In this dark whodunit Gareth Reeves (The Cult, A Song of Good) stars as a crime writer who goes bush with strangers, while on a break from researching a story on a serial killer. Soon there’s death in the muddy Waitakere backblocks. The film marked the big screen debut of filmmaking partners James Napier Robertson and Tom Hern, en route to their high profile drama The Dark Horse. The results won support from a strong ensemble cast (Ian Mune, Ilona Rodgers), an invitation to the NZ film festival, and praise from NZ Herald reviewer Peter Calder for "smart writing and good acting".
Barry Crump's iconic deer hunting yarn A Good Keen Man captured Kiwi imaginations. Published in 1960, it quickly sold 300,000 copies, and with Crump cast as an "ironic, laconic sort of super-bushman", made him a legendary literary figure. This excerpt from the award-winning documentary looks at Crump's upbringing and early success as a writer. The full 72-minute documentary covers everything from his fractured family relationships, violence, a life-changing incident on a bush camp, and discovering religion, to the ads for Toyota that reignited Crump's profile in the 80s.
Made for the Forest Service by the National Film Unit this instructional film demonstrates essential firearms safety. Like later cautionary tales (eg. cult bush safety film Such a Stupid Way to Die) the film dramatises what can happen when things go wrong, before a hunter imparts "the five basic safety rules" (with obligatory ciggie hanging from lower lip). The rendering of the lesson might be hokey (compared to the explicit traffic safety ads of the '90s and '00s) but the message is deadly serious, as ongoing hunting tragedy headlines attest.
This series aimed to introduce and encourage young Kiwis into the outdoors. Fronted by climber Graeme Dingle, and based at Turangi's Sir Edmund Hillary Outdoor Pursuits Centre (co-founded by Dingle in 1973), it was produced for the Department of Education. In this sixth episode Dingle surveys the history and confidence-building philosophy of the centre, showing rafting, rope courses, and a bush rescue. He also revisits influential moments in his adventuring career, from heading up the Ganges in a jetboat, to helping disabled climber Bruce Burgess up Ruapehu.
In this 2013 short, a possum-trapping nature boy is challenged when a woman moves into a house on the edge of the bush, looking for a fresh start. Cinematographer Ginny Loane captures the wintry central plateau landscape where the fable of life and death plays out. Director Leo Woodhead co-wrote the script with Paul Stanley Ward; the result followed Woodhead’s short Cargo (2007) to the Venice Film Festival, and won the Jury Prize at the 2014 Hong Kong Film Festival. Director Andrew Adamson (Shrek) called it “a well structured, beautifully shot narrative.”
Anthropologist Max Scarry goes missing in Fiordland, while searching for a fabled Māori tribe. The local policeman believes Max broke local tapu. Max's partner Ruth sets off with his twin brother, murder suspect Edward, to try to unravel the mystery. John Laing's second feature attempts an ambitious Hitchcockian plot, and the cast — especially John Bach's terse doppelganger performance — testifies to the talent on hand in the early days of the Kiwi film renaissance. Atmospheric camerawork makes the most of damp Wellington, and remote bush settings.
A party of returning raiders hauls a massive waka taua (war canoe) through dense Waitakere bush, driven by their brutally insistent chief towards safety. Two water-boys are crouched in the bow. One of them risks a bold act of compassion — towards the trophy prisoner tied to the stern. The impressively-produced portage has echoes of Werner Herzog movie Fitzcarraldo, but the story is palpably Māori. Directed by Tearepa Kahi, Taua won Best Short at National Geographic’s 2007 All Roads festival, and was selected for the Berlin, Rotterdam and Clermont-Ferrand festivals.
A teenage boy (Lance Wharewaka) should be at school, but instead learns about the bush and the old days from his ailing grand uncle (Bill Tawhai). The friendship prepares the boy with the necessary skills for life. Written by poet Hone Tuwhare, Eel marked the drama directing debut of TV3 newsreader and Wild South presenter Joanna Paul."He [Bill] brought a mana with him and has such irreplaceable Māori knowledge," said Paul, who remembered him discussing "how he used bobs to catch eels. He remembers using flax — you can't buy knowledge like that."
Aotearoa's place as an adventure sport mecca is vividly captured in this classic 70s documentary, directed by Roger Donaldson (Smash Palace). Sir Edmund Hillary leads an A-Team of mates to tackle Fiordland's unclimbed Kaipo Wall. In part one, they set out to kayak and raft down the Hollyford River's white water rapids for the first time (they're soon overturned, bashed and wet). At Lake McKerrow they build a DIY sailboat with a tent fly and branches (Bear Grylls take note), then tramp along windswept sands and through thick bush to reach the imposing wall.
This early short from The Most Fun You Can Have Dying director Kirstin Marcon follows a driver (Sophia Hawthorne) in the aftermath of a car crash. She — almost — pulls a badly-injured victim from wreckage in rugged bush and tends to him, but behaves strangely when another motorist arrives. The film presents shards of the relationship between victim and 'rescuer', but never enough to undercut the effectively mysterious tone; metallic blues and greens flavour the film’s unexpected moral code. She's Racing won a Silver Plaque at Chicago Film Festival (2000).