Winners & Losers: The Woman at the Store

Television, 1975 (Full Length)

This acclaimed drama from 1975 adapts a Katherine Mansfield story about three travellers who encounter a strange woman and child, at a remote country store. Co-directed by Roger Donaldson and Ian Mune, it won Feltex Awards for Best Script (Mune and Peter Hansard) and Actress (Ilona Rodgers). Mune and Donaldson used the drama's success and innovative financing model as a 'proof of concept', to secure funding for their 1976 series Winners & Losers. The Woman at the Store debuted on Kiwi TV screens in March 1975; it was sold as part of the Winners series overseas.

Winners & Losers: Blues for Miss Laverty

Television, 1976 (Full Length)

Veteran actor Yvonne Lawley (Gloss, Ruby and Rata) landed her first leading role on-screen with this adaptation of a Maurice Duggan short story. Lawley plays Mary May Laverty, a proud but lonely violin teacher who craves "a little human warmth", but fails to connect with people. Awkwardness abounds when she invites the father of one of her students over. The half-hour drama was co-directed by Ian Mune and Roger Donaldson, as part of their Winners & Losers series of short story adaptations. It closely follows Duggan's original story, which was one of his most popular. 

Winners & Losers: A Great Day

Television, 1976 (Full Length)

Frank Sargeson’s tale of two men and a boat is adapted for this episode of Winners & Losers. Fred (played by radio actor William Smith) sets off for a spot of fishing with recent acquaintance Ken (theatre veteran David Weatherley). As the pair head out across the harbour, Ken doesn't seem all that receptive to Fred's friendly interrogation. The episode marked only the second time that Ian Mune had directed solo for the screen. Storms, a leaky dinghy and Mune's near drowning while acting as a stand-in made this one of the most challenging shoots of the Winners series.

Winners & Losers: A Lawful Excuse

Television, 1976 (Full Length)

This episode of anthology series Winners & Losers takes a fresh angle on going straight. Smooth-talking criminal Mick (Ian Mune) dreams of starting over, by cultivating mushrooms with cellmate Charlie (Coronation Street's Ivan Beavis). Charlie claims to have committed a lawful murder, thanks to a technicality. In an inspired change to Barry Crump's original story, Mick commandeers a bus to finance the pair's plan. Crump praised the episode, but felt that Mick and Charlie treat their third cellmate unfairly. Director Roger Donaldson cameos in a red Swanndri during the bus scenes.

Winners & Losers: Shining with the Shiner

Television, 1976 (Full Length)

Conman and victim face off in the first, and arguably funniest Winners & Losers episode. Legendary vagabond The Shiner (Coronation Street's Ivan Beavis) sets out to prove to his fellow swaggers that he can con alcohol from a dour publican (Ian Watkin). Co-director Ian Mune dons a fake eye; singer Tommy Adderley plays harmonica. The real life Shiner — Irishman Ned Slattery — was immortalised in a series of stories by John A Lee.  Although Lee claimed to have "once walked thirty miles side by side" with Slattery, he admitted that his Shiner stories were far from gospel truth. 

Winners & Losers: Big Brother, Little Sister

Television, 1976 (Full Length)

Almost two decades before Once Were Warriors, another drama about urban Māori under pressure stirred controversy. Hema (Dale Williams) and Janey (Julie Wehipeihana) are two kids adrift in the city, trying to escape a broken home. Screen historian Trisha Dunleavy found this "the most powerful and controversial" edition of the Winners & Losers series; it was TV's first drama about "the alienation of Māori in a contemporary urban setting". Based on a Witi Ihimaera story, it also marked the first solo directing credit for Ian Mune. He later directed the sequel to Once Were Warriors

Winners & Losers: After the Depression

Television, 1976 (Full Length)

Bill Morrison is a man on a mission. His wife and child can't walk nearly as fast. As the trio head toward the mining settlement where a new job awaits, Bill is about to react in different ways to two very different surprises — one from his wife, and one at the mine. This half-hour drama from the Winners & Losers series is based on a Maurice Shadbolt story, which later fed into Shadbolt's decade-in-the-making novel Strangers and Journeys. Singer turned advertising veteran Clyde Scott plays Bill. Actor and public speaking expert Jane Thomas John plays the nameless, long-suffering wife. 

Hone Tuwhare

Television, 1996 (Full Length)

This documentary offers a glimpse into the life, art, and inimitable cheeky-as-a-kaka style of late Kiwi poet, Hone Tuwhare. In the Gaylene Preston-directed film, the man with "the big rubber face" (cheers Glenn Colquhoun) is observed at home, and travelling the country reading his work; polishing a new love poem; visiting old drinking haunts; reading to a hall full of entranced students; and expounding his distinctive views on everything from The Bible to Karl Marx's love life. He reads some of his best-known poems, including Rain and No Ordinary Sun.

Three New Zealanders: Janet Frame

Television, 1975 (Excerpts)

This fresh, unhurried film is drawn from a substantial interview with renowned writer Janet Frame by Michael Noonan; filmed largely at at Frame’s then-home on Whangaparoa Peninsula. It was part of the Three New Zealanders series made to commemorate the 1975 International Year of Women — an early John Barnett production. The rare footage of Frame — here aged 50 — presents a confident writer in her prime, and negates any stereotypes about Frame's inarticulacy or shyness. Note: the segments from the programme dramatising some of Frame’s work are not included here.

The Road to Jerusalem

Television, 1997 (Excerpts)

Readings from the poems of James K Baxter trace the poet's life through its various New Zealand locations, and provide a biographical voice in this film by Bruce Morrison (co-written with Dr Paul Millar). Baxter's family and friends discuss the man and his work, and the readings and beautifully shot landscapes fill in the gaps. The film won Best Documentary at the 1998 Film and TV Awards. The opening montage, describing "the chugging noise of masturbation from the bedrooms of the bourgeois" of Auckland, is seminal Baxter.