Wellington Paranormal was dubbed 'Police Ten 7 meets The X-Files' . These excerpts from episodes three and five of the first season demonstrate the show's mix of deadpan commentary with (sometimes) mysterious subject matter. Officers O'Leary (played by Karen O'Leary) and Minogue (Mike Minogue) deal with two call outs. A report of a pale, translucent figure floating 'airily' around a Lower Hutt car park is the definition of an 'open and shut 'case, but a stake out in a supposedly haunted house isn't so straightforward. Officer Minogue's enthusiasm for tasers comes a cropper too.
Nightly magazine-style show Town and Around played on New Zealand screens during the second half of the 60s. Hosted by Peter Read, this end-of-1968 special from the Wellington edition showcases highlights from over 500 items that year. The concentration is on lighter material, most famously a hoax piece on a farmer who puts gumboots on his turkeys. In another piece reporter John Shrapnell discovers that locked cars in the city tend to be the exception. Also featured: an interview with entertainer Rolf Harris, and an impromptu Kiwi street-Hamlet.
“You get the impression that Wellington wants an audience but doesn’t want to be seen to be trying too hard to get one”. This report surveys 1982's local music scene, framing tensions between an energetic politically-conscious underground, and commercial rock and pop (i.e. Auckland). Not all is positive, with complaints about lack of venues and promotion, and violence at gigs. Interviewees include Mocker Andrew Fagan, Nino Birch (Beat Rhythm Fashion), Dennis O’Brien, Ian Morris, promoter Graeme Nesbitt (in Radio Windy sweatshirt) and punk singer Void (Riot 111).
This Queer Nation episode, presented by Max Currie, is an overview of the capital city's queer history. The literary demimonde is first up: Katherine Mansfield's lesbian affairs and a scandal involving Norris Davey (aka Frank Sargeson). Then the role is explored of the Dorian Society (1962-1986) and its subgroup the Homosexual Law Reform Society, which paved the way towards decriminalisation in the 1980s. The programme also introduces viewers to NZ’s most famous trannies: Carmen and then-MP Georgina Beyer. Interviews and archive material spice up the history.
Television presenter Hilary Barry praises whacky and "so dry" comedy series Wellington Paranormal in this video celebrating NZ On Air's 30th birthday. Barry talks about how the spin-off from What We Do In The Shadows is so different and understated that viewers tuning into halfway through could easily get confused. Writer/producer Paul Yates talks about rising respect for Kiwi comedy and how much of the show is ad-libbed, while Barry laughs about the great relationship between police officers O'Leary (Karen O'Leary) and Minogue (Mike Minogue).
“For three days, Wellington, New Zealand will become the Monte Carlo of the South Pacific”. Monaco Monza Macao Wellington follows a champion saloon car team (BMW Schnitzer M3) racing in 1989's Nissan Mobil 500 Wellington street race. From their arrival from Macao, to crashes, dramatic victory and a Coromandel wind-down, the documentary goes behind the scenes of a race team on the international circuit. Features interviews with team manager Charlie Lamm, drivers (Emanuele Pirro, Roberto Ravaglia), and a young Jude Dobson as interviewer.
Made in an era before “coolest little capital” and Absolutely Positively Wellington, the title of this NFU promotional film — Promises, Promises — nods to the capricious charms of the harbour city. A reflective narration is scored by a saxophone soundtrack as the film tours from the stock market, school fair, and swimsuit shopping, to Trentham and up hillside goat-tracks. The opening of Parliament is cut together with a Lions versus France rugby match at Athletic Park, while Scorching Bay is jam-packed with sun-seekers (it must have been filmed on a good day).
This specially designed light and sound installation was projected onto the facade of the Carillion in Wellington's Pukeahu Park in 2016 to commemorate the 100th anniversary of WWI. Archival material, like photographs and excerpts from letters, mix with original artwork inspired by natural imagery, and Māori and Pacific motifs, to tell Kiwi stories from the frontline. Among them are the HMS New Zealand's involvement in the Battle of Jutland, and important work by Kiwi tunnellers. This version is slightly expanded from the original 2015 film.
This NFU production covers the Shah of Iran’s first tour downunder, and uses the occasion to showcase New Zealand to international viewers: from scenery to topdressing, dental clinics and Wellington Girls’ College. The four day visit could be seen as a symbol of globalisation: NZ had been cut adrift by Britain and was looking for markets for its lamb, cheese and wool, and to secure oil supplies. The Shah needed food for his modernising petroleum exporting country. (The booming trade was to be curtailed by the 1979 Iranian Revolution, when the Shah was exiled.)
This postwar Weekly Review joins a welfare officer from the Crippled Children’s Society on her Wellington rounds: advising parents, chaperoning children to hospitals to undergo physical and speech therapy, and overseeing the supply of specialist footwear and splints. There’s also a Kiwi take on Heidi as a boy is offered a farm holiday, walking on crutches among the cows: “No care and treatment can substitute for the uplift of two weeks in the country.” Released in September 1948, the film was made by decorated war correspondent Stan Wemyss (grandfather of Russell Crowe).