For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
Actor Bruno Lawrence rounds out a handful (Buck, Billy T, The Topps, Crumpy) of Kiwi icons who have achieved sufficient mana to be recognised by an abbreviated name. His charisma was key to ground-breaking films, Smash Palace, The Quiet Earth and Utu. Jack Nicholson reputedly had Bruno envy. This collection celebrates his inimitable performances and life.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
Celebrating the 75th anniversary of government filmmakers the National Film Unit, this collection pulls highlights from the 370+ wartime newsreels, tourism promos and Oscar nominees from the NFU which can be watched on NZ On Screen. Curated by NFU expert Clive Sowry, the collection includes backgrounders by Roger Horrocks, plus Film Unit alumni Sam Pillsbury, Paul Maunder, Arthur Everard and Lynton Diggle.
When the last Lord of the Rings film won Academy Awards glory in 2004, jokes were made about running out of Kiwis to thank. Taika Waititi’s nap and Anna Paquin’s stutter have also made Oscar night news through the years. Along with the Oscar magnet that is the Weta effects empire, comes a largely unsung legacy of Oscar recognition. Celebrate some of the Kiwi winners and nominees via NZ On Screen's collection of Kiwis at the Oscars: from hobbits, heavenly creatures and whale riders to Two Cars, a woozy gold rush tale, an extreme ski documentary and more...
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
This excerpt from arts show The Edge looks at the early days of Weta, the Wellington effects company which would win Oscars for King Kong and Avatar. Dressed in a Tintin T-shirt, Peter Jackson talks about the effects being crafted for Heavenly Creatures, and forecasts a future where filmmaking will go digital. Richard Taylor — later head of Weta Workshop — crafts a sea creature for another project; George Port guides viewers through the basics of digital effects. At this point Port was Weta's only digital effects expert. He worked on Heavenly Creatures for seven months straight.
Musician and movie fan Chris Knox reviews Heavenly Creatures in this excerpt from 1990s arts show The Edge. Knox calls Peter Jackson's film about real life friends and murderers Juliet Hulme and Pauline Parker "brave and often astonishing". He praises Jackson's use of special effects for evoking the teenagers' heightened state of mind, but suspects that during other scenes a more naturalistic approach would have helped the characters. The clips from the Oscar-nominated movie include some of Weta's earliest digital effects, and Peter Jackson's cameo outside a cinema.
A helmet cam records the claustrophobic reactions of a rookie mercenary (Elliot Travers) as an interplanetary combat raid goes wrong in Ferand Peek's debut short. Peek produced the one-shot DIY Gravity in Wellington over five years. Audio was recorded first, then Travers (shot in a special rig), then CGI effects were forged with the help of Miramar/Weta filmmaking crew. The result was touted by io9 doyen Annalee Newitz: “All we see of the world around him are reflections in his helmet, and yet the suspense is incredible. Plus, the story [is] surprisingly moving.”