In this second feature from filmmaker Martin Sagadin, two women inch towards romance until the arrival of a stranger seeking a bed for the night changes the dynamic. Sagadin's adopted city of Christchurch is like a fourth character in the story; as the women (played by Alayne Dick and Illinois-born Hannah Herchenbach) walk and talk, the sunlit streets of the city take on different moods. Sagadin's experimental feature Oko na Roki was part of the 2018 NZ International Film Festival. Sagadin has also directed videos for Christchurch musicians Marlon Williams and Aldous Harding.
Following award-winning and high rating collaborations exploring trains (Off the Rails) and Antarctica (ICE), Jam TV reteamed with presenter Marcus Lush to explore the southern tip of the South Island. Over seven 30 minute episodes, the Bluff-based Aucklander mixed wry observation and self-deprecation with clear affection for the stories, wildlife, geography and characters of his (then) adopted hometown, and its environs. At the 2010 Qantas Television Awards, Lush won Best Presenter and Melanie Rakena won Best Director – Entertainment / Factual.
In this documentary, writer and adopted Cantabrian Joe Bennett explores the north/south divide, where the dividing line is the Bombay Hills — Jafa being an acronym for a somewhat impolite term for Aucklanders. Bennett is in sparkling form, mischievously stirring the pot of regional prejudice as he travels the country, asking exactly what non-Aucklanders think about the inhabitants of the City of Sails. The deep south has never looked so hardy, cold or desolate; meanwhile the congested motorways of Auckland appear to be paved with lattes and cellphones.
Kevin Whana (aka 'Starfish') makes a crust by running onto Auckland intersections and cleaning car windscreens. Sándor Lau's acclaimed documentary adopts a style befitting its charismatic subject: witty and street-smart, coloured by more serious moments where Whana struggles with drugs, the law and homelessness; and rages at wrongs against himself, and the Māori people. Keen to make something "political but also entertaining and emotionally engaging", Lau made the film after realising the best window washers "know it’s like street theatre or performance art".
English-born broadcaster Ian Johnstone had been living in New Zealand for 17 years when TVNZ gave him the opportunity to take the pulse of his adoptive country, in a series of six half-hour documentaries. With a brief to provide his personal perspective on "what's changing, what's worth keeping", Johnstone's Journey saw him touring the country and talking to everyday people (rather than the expected experts) as he examined the Kiwi DIY ethic, Māori and Pākehā attitudes to the land, the family, rural community, the spread of the cities, and the New Zealand identity.
Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.
Chosen as the theme tune of Outrageous Fortune spinoff Westside roughly four decades after it was first performed, this guitar and sax-driven rocker appeared on the first album by the legendary, on again off again Hello Sailor. Taken from music show Ready to Roll, this performance sees Brazier and band talking tough in leather about danger on the streets, and "nights like a razor blade". Harry Lyon snarls over his red guitar, Graham Brazier plays a saxophone with a price tag on it, and Dave McArtney adopts classic bored rocker pose.
Despite a cold, superstar singer/songwriter Joni Mitchell is a most obliging interviewee for music show host Richard Driver. Having adopted a number of styles over the years, she says she has become a “neither/nor”: no longer easily categorised by radio as a jazz or a rock musician. She performs compelling acoustic versions of ‘Number One’ (from her then current album Chalk Mark in a Rain Storm) and the brand new ‘Night Ride Home’ which she doesn’t know how she’ll record. It would show up in a similar arrangement as the title track of her next album.
The 'art star' is renowned contemporary artist Vanessa Beecroft; this film follows her from Africa to New York and Europe in her efforts to adopt two orphaned Sudanese twins. How the process impacts on her art and personal life, and the contradictions of her mission, are provokingly documented by director Pietra Brettkelly. Art Star won best doco, director and editing at 2009's Qantas Film and TV Awards and was selected for multiple festivals, including Sundance. LA Times: "a brutally honest, remarkably self-critical reflection on foreign adoption".
This black and white video is certainly not the first to adopt the patented 'are these images connected, or is it all a trick' approach. A woman crouches in a nightgown; a man waits in an expensive looking chair; a confident woman in a distinctive dress enters the room, possibly for the cash. Taken from 1994's Broadcast, probably Strawpeople's most successful album, 'Trick with a Knife' features vocals by Fiona McDonald. Strawpeople founders Mark Tierney and Paul Casserly make fleeting appearances.