In this second feature from filmmaker Martin Sagadin, two women inch towards romance until the arrival of a stranger seeking a bed for the night changes the dynamic. Sagadin's adopted city of Christchurch is like a fourth character in the story; as the women (played by Alayne Dick and Illinois-born Hannah Herchenbach) walk and talk, the sunlit streets of the city take on different moods. Sagadin's experimental feature Oko na Roki was part of the 2018 NZ International Film Festival. Sagadin has also directed videos for Christchurch musicians Marlon Williams and Aldous Harding.
Following award-winning and high rating collaborations exploring trains (Off the Rails) and Antarctica (ICE), Jam TV reteamed with presenter Marcus Lush to explore the southern tip of the South Island. Over seven 30 minute episodes, the Bluff-based Aucklander mixed wry observation and self-deprecation with clear affection for the stories, wildlife, geography and characters of his (then) adopted hometown, and its environs. At the 2010 Qantas Television Awards, Lush won Best Presenter and Melanie Rakena won Best Director – Entertainment / Factual.
In this documentary, writer and adopted Cantabrian Joe Bennett explores the north/south divide, where the dividing line is the Bombay Hills — Jafa being an acronym for a somewhat impolite term for Aucklanders. Bennett is in sparkling form, mischievously stirring the pot of regional prejudice as he travels the country, asking exactly what non-Aucklanders think about the inhabitants of the City of Sails. The deep south has never looked so hardy, cold or desolate; meanwhile the congested motorways of Auckland appear to be paved with lattes and cellphones.
Noel (Patrick Smyth) and Faith (Kate Harcourt) are happily retired; they while away their time digging into the earth beneath their house and sifting for treasure from the knick-knacks and 'thingamajigs' of history. Then a tremor shakes up “Dad’s excavations”. Adopting a low-dialogue storytelling approach, this reflective tale of finding life and meaning in the small things marked a rare screenwriting credit for Vintner's Luck author Elizabeth Knox (collaborating with director Neil Pardington). It screened as part of Kiwi shorts showcase at the 1994 Cannes Film Festival.
English-born broadcaster Ian Johnstone had been living in New Zealand for 17 years when TVNZ gave him the opportunity to take the pulse of his adoptive country, in a series of six half-hour documentaries. With a brief to provide his personal perspective on "what's changing, what's worth keeping", Johnstone's Journey saw him touring the country and talking to everyday people (rather than the expected experts) as he examined the Kiwi DIY ethic, Māori and Pākehā attitudes to the land, the family, rural community, the spread of the cities, and the New Zealand identity.
Rubbings from a Live Man is a semi-dramatised biography largely performed by the subject himself — legendary theatre actor and director Warwick Broadhead. He recounts his dramatic life story by adopting a number of personas. The collaboration with director Florian Habicht marked a rare time the camera-wary Broadhead performed on screen. He describes his troubled upbringing as a lot of cover-up and pretence. "Then I went into the world of theatre," he says, "which is cover-up and pretence." Broadhead passed away in January 2015, having predesigned a memorable funeral.
Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.
Adrian Waretini was born in Rotorua in 1946, the son of Deane Waretini, a celebrated Māori singer in the 1930s and 1940s. After his father died, Adrian began singing his songs and adopted his Christian name as a music career beckoned. Waretini Junior went on to perform with the Māori show bands in the 1970s. In 1980, he recorded a song written by his cousin (and Te Arawa elder) George Tait. Initially self-released, ’The Bridge’ was picked up by CBS; it became the first number one single to be sung in te reo after it topped the New Zealand chart for two weeks in April 1981.
This short film is a re-enactment of events leading to Ngāti Toa leader Te Rauparaha’s ‘Ka Mate’ haka; he composed the chant after evading enemy capture by hiding in a kumara pit. (The haka would become famous after the All Blacks adopted it as a pre-game challenge.) Directed by pioneering filmmaker Barry Barclay in te reo, produced by John O’Shea and written by Tama Poata, the short was made in the lead-up to landmark Māori feature Ngati. Many of the crew were enlisted via a work scheme, aimed at redressing the lack of young Māori working in the screen industry.
This black and white video is certainly not the first to adopt the patented 'are these images connected, or is it all a trick' approach. A woman crouches in a nightgown; a man waits in an expensive looking chair; a confident woman in a distinctive dress enters the room, possibly for the cash. Taken from 1994's Broadcast, probably Strawpeople's most successful album, 'Trick with a Knife' features vocals by Fiona McDonald. Strawpeople founders Mark Tierney and Paul Casserly make fleeting appearances.