“As an Oscar is to actors, a Benson & Hedges Fashion Design Award was to aspiring New Zealand fashion designers.” The B&H Awards were the big fashion event of the year for three decades from 1964. This 1978 telecast is presented from Wellington’s Town Hall by John Hayden, and longtime B&H organiser Josephine Brody. The theme is ‘fantasy’, but the fabric du jour is wool — befitting an economy living off the sheep’s back — with design entries coming in from Kaitoke to Marton and a procession of homespuns and knitwear paraded before the visiting Parisian judge.
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s to the 90s. The Wellington show was organised by model agent Maysie Bestall-Cohen from 1982, and from 1984 TVNZ broadcast the 'B&H' live from the Michael Fowler Centre. Bestall-Cohen and Bob Parker host this 1986 GOFTA award-winner. Former Miss Universe Lorraine Downes is a guest presenter, and the line-up of models includes a teenage Rachel Hunter and future TV presenter Hilary Timmins. Padded shoulders, geometric prints and garish colours date stamp the era.
In November 1970 a New Zealand tourism fashion presentation designed for Australian audiences took place at Auckland Museum. Dancing models wore traditional Māori motifs, combined with contemporary fashion — then still a novelty. The designs include work by Kowhai Knitwear's Janice Hopper and Ann Rupe (who is heard on the soundtrack). Rupe had won the Coat and Suit section at the New Zealand Fashion Showcase '69, aged 20. The Taniko motifs were painstakingly beaded or individually painted on to the garments, rather than screen-printed.
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s through to the 90s. The show was organised by Josephine Brody, with a TV version screening later. Model turned agent Maysie Bestall-Cohen organised the ‘B&H’ from 1982. An early 80s screen hiatus ended with TVNZ screening a live-to-air show from 1984 to 1998 — the Michael Fowler Centre event was one of its biggest outside broadcasts. In the later 90s the show was known as the Smokefree Fashion Design Awards (after tobacco company sponsorships were outlawed).
Made at Auckland's Media Design School, these CGI short films combine the expertise of lecturer James Cunningham (director of award-winners Poppy and Infection) with the raw smarts and hard work of his 3D animation students. With established industry talents (e.g. writer Nick Ward and cameraman Simon Riera) helping guide the students, the results have won awards and selection to impressive international festivals, including SIGGRAPH. 2011's effort saw the screen debut of alien hunter Dr. Grordbort, originally created by Weta Workshop's Greg Broadmore.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
Ngila Dickson is an Academy Award-winning costume designer who has been involved in some of our biggest film and TV projects. Her first film experience was on User Friendly and since then she has designed for Jack Be Nimble, Heavenly Creatures, Crush and The Lord of the Rings trilogy. In television, she made a name for herself designing costumes for Xena: Warrior Princess and Hercules: The Legendary Journeys. Dickson has also worked on a range of international movies.
Costume designer Barbara Darragh is the creator of Xena’s iconic outfit, Billy T James’ look as the Tainuia Kid in Came a Hot Friday, and has won awards for her work on the feature films The End of the Golden Weather and River Queen. Darragh’s television credits include Under the Mountain, Greenstone, Hercules and Xena, and, most recently, Spartacus.
Before launching her own clothing label, designer Liz Mitchell began her career creating costumes for stage and screen including Front Lawn classic Walkshort, and cult movie Angel Mine. Her best known costume designing role was for 1980s glamour soap Gloss.