Alien Weaponry - Thrash Metal and Te Reo Māori

Web, 2018 (Full Length)

Alien Weaponry are a thrash metal band which often sings in te reo Māori. This Vice documentary meets them as they prepare to tour Europe, and take the metal world by storm. The quiet lives of the members — Lewis de Jong and Ethan Trembath attend different high schools, while Henry de Jong is an apprentice mechanic — are contrasted with a high intensity performance (at the Auckland release show for the band's debut album ). The de Jong parents share stories about their two sons, and the band travel to Lake Rotoiti, to reconnect with their whakapapa. 

Kia Ora Hola - Episode Three

Television, 2010 (Full Length Episode)

This six-part Māori Television series documents the experiences of six teenagers from Māori language schools in Rotorua, on a three-week cultural field trip to Santiago, Chile. The students take their own cameras to record their experiences. They are hosted by the Montessori school Colegio Pucalan and local families, and take in the sites of the Chilean capital. The series is in Te Reo Māori, with English sub-titles. In this episode, the students learn about Chilean sports, sample different cuisines, and visit the port of Valparaiso.

Kia Ora Hola - Episode Four

Television, 2010 (Full Length Episode)

This six-part Māori Television series documents the experiences of six teenagers from Māori language schools in Rotorua, on a three-week cultural field trip to Santiago, Chile. The students take their own cameras to record their experiences. They are hosted by the Montessori school Colegio Pucalan and local families, and take in the sites of the Chilean capital. The series is in Te Reo Māori, with English sub-titles. In this episode, the students tour Santiago, meet street entertainers, and find out about Chile’s main faith - Catholicism.

Kia Ora Ni Hao - Episode Four

Television, 2008 (Full Length Episode)

This six-part Māori Television series documents the experiences of six Māori language students from around the country, on a three-week cultural field trip to Beijing, China. The teenagers take their own cameras to record their experiences. They attend a local high school, live with Chinese families, and take in the local sites and sounds. The series is in Te Reo Māori, with English sub-titles. In this episode, the students learn how to get around Beijing using the local transport, they visit schools and find out about calligraphy, and they tour Beijing’s legendary Forbidden City.

Kia Ora Ni Hao - Episode Three

Television, 2008 (Full Length Episode)

This six-part Māori Television series documents the experiences of six Māori language students from around the country, on a three-week cultural field trip to Beijing, China. The teenagers take their own cameras to record their experiences. They attend a local high school, live with Chinese families, and take in the local sites and sounds. The series is in Te Reo Māori, with English sub-titles. In this episode, the students check out the food markets, learn about Chinese sports, and visit the Great Wall of China.

Ka Mate! Ka Mate!

Short Film, 1987 (Full Length)

This short film is a re-enactment of events leading to Ngāti Toa leader Te Rauparaha’s ‘Ka Mate’ haka; he composed the chant after evading enemy capture by hiding in a kumara pit. (The haka would become famous after the All Blacks adopted it as a pre-game challenge.) Directed by pioneering filmmaker Barry Barclay in te reo, produced by John O’Shea and written by Tama Poata, the short was made in the lead-up to landmark Māori feature Ngati. Many of the crew were enlisted via a work scheme, aimed at redressing the lack of young Māori working in the screen industry.

Mataku - The Sisters (Ngā Tuāhine)

Television, 2001 (Excerpts)

Mataku was a bilingual series of half-hour dramatic narratives steeped in Māori mystique. Described as a Māori Twilight Zone, Mataku was produced by Māori writers, directors and actors, and was a strong international and domestic success. Each episode was introduced Rod Serling-style by actor Temuera Morrison. This excerpt from the first episode, which screened on TV3, portrays two young sisters (Nora and Naera) who are playing in the forest when events take a tragic turn; mysterious putapaiarehe (fairies) are implicated and haunt a troubled grown-up Nora.

Mataku - The Fishing Trip (Te Hi Ika)

Television, 2002 (Excerpts)

With each chilling tale "of the unexplained and unexpected" introduced by Temuera Morrison Rod Serling-style, Mataku was described as a Māori Twilight Zone. The award-winning bilingual series explored dramatic tales steeped in the supernatural world of Māori. Mataku was produced by Māori writers, directors and actors; and was a strong international and domestic success. Tension mounts in the excerpt from episode nine from the second series: when a group of old mates reunite to go fishing one of them has a long-kept secret, and terror lurks in the deep. 

Mai FM - It's Cool to Kōrero

Television, 1999 (Full Length)

This NZ TV award-nominated documentary tells the story of radio station Mai FM. Founded in 1992 by Auckland iwi Ngāti Whātua, its mix of hip hop, r’n’b and te reo soon won ratings success. Original breakfast host Robert Rakete recalls early days when the station was a CD player hooked up to an aerial, while Mai FM's champions argue the station has executed its kaupapa: promoting Māori language and culture to the youth of Auckland, including the breakout phrase, “it’s cool to kōrero!” The introduction by Tainui Stephens was done for Māori TV's doco slot He Raranga Kōrero.  

Lost in Translation 1 - The Beginnings (episode one)

Television, 2009 (Full Length)

Comedian Mike King retraces the 1840 journey of the nine sheets of the Treaty of Waitangi in this 10-part series. The introductory first episode explores the epiphany that inspired King to embark on “his dream project”. He rues his Treaty ignorance and lack of te reo, shares his struggle with memory loss since he suffered a stroke in 2006; and makes an emotional return home to learn about his link to the Treaty via his tīpuna. After debuting on Waitangi weekend, 8 February 2009, Dominion Post critic Linda Burgess called it “dignified, conciliatory, informative.”