This Country - New Zealand

Television, 1965 (Full Length)

Made by the NZ Broadcasting Corporation in the mid 1960s, this half hour TV documentary sets out to summarise New Zealand. More than a promotional video, it takes a wider view, examining both the country’s points of pride and some of its troubles. In a brief appearance Barry Crump kills a pig, although the narration is quick to point out that the ‘good keen man’ image he epitomises is also a root of the country’s problem alcohol consumption. The result is patriotic, but certainly not uncritical. Writer Tony Isaac went on to make landmark bicultural dramas Pukemanu and The Governor

Logger Rhythms

Short Film, 1984 (Full Length)

In the 20th Century forests of fast-growing exotic pines were established in the North Island, making one of the world’s largest timber plantations. This short explores timber work in Kinleith and Kawerau: from planting to felling to finished product. Directed by NFU veteran Hugh Macdonald, Logger Rhythms is notable as the first Kiwi film to record sound using Dolby Stereo. Sound men Kit Rolling and Tony Johnson’s efforts capturing chainsaw and machine ambience, along with Steve Robinson’s score, compelled Dolby in London to use the film as a demonstration reel.

Atoll People

Short Film, 1970 (Full Length)

Tokelau is a New Zealand territory, spanning three small South Pacific atolls. In the 1960s the New Zealand Government expressed concern about overpopulation, and instigated the Tokelau Islands Resettlement Scheme. This National Film Unit documentary surveys Tokelau society and culture from a New Zealand perspective, and follows the journey of a group of Tokelauans who chose to migrate to Aotearoa (where they adapt to telephones and horses near Te Puke). It was one of three NFU documentaries directed by Derek Wright on Pacific Island subjects.

The Years Back - 2, The Twenties (Episode Two)

Television, 1973 (Full Length Episode)

In this episode of the archive-compiled history series, Bernard Kearns focuses on the Roaring Twenties. Soldiers returning from the First World War struggle to tame the land as commodity prices fall. The Labour Party, with miners as its backbone, gains a foothold on the political scene, and the Ratana Church emerges as an alternative to more distant Māori leaders. In Dunedin, the New Zealand and South Seas International Exhibition proves a huge success and members of the Royal Family are popular visitors to our shores. But the Great Depression looms.

Hidden Places: Ōkārito

Television, 1978 (Full Length)

Award-winner Hidden Places: Ōkārito marked an early milestone for the Natural History Unit (later to become NHNZ) — it was part of the first series made by the unit. The 15 minute episode follows birds, such as white heron, Russian godwits and royal spoonbills, all of them flocking to Ōkārito's "unique world of sea, lagoon, rivers and forests". Logging of kahikatea, the tallest endemic forest tree, also features. Robin Scholes, later to produce movie Once Were Warriors, wrote and directed this episode. It won Best Documentary at the 1979 Feltex Television Awards.

Pukemanu - Pukemanu Welcomes You

Television, 1971 (Full Length Episode)

Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.

The Water Cycle

Short Film, 1972 (Full Length)

Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.

On an Unknown Beach

Film, 2016 (Trailer)

Mixing three separate strands, On an Unknown Beach is a so-called “‘speculative documentary" about journeys into landscapes of ruin. Sonic artist Bruce Russell explores the ruined Christchurch CBD, scientist Di Tracey captures compelling underwater footage while examining coral damage on the seabed, and poet David Hornblow undergoes hypnotherapy to explore his consciousness and past experiences with addiction. The film was made by Adam Luxton and Summer Agnew, whose 2005 documentary Minginui (2005) focussed on an ex-forestry town in the North Island.

Series

Country Calendar

Television, 1966–ongoing

The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.

Gallipoli: The New Zealand Story

Television, 1984 (Full Length)

This documentary tells the stories of the New Zealand soldiers who were part of the identity-defining Gallipoli campaign in World War I. In the ill-fated mission to take a piece of Turkish coastline, 2721 New Zealanders died with 4752 wounded. As part of research, every one of the then-surviving Gallipoli veterans living in New Zealand was interviewed, with 26 finally filmed. Shot at a barren, rocky Gallipoli before the advent of Anzac Day tourism, this important record screened on Easter Sunday 1984, and won a Feltex Award for Best Documentary.