Presented by Jayne Kiely, this series catches up with couples from earlier reality series Weddings (1999), to see what married life has delivered. This episode revisits Barbara and Stu, who decided he wanted to cross-dress for the wedding; Christian couple Michael and Fiona, who believed in abstinence until marriage; and Chris and Jackie (whose mother was terminally ill). Affairs, death, the weight of reality TV stardom and nightclub ownership all provide challenges to true love. The original Weddings series (also presented by Kiely) followed couples on their journey to the altar.
Little known in its homeland, but an award-winner overseas, director Michael Heath's tragic portrait of mother and child confronts "intense emotion without flinching" (as Lawrence McDonald wrote). Largely bypassing dialogue in favour of a more elemental approach, the filmmakers combine sound and song (courtesy of composer David Downes and singer Mahinārangi Tocker) with lyrical imagery of the family revelling in their rural backblock (shot by Stephen Latty). There is added poignancy in the fact that Tocker — playing the mother who loses her boy — herself passed away in 2008.
In November 2010, 29 miners died in the Pike River disaster. In 2014 Wellington’s Orpheus Choir invited singer Dave Dobbyn to compose a musical tribute to the victims. Dreams Lie Deeper followed Dobbyn to Greymouth to meet with mourning families, and visit the mine. This excerpt shows the premiere of Dobbyn's song ‘This Love’ in Wellington on 10 May 2014, to a standing ovation. The film screened on TV One on the fourth anniversary of the disaster. Sunday Star Times critic Grant Smithies called it “one hell of a documentary. Raw, touching and blessedly unsentimental.”
This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.
This 2001 Mercury Lane episode is based around pieces on author Maurice Shadbolt, and OMC producer Alan Jansson. With Shadbolt ailing from Alzheimer’s, Michelle Bracey surveys his life as an “unauthorised author” (Shadbolt would die in 2004). Next Colin Hogg reveals Jansson as the “invisible pop star” behind OMC hit ‘How Bizarre’ and more. The show is bookended by readings from Kiwi poets: Hone Tuwhare riffs on Miles Davis, Fleur Adcock reads the saucy Bed and Breakfast, and Alistair Te Ariki Campbell mourns a brother who fought for the Māori Battalion.
Pioneering reality TV show Flatmates trained its cameras on the home life of a bunch of young Gen X/Gen Y Kiwis. In this second episode the flatmates clean up after a party gone wild — the landlord ain't happy — and discuss flat finances, chore rosters, gender politics, and Anzac Day. Christian mourns his first love, a Finnish exchange student. Meanwhile Vanessa's pronouncements on apt lecture-wear reveal why she became a minor celebrity (she later co-hosted youth show The Drum). And cameraman/flattie Craig finds the courage to reveal a complicating crush.
On 11 December 2015 the morning telly watching nation mourned the end of a long-running TV One staple. Good Morning’s 9000 hours spanned nearly two decades, from faxes to Facebook. In this final episode, presenters Jeanette Thomas, Matai Smith and Astar wrangle a two-hour curtain call of ex-hosts. Included are the last Men’s Panel, cooking bloopers, and of course, advertorials (with a Suzanne Paul tribute, and a promo for Stiffy fabric stiffener). There’s tautoko to the show’s te reo, support for the arts, and disaster appeals, and Shortland Street's Will Hall lip synchs to Def Leppard.
This NFU film presents the funeral of Tongan Queen Sālote Tupou III in December 1965. Queen Sālote had a special bond with New Zealand — she studied at Auckland Diocesan School, spent summers in NZ and lived her last days at 'Atalanga, the Tongan residence in Auckland. Among the 50,000 mourners at her funeral in Tonga were NZ Governor General Sir Bernard Fergusson, Prime Minister Keith Holyoake and Norman Kirk. Tongan tradition holds that the casket must never pass through a gateway; 108 pall bearers carried it over walls in a procession to the royal tombs.
Jess Feast's debut feature documentary centres around the hip Berlin burlesque joint, White Trash Fast Food, and explores life in post-wall East Berlin: a place where libertines and die-hard communists co-exist but not always harmoniously. The Cowboy is Wally, an artist and chef, who escaped LA to live a life of freedom in Berlin. The Communist is Horst, an intelligent ex-journalist who lives upstairs from White Trash, and mourns for the old regime. Won Best Documentary by a young filmmaker at the Kassel Documentary Festival, 2007.
When his father dies, Paul (Matthew Macfayden), a world-weary war journalist, returns to his Central Otago hometown. He strikes up an unlikely friendship with a teenage girl (Emily Barclay). Their relationship is frowned upon and when she disappears, the community holds him responsible. The events that follow force Paul to confront a tragic incident he fled as a youth, and face dark secrets. Critically-acclaimed, In My Father's Den marked the debut of a formidable fledgling talent: it was the only feature from writer-director Brad McGann, who died of cancer in 2007.