The third single from Opshop’s triple platinum-selling second album Second Hand Planet reached number three on the NZ singles chart, and became the theme song for a string of heart string-pulling NZ Post adverts with its lyric “one day / you’ll realise how much you have me”. Director Luke Sharpe’s video has the band in semi-darkness, accompanied only by a smoke machine and the odd dreamy projection. Lead singer and New Zealand’s Got Talent host Jason Kerrison’s vocals are harmonised by Dianne Swann from When the Cat’s Away and The Bads.
If the Wool Board rocked, Steriogram’s ‘Walkie Talkie Man’ video would be the result. It uses wool to create people, instruments and tall buildings. A King Kong-like character scales Hollywood’s Capitol tower to kidnap singer Tyson Kennedy: inevitably, this warm fuzzy has to unravel. The ingenious stop-motion animation was made in New York by Frenchman Michel Gondry (director of feature Eternal Sunshine of the Spotless Mind, and notable promos for Radiohead and Beck). The video – and the song’s use in an iPod advert – brought Steriogram worldwide exposure.
Arguably one of New Zealand's most beloved advertising campaigns, the Crumpy and Scotty adverts combined an iconic Kiwi author, odd couple comedy, and off road driving. They also deftly sent up two cliches: the unruffled country guy — in the shape of Good Keen Man Barry Crump — and the wimp from the city (played by Lloyd Scott). The first ad sees Scotty trying to sell the brilliance of the Hilux four-wheel drive, while Crumpy takes a backroads short cut. The follow-up spot sees Scotty taking extra precautions. The Crumpy and Scotty ads continued for 12 more years.
This Contact episode goes behind the scenes on a big budget commercial from the early days of the Kiwi film renaissance: a 1982 Crunchie bar ad which owes so much to Star Wars, the film crew even call their villain Darth. After 12 hour days working inside the Waitomo Caves, a move to Ninety Mile Beach sees the weather playing havoc with sets and schedules. Seeking fresh faces, commercials king Geoff Dixon (Crumpy and Scotty) cast his lead actors in Australia. Television adverts were even made to announce the arrival of the ad — which plays over the closing credits.
'Travellin' On' could be a theme song for veteran musicians everywhere — and blues legend Midge Marsden has recorded this Murray Grindlay song on three occasions. This version is quieter and more reflective, in keeping with the Europa commercial Marsden appeared in during the 1980s (for which Grindlay took lead vocal). Later the pair joined American Stevie Ray Vaughan for a far rockier take. Footage from the various adverts is reprised here, but the blue/gray wash, along with shots of Midge's travels, make this rendition more of a remembrance of a life spent on the road.
This Heartland channel series marked 50 years of television in New Zealand. Each episode chronicled a decade of screen highlights, alongside an interview with a personality who worked in that era. In this excerpt from the 1990s episode, host Andrew Shaw chats to Peter Elliott about his TV career, from painting the floor for Grunt Machine to becoming a high profile actor (Gloss, Shortland Street), and presenter (Captain’s Log). Elliott reflects on the Shortland Street (and Civil Defence advert) curse, and the screen industry’s growing confidence in telling local stories.
Fane Flaws has popped up in all kinds of places: on the Blerta bus, holding a paintbrush, and behind a guitar and video camera.
The Manawatu has provided fertile ground for New Zealand comedic talent, including producing six-person comedy group Facial DBX.
Leigh Hart is known for his offbeat comedy, and sausage adverts. He broke onto the small screen doing interviews for SportsCafe, before launching Moon TV. Hart's parody talk show The Late Night Big Breakfast Show was picked up by online channel Watch Me. In this ScreenTalk Short, Hart talks about how he first ended up on TV, failing to get deep and meaningful on Shock Treatment, going missing during Leigh Hart's Mysterious Planet, and his famous voice.
Jono Pryor and Ben Boyce both got their starts in TV comedy after stints at broadcasting school, before joining forces in 2012 to create long-running hit show Jono and Ben. Here they talk about their careers, including: Hating M*A*S*H but loving SportsCafe — and how Jono and Ben was a loose version of Marc Ellis and Matthew Ridge's TV partnership, only without the athleticism or business smarts Early forays into broadcasting, including a young Jono harassing Mai Fm DJ Robert Rakete until he was allowed on the radio, and Ben Boyce’s haphazard attempt at rugby commentary as a 19-year-old Ben discusses early creative endeavours including making movies on a farm as a kid, writing the "show us your crack" advert, and creating an early version of Pulp Sport at broadcasting school The perks of working with your best mate everyday on Jono and Ben, and getting to see younger talents from the show succeed — e.g. Guy Williams, Rose Matafeo, Laura Daniel and Jordan Watson (How to Dad) The challenges of transitioning from their 10pm time slot after 7 Days, to an hour of prime time at 7:30pm — and how Jono and Ben was hitting its stride in its seventh and final season How the internet is changing how comedy is viewed, and the difficulty of advertising executives always requesting “a viral video”