This documentary is a hallucinogenic exploration of the allure of the foot and the cult of the shoe. What other item of clothing carries the promise of such pleasure or pain? A podiatrist, a ballerina, a cross dresser, a mistress, an academic, a transexual, a femme fatale and a couple of shoe salesmen journey into the depths of their soles. Selected for Venice Film Festival in 1996, Footage was an award-winning excursion into documentary making for feature director Niki Caro.
David Blyth's first film, 1976’s Circadian Rhythms, was an attempt to "slip past the conscious mind", and inside the head of a car crash victim. Blyth’s latest movie explores the world of another victim - this time a young woman (Kate O'Rourke) engaging in submission games with an unexplained male, who is haunted by her dark family history, and someone claiming to be her daughter. Fellow cinema provocateur Ken Russell (The Devils) praised Blyth’s "gorgeous images and repulsive dream-surgery into the recesses of female consciousness".
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
This raw and rowdy video gives a fleeting insight into the all-too-short life of Darcy Clay. Recorded on a primitive four-track tape machine, 'Jesus I Was Evil' was a demented fusion of country and garage rock that, combined with Clay's fetching Evel Knievel-style onesies, heralded the arrival of an eccentric new voice. Darcy's school friend David Gunson agreed to shoot the video for a few hundred dollars and a bottle of whisky — editor Ian Bennett ended up getting the whisky. The wry humour and energy captured in the video stands as a fitting testament to his subject.
An epic documentary chronicling the extraordinary life of Kiwi filmmaker Colin McKenzie. Or is it? McKenzie's achievements included cinematic innovations involving steam power and eggs, and an unfinished biblical tale filmed on the West Coast. The first television screening of this Costa Botes/Peter Jackson production memorably stirred up New Zealand audiences. Forgotten Silver went on to screen at international film festivals in Cannes and Venice — where it won a special critics' prize.
Director Peter Jackson's second feature Meet the Feebles offers even more bad taste than his debut. The irreverent, outlandish, part-musical satire is populated almost entirely by puppets, but it is by no means cute. The motley creatures are all members of a variety show that’s working up to a major performance. They include Bletch the two-timing pornographer walrus, an obese hippo femme fatale, a drug-dealing rat, and a heroin-addicted frog — in other words, something to offend everyone. Richard King writes about the creation of New Zealand's first puppet movie here.
Lisa Chappell first won fame playing spoilt rich kid Chelsea Redfern in 1980s glamour soap Gloss. In the 90s she moved to Australia and landed a starring role McLeod’s Daughters. Between small screen gigs, Chappell appeared in period romp Desperate Remedies. In 2009 she returned to New Zealand to play the gun-toting Sophie in TV drama The Cult.
Kate Elliott began her life on screen after attending an audition at school. Since winning that role - as a bulimic, sexually abused, self-mutilating teenager in House of Sticks - Elliott has starred in many of New Zealand’s major television productions including Street Legal, The Insiders Guide to Love, The Cult, Shortland Street, and played Katherine Mansfield in tele-feature Bliss. Her film credits include Toy Love, The Locals, and Fracture.
Alongside a successful career in musical theatre in Australia, actor Ross Girven has tackled a variety of television roles on both sides of the Tasman, and starred in landmark 1987 New Zealand film Ngati. He debuted on television here in trucking drama Roche, then had roles in a run of TV shows in the 1980s such as Peppermint Twist and The Marching Girls. Girven has also acted in Gloss and Shortland Street, and movie thriller Dangerous Orphans. More recently, he has appeared in Aussie cop show Water Rats, and NZ dramas Orange Roughies and The Cult.
Peter Meteherangi Tikao Burger (Ngāi Tahu, Rangitane) can thank a childhood lisp for his busy career as a screen director today. Having been sent to speech lessons, he found himself in the wrong class, and discovered the joys of performance in a drama class at a young and impressionable age. Since then, Burger has directed numerous film and television productions, including Until Proven Innocent, which won five Qantas awards in 2009, The Tattooist, Fish Skin Suit, short film Turangawaewae, staring the late Wi Kuki Kaa, as well as the TV series Outrageous Fortune, Go Girls and The Cult.