This Coming Home episode introduces two Kiwi "pioneers in their fields": psychologist John Money and horse expert Wayne McIlwraith. Colorado-based McIlwraith works on top racehorses around the globe, then goes climbing on his rare days off. Money was celebrated and criticised for his game-changing work on gender and sexuality. Returning for a visit downunder, he sets about donating his artworks to a museum in Gore. The episode was made soon after doubts were first raised about the success of Money's most famous case of gender reassignment, David Reimer.
This Roger Donaldson-directed documenary follows Sir Edmund Hillary, as he leads an A-Team of mates on an epic expedition to climb Fiordland's Kaipo Wall. In part two Murray Jones and Graeme Dingle attack the imposing 1000 metre face, and tackle icy rocks and vertical overhangs. Hillary's supply team skirts around towards a peak rendezvous, meeting friendly kea and unfriendly weather en route. When the climbers unite there's a celebratory beer before a blizzard traps them in a snowcave and tents. Awesome cinematography captures the old school thrill of adventure.
In the middle of a decidedly average day, a house painter (The End of the Golden Weather's Stephen Papps) discovers an old flask in a hole in the wall. This short film, written and directed by James Cunningham and brought to life by 28 of his students at the Media and Design School, explores the idea of wish fufilment. The painter gets a great deal on the usual three wish limit from a blue genie with a Scottish accent, and samples a list of childhood dreams, including fighting fires, racing cars and photographing dinosaurs in the wild. All offer chances to showcase some CGI magic.
The Adventure World TV series saw Sir Ed lead an A-Team of mates on a run of adventures. The concept was dreamt up by Bob Harvey, who enlisted Roger Donaldson to direct The Kaipo Wall and an (unproduced) Everest trip. Sir Ed and his climbing mate Mike Gill then went DIY and made two half hour films. This mission to climb The Needles — a rock stack off Great Barrier Island — was the first. Peter Mulgrew sails them over, Murray Jones goes parkour on the rocks and scales a kauri, Graeme Dingle surfs a dingy, and Sir Ed is the self-described “peppery co-ordinator”.
Released in February 1969, this National Film Unit documentary offers an impressionistic view on the making of sheet glass. Director Lynton Diggle follows the raw materials (sand, limestone, dolomite) to a Whangarei factory, where they’re combined with broken glass. There, men in protective gear look like they’re enacting an alchemical ritual, as the ‘frit’ mixture is melted in the “punishing heat” of a crucible. Then it’s transferred to the drawing chamber where a toffee-like wall of glass is pulled up for cooling and slicing. Ambient sounds are used to forge a percussive score.
Aotearoa is the last big land mass on earth discovered and settled by people (orthodox history suggests Māori arrived around 1280). Directed by Mark McNeill, this Greenstone TV documentary examines controversial evidence put forward to claim an alternative pre-Māori settlement — from cave drawings and carvings, to rock formations and statues. Historians, scientists, museum curators, and amateur archaeologists weigh up the arguments, DNA, carbon, and oral stories of the early Waitaha people, to sift hard fact from mysticism and hope.