Ilona Rodgers has starred in a huge array of theatre, film and TV roles in New Zealand, Australia, and the UK. As well as appearing in many British and Australian TV shows screened in New Zealand, Rodgers has been a stalwart of locally made programmes such as Close to Home and Hunter's Gold. Probably best known for playing Maxine Redfern in Gloss, some of Rodgers' other screen credits include The Billy T James Show, Marlin Bay and the film Utu.
John Leigh is one of NZ's most versatile and experienced actors, with over 40 NZ TV and film credits to his name, including roles in Outrageous Fortune, Serial Killers, Stickmen, Shortland Street and Mercy Peak, plus numerous theatre and voice-over appearances. From early beginnings in the Wellington theatre scene through his first major TV role as Lionel Skeggins on Shortland Street, he is a familiar face on NZ stage and screen. His talents also extend to voice-over with several character appearances on Power Rangers, along with numerous advertising campaigns.
The globetrotting Sandy Houston began her career in animation and visual effects, after she left New Zealand for London. In the 90s she joined powerhouse American effects company ILM and Walt Disney Pictures, then Weta Digital in 2003. En route, she worked on a number of landmark films in modern visual effects, including Jurassic Park, the Oscar-winning Avatar, and Peter Jackson's remake of King Kong.
The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.
An epic documentary chronicling the extraordinary life of Kiwi filmmaker Colin McKenzie. Or is it? McKenzie's achievements included cinematic innovations involving steam power and eggs, and an unfinished biblical tale filmed on the West Coast. The first television screening of this Costa Botes/Peter Jackson production memorably stirred up New Zealand audiences. Forgotten Silver went on to screen at international film festivals in Cannes and Venice — where it won a special critics' prize.
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Peter Jackson has gone from being a shy, unknown fanboy making pastiche versions of his favourite fantasy movies, to a renowned master of his craft; from Pukerua Bay to Wellywood: today he has few peers in the realm of large scale filmmaking.
Jamie Selkirk is the Academy Award-winning editor of Return of the King, the final episode of the Lord of the Rings trilogy. His working relationship with director Peter Jackson stretches from Jackson's first feature Bad Taste through to the present day. Selkirk helped found special effects company Weta Workshop, and Wellington's Camperdown Studios.
Sound designer Mike Hopkins worked on more than 20 feature films. Along the way he won wide respect for his craft and the humble dedication he applied to it. He won awards for his work on Kiwi classics Illustrious Energy, Crush and Heavenly Creatures, and Oscars for his sound editing on King Kong and the second Lord of the Rings movie. Hopkins died in a rafting accident on 30 December 2012.