Following award-winning and high rating collaborations exploring trains (Off the Rails) and Antarctica (ICE), Jam TV reteamed with presenter Marcus Lush to explore the southern tip of the South Island. Over seven 30 minute episodes, the Bluff-based Aucklander mixed wry observation and self-deprecation with clear affection for the stories, wildlife, geography and characters of his (then) adopted hometown, and its environs. At the 2010 Qantas Television Awards, Lush won Best Presenter and Melanie Rakena won Best Director – Entertainment / Factual.
English-born broadcaster Ian Johnstone had been living in New Zealand for 17 years when TVNZ gave him the opportunity to take the pulse of his adoptive country, in a series of six half-hour documentaries. With a brief to provide his personal perspective on "what's changing, what's worth keeping", Johnstone's Journey saw him touring the country and talking to everyday people (rather than the expected experts) as he examined the Kiwi DIY ethic, Māori and Pākehā attitudes to the land, the family, rural community, the spread of the cities, and the New Zealand identity.
Kevin Whana (aka 'Starfish') makes a crust by running onto Auckland intersections and cleaning car windscreens. Sándor Lau's acclaimed documentary adopts a style befitting its charismatic subject: witty and street-smart, coloured by more serious moments where Whana struggles with drugs, the law and homelessness; and rages at wrongs against himself, and the Māori people. Keen to make something "political but also entertaining and emotionally engaging", Lau made the film after realising the best window washers "know it’s like street theatre or performance art".
Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.
Rubbings from a Live Man is a semi-dramatised biography largely performed by the subject himself — legendary theatre actor and director Warwick Broadhead. He recounts his dramatic life story by adopting a number of personas. The collaboration with director Florian Habicht marked a rare time the camera-wary Broadhead performed on screen. He describes his troubled upbringing as a lot of cover-up and pretence. "Then I went into the world of theatre," he says, "which is cover-up and pretence." Broadhead passed away in January 2015, having predesigned a memorable funeral.
This 1967 documentary tells the story of 734 Polish children who were adopted by New Zealand in 1944 as WWII refugees. Moving interviews, filmed 20 years later, document their harrowing exodus from Poland: via Siberian labour camps, malnutrition and death, to being greeted by PM Peter Fraser on arrival in NZ. From traumatic beginnings the film chronicles new lives (as builders, doctors, educators, and mothers) and ends with a family beach picnic. Made for television, this was one of the last productions directed by pioneering woman filmmaker Kathleen O'Brien.
Host Marcus Lush called this 2009 series a "love letter" to the characters and stories of the south. In this first episode he sleeps over on Dog Island (where he learns a lighthouse doesn’t have curved beds). Then it’s down to Stewart Island to join "Robin’s teepee cult" and meet Mason Bay whānau, and back to the Aucklander's adopted hometown of Bluff to chat with artistic beachcombers. South continued JAM TV’s winning collaboration with Lush (Off the Rails, ICE). At the 2010 Qantas Awards, the series collected gongs for best presenter and for director Melanie Rakena.
This short film is a re-enactment of events leading to Ngāti Toa leader Te Rauparaha’s ‘Ka Mate’ haka; he composed the chant after evading enemy capture by hiding in a kumara pit. (The haka would become famous after the All Blacks adopted it as a pre-game challenge.) Directed by pioneering filmmaker Barry Barclay in te reo, produced by John O’Shea and written by Tama Poata, the short was made in the lead-up to landmark Māori feature Ngati. Many of the crew were enlisted via a work scheme, aimed at redressing the lack of young Māori working in the screen industry.
Chosen as the theme tune of Outrageous Fortune spinoff Westside roughly four decades after it was first performed, this guitar and sax-driven rocker appeared on the first album by the legendary, on again off again Hello Sailor. Taken from music show Ready to Roll, this performance sees Brazier and band talking tough in leather about danger on the streets, and "nights like a razor blade". Harry Lyon snarls over his red guitar, Graham Brazier plays a saxophone with a price tag on it, and Dave McArtney adopts classic bored rocker pose.
Despite a cold, superstar singer/songwriter Joni Mitchell is a most obliging interviewee for music show host Richard Driver. Having adopted a number of styles over the years, she says she has become a “neither/nor”: no longer easily categorised by radio as a jazz or a rock musician. She performs compelling acoustic versions of ‘Number One’ (from her then current album Chalk Mark in a Rain Storm) and the brand new ‘Night Ride Home’ which she doesn’t know how she’ll record. It would show up in a similar arrangement as the title track of her next album.