TrinityRoots' vocalist and songwriter Warren Maxwell talks about his career and songwriting in this episode from a series for secondary school music students. Maxwell explains the genesis of the Wellington roots/reggae act's classic 'Little Things' (and the making of its music video); he performs a stripped back excerpt from the song. Maxwell also recalls the problems the band encountered in recording their first album and previews a new work, 'Angel Song' (which later appeared on TrinityRoots' second album Home, Land and Sea).
Indie legend Chris Knox is featured in this episode from a series made for secondary school music students. He performs 'One Fell Swoop' — a love song he describes as an aberration amongst his more "nasty" numbers — and explains its composition while denying Whitney Houston comparisons. Knox is typically forthright in discussing his varied career as musician, cartoonist, TV presenter and "renaissance bloke". He outlines his philosophy of DIY self-sufficiency and extols the virtues of never compromising (so that even failure is "much more meaningful").
In this episode from a series made for high school music students, Dallas Tamaira and DJ Mu recall Fat Freddy's Drop's early history as a duo with just turntables and a microphone in a vibrant Wellington scene. They reveal an aversion to rehearsals, preferring to develop their music in a live setting and Mu demonstrates the component parts of their song 'Midnight Marauders' on his secret weapon — an Akai sampler capable of emulating all of the instruments in their sound. His verdict that every school should have one may not have gladdened principals' hearts.
Bill Lake of Wellington blues/roots institution The Windy City Strugglers takes the podium for this episode from a series for secondary school music students. Accompanied by fellow Strugglers Andrew Delahunty (guitar) and broadcaster/music critic Nick Bollinger (bass), he plays ‘Good Grief’ as an example of the way a song can be written through thinking about a single phrase. However, the main order of business is a beginners guide to the blues and rock’n’roll rhythms he holds so dear (along with a demonstration of guitar playing using open tunings).
In this episode from a series for secondary school music students, James Reid (from The Feelers) and his brother Donald (a singer-songwriter who has co-written several Feelers songs) recall their school days when music making was frowned on by guidance counsellors rather than encouraged by projects like this one. Armed with acoustic guitars and a piano, they play excerpts from four songs (‘Communicate’, ‘We Raised Hell’, ‘Fishing For Lisa’ and ‘Unleash the Fury’) and discuss their philosophy of songwriting which is “all about being in the moment”.
Mareko, Savage and Alphrisk from Dawn Raid act Deceptikonz offer a rhyme filled hip hop primer in this episode from a series for secondary school music students. Their vision of hip hop has little use for American-style guns and gangster rappers, but fighting with words is another matter and there are tips on the art of writing a battle verse (along with unlikely endorsements for The Discovery Channel and English classes). They also stress the importance of understanding an industry where artists arrive as musicians but need to leave as businessmen.
Rodney Fisher and Gareth Thomas from Auckland band Goodshirt preach a DIY message, in this episode from a series directed at secondary school music students. In the backyard of the house where they made their debut album, they perform stripped back versions of 'Slippy' (inspired by a Grey Lynn bus ride) and 'Blowing Dirt'. There's also a guided tour of the back shed where they built a recording studio with accessibly priced equipment that was good enough to produce a chart topping single in 'Sophie' — and stop them going into debt to a record company.
Hip hop DJ/ producer P-Money (Pete Wadams) talks about a career born from very modest beginnings in this episode from a series for secondary school music students. After initial attempts at scratching on his father’s turntable were quickly rebuffed, he began making music using twin cassette decks. Success in DJ contests followed; and creating his own beats led to collaborations with acts including DLT, Scribe and Che Fu. He describes the process where his music for Scribe’s ‘I Remember’ was built up from samples from a particularly unlikely source.
Singer Moana Maniapoto discusses her evolution as a Māori musician in this episode from a series for high school music students. After first singing in public on the marae and learning to harmonise at school, she paid her way through university by singing in nightclubs. She describes her epiphany in a Detroit church as she realised that she needed to sing Māori songs rather than keep trying to emulate American soul and r'n'b divas. An acoustic performance of 'Hine Te Iwaiwa' (from her Toru album) is followed by a demonstration of traditional instruments.
Wayne Mason — multi-instrumentalist and composer of The Fourmyula classic 'Nature' — talks about songwriting and his musical evolution in this episode, from a series made for high school students. He demonstrates his piano playing (on an energetic boogie-woogie work out) and a Scandalli accordion on 'High and Dry' (which he wrote in the Warratahs). He discusses the origins of 'Nature', and his songwriting technique (which always begins on a guitar); and muses on his high school band The Fourmyula which took him to Abbey Road, where he met The Beatles.