Wayne Mason — multi-instrumentalist and composer of The Fourmyula classic 'Nature' — talks about songwriting and his musical evolution in this episode, from a series made for high school students. He demonstrates his piano playing (on an energetic boogie-woogie work out) and a Scandalli accordion on 'High and Dry' (which he wrote in the Warratahs). He discusses the origins of 'Nature', and his songwriting technique (which always begins on a guitar); and muses on his high school band The Fourmyula which took him to Abbey Road, where he met The Beatles.
In this episode from a series for secondary school music students, James Reid (from The Feelers) and his brother Donald (a singer-songwriter who has co-written several Feelers songs) recall their school days when music making was frowned on by guidance counsellors rather than encouraged by projects like this one. Armed with acoustic guitars and a piano, they play excerpts from four songs (‘Communicate’, ‘We Raised Hell’, ‘Fishing For Lisa’ and ‘Unleash the Fury’) and discuss their philosophy of songwriting which is “all about being in the moment”.
TrinityRoots' vocalist and songwriter Warren Maxwell talks about his career and songwriting in this episode from a series for secondary school music students. Maxwell explains the genesis of the Wellington roots/reggae act's classic 'Little Things' (and the making of its music video); he performs a stripped back excerpt from the song. Maxwell also recalls the problems the band encountered in recording their first album and previews a new work, 'Angel Song' (which later appeared on TrinityRoots' second album Home, Land and Sea).
Exponents lead singer Jordan Luck discusses his career and approach to songwriting in this episode from a series for secondary school music students. Luck recalls his own first musical steps at Geraldine High School and the realisation that he could write his own material. He performs an acoustic version of his classic song 'Victoria' which he wrote about the toll of domestic violence on his landlord at the time — an example of his preference for writing from personal experience. He also previews 'Finesse', a work in progress about Invercargill.
Former Blam Blam Blam, Front Lawn and Mutton Birds member, Don McGlashan takes time out from making his first solo album to talk about songwriting in this episode from a series made for high school music students. McGlashan is passionate in exhorting his audience to write their own songs and make their own voices heard. Acoustic versions of his classic 'Dominion Road' (written about a neighbouring street) and another Mutton Birds number 'White Valiant' (based on a dream) underline his enthusiasm for writing about immediate surroundings, not faraway places.
Despite a cold, superstar singer/songwriter Joni Mitchell is a most obliging interviewee for music show host Richard Driver. Having adopted a number of styles over the years, she says she has become a “neither/nor”: no longer easily categorised by radio as a jazz or a rock musician. She performs compelling acoustic versions of ‘Number One’ (from her then current album Chalk Mark in a Rain Storm) and the brand new ‘Night Ride Home’ which she doesn’t know how she’ll record. It would show up in a similar arrangement as the title track of her next album.
This 1991 Holmes interview opens with Glen Campbell performing 'Wichita Lineman', the song which Mojo and Blender rated as among the finest of the 20th century. When Campbell recorded it in 1968, he was busy transforming from session musician — he played on everything from 'Good Vibrations' to 'Strangers in the Night" — to pop/country star. Campbell spends most of the interview playing and praising the writer whose songs made him famous: Jimmy Webb ('Galveston'). Asked about past drug use, Campbell laughs, before maintaining he is now living cleanly.
Indie legend Chris Knox is featured in this episode from a series made for secondary school music students. He performs 'One Fell Swoop' — a love song he describes as an aberration amongst his more "nasty" numbers — and explains its composition while denying Whitney Houston comparisons. Knox is typically forthright in discussing his varied career as musician, cartoonist, TV presenter and "renaissance bloke". He outlines his philosophy of DIY self-sufficiency and extols the virtues of never compromising (so that even failure is "much more meaningful").
This episode from a series for high school music students features Auckland hip-hop act Nesian Mystik who can speak from personal experience about music education after forming at Western Springs College and first making an impression in Rockquest's Pacifica Beats. They perform stripped down versions of their APRA Silver Scroll winner 'For the People', and 'Better than Change' (written by Dallas Tamaira of Fat Freddy's Drop) and emphasise how simple music making can be — they started out with just their voices and a Playstation One programme.
This episode of C4's music series Homegrown Profiles looks at the 30 year career of singer/songwriter Dave Dobbyn, whose songs are mainstays of the Aotearoa soundscape. Dobbyn talks about nerve-wracking early days with th' Dudes, where the name for band DD Smash originated, and his long solo career. In a wide-ranging and thoughtful interview, Dobbyn discusses the highs and lows of a life in music, including the mayhem and causes of the 1984 Aotea Square riot, being told his best album was unreleasable, and the satisfaction of writing the Footrot Flats soundtrack.