From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
Paul Callaghan (1947 - 2012) was an internationally celebrated scientist, and a passionate advocate for Aotearoa. He was a popular science communicator (including a radio show with Kim Hill), campaigned to make New Zealand “a place where talent wants to live”, and championed the idea of a predator-free New Zealand. Shirley Horrocks' documentary focuses on the field that Callaghan became a world expert in — magnetic resonance — and interviews Callaghan's family, colleagues, students and friends. The film was invited to play at the 2018 NZ International Film Festival.
The writing and drawing of comic books has remained a little-known and under-rated area of New Zealand culture. Director Shirley Horrocks reveals it as a highly creative subculture with a rich local history. Eric Resetar, the grand old man of local comics, discusses the moral panic brought on by comics in the 1940s and 1950s; and other artists of the genre, such as Barry Linton, Dick Frizzell, Coco and Dylan (Hicksville) Horrocks, explore the wide variety of stories that have been drawn, framed and speech-ballooned since then.
John Reynolds is one of New Zealand's most talked-about contemporary artists. His diverse practice takes in painting, photography, clothing, tattooing and landscaping. Director Shirley Horrocks frames the film as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in his life, the film observes him as he makes and debuts a work (Cloud) at the 2006 Biennale of Sydney, and takes time out to appear in an episode of bro'Town.
Who Laughs Last profiles Roger Hall, New Zealand’s most successful playwright. Three decades after the opening of Hall's Middle Age Spread became a hit, the original cast return for 2006 follow up Spreading Out. The Shirley Horrocks doco explores the secrets behind Hall’s successful brand of comedy (25+ stage plays, plus TV series and musical comedies) and closely explores the popularity of Middle Age Spread and Spreading Out. Among those interviewed are John Clarke, Ginette McDonald, the late Grant Tilly, and Hall himself.
Shirley Horrocks' documentary profiles the life, work and influence of pioneering PI writer Albert Wendt (1973's Sons for the Return Home was the first novel published in English by a Samoan). The film accompanies the writer to various locations in the Pacific and addresses his Samoa upbringing, his education in New Zealand and his work as writer and teacher; and discusses the contemporary explosion of Pacific arts. "I belong to Oceania — or, at least, I am rooted in a fertile part of it and it nourishes my spirit, helps to define me, and feeds my imagination."
Arriving downunder from London in 1958, Marti Friedlander began photographing New Zealand, partly as a way of coming to terms with what she saw as its foreignness. In the process she captured aspects of Aotearoa that familiarity had made invisible to its inhabitants. She photographed artists, Springbok Tour protesters, and kuia with moko (for a book with historian Michael King). After screening on TV One, Shirley Horrocks' documentary was one of 20 chosen to screen at Doku.Arts 2007, a German festival devoted to films about artists. Friedlander passed away in November 2016.
Born in Buenos Aires, artist Tom Kreisler arrived in New Zealand at age 13, studied painting at Canterbury University, taught art in New Plymouth, and spent time in Mexico. Shocked that he wasn't "in the mainstream canon of New Zealand art", documentarian Shirley Horrocks (Marti: The Passionate Eye) felt that the whimsical, subversive but publicity-shy Kreisler deserved to be better known. So Horrocks interviewed fans and friends of the late artist, and headed to Mexico to find out how the country influenced him. Tom Who? debuted at the 2015 Auckland Film Festival.
The Camera on the Shore is a feature-length portrait of a man who argued eloquently for the rights of indigenous people to control the camera. Based on extensive interviews with Barry Barclay and those who knew him — and footage from his work — it traces the path of one of the first people to bring a Māori perspective to the screen. The documentary ranges from Barclay's early years in a monastery to speeches at his tangi, touching en route on landmark TV series Tangata Whenua, battling corporations on doco The Neglected Miracle, and behind the scenes conflict on Te Rua.