008 it was all about Bebo. Five years later it’s about Bieber (the singer #tautokos the show), Skux and Twitter, and the hashtag #KeepingItReo. Hosts Kimo Houltham and Chey Milne review the year’s highlights: from Koroneihana to a boil up with Katchafire; from dance crews to hunting for Jeff da Māori, with Liam Messam and The Waikato Chiefs; from a Samoan holiday (with co-presenter Taupunakohe Tocker), to defining mana in 2012.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).