In this 1998 documentary, made for TV3’s Inside New Zealand slot, prisoners provide straight-talking descriptions of life on the inside. Collectively rejecting any idea of prison as a soft option, they talk about missing sunlight, closing up emotionally, and how even “the staunchest” end up crying. One long-timer argues that imprisonment is an expected part of becoming a gang member. Statistics provide food for thought about the life cycle of criminality — 78 per cent of inmates have no school qualifications; 80 per cent were abused as children.
This film is about the redemption of Jake the Muss. It picks up the story after Jake has turned his back on his family (his wife has left him to escape the violence) and is up to his usual tricks in McClutchy's Bar. After one of his sons dies suspiciously in a gang fight, another sets out to find revenge, accompanied by young gang member Tania (Nancy Brunning). Scripted by Alan Duff and directed by Ian Mune, the film was the second-highest-earning NZ film of the 1990s, (eclipsed only by Once Were Warriors). It scooped most of the categories at the 1999 NZ Film & TV Awards.
Actor turned producer/director Julian Arahanga made his screen debut at age 11, starring alongside Annie Whittle in short film The Makutu on Mrs Jones. He shot to fame playing novice gang member Nig Heke in landmark movie Once Were Warriors, then went on to act in a number of films including Broken English. Since setting up his own production company Awa Films, Arahanga has directed and produced TV series Songs from the Inside and acclaimed documentary Turangaarere: The John Pohe Story.
Julian Arahanga shot to fame playing novice gang member Nig Heke in Once Were Warriors.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
This musical retooling of the ill-fated love story began life as a concept album by ex Screaming Meemee members Peter van der Fluit and Michael McNeill. In 2010 they sent 38 songs to director Tim van Dammen, who decided to retell Shakespeare's classic romance as "a sort of trash opera — like an updated John Waters type thing". A caravan park is the canvas for a cast of beautiful young things, pop, rap, knives and beer crates. NZ Herald's Dominic Corry praised the film for its "emotionally-assured grasp of what makes this famous story so enduring".
This first episode from the kidult series pits 12-year-old Terry Teo, sister Polly and brother Ted against a gang of gunrunners led by crime boss Ray Vegas (former Goon Michael Bentine), after Terry skates down the wrong driveway and stumbles on the crims and their illegal arsenal. Terry was fondly remembered by Kiwi kids who grew up in the 80s. Taking cues from the Stephen Ballantyne and Bob Kerr comic it was based on, there are Batman-esque graphics and arcade game-style animated sequences. Sean Duffy’s bald villain is called Curly and the bikie is Billy T James.
Charlie Horse is a personal film diary by actor Martyn Sanderson showing the breaking-in and training of a young colt in rural Hawke's Bay. It was made when Sanderson was a vital part of the gang of Blerta creatives who based themselves at Waimarama Beach in the 1970s. Some stunning ‘wild horses' imagery is captured (shot by Sanderson and cinematographer Alun Bollinger) and narration is intriguingly provided from audience comments recorded at a local screening of the footage. It features music by Blerta members Bruno Lawrence, Chris Seresin and Patrick Bleakley.
Julian Arahanga shot into the public eye in 1994's Once Were Warriors, playing the son who becomes a gang-member. He followed it with a starring role in cross-cultural romance Broken English. Since then Arahanga has continued a prolific career working in front of, and increasingly behind the camera - including as producer and director on Māori Television series Songs from the Inside.
Costa Botes has had a long independent career as a director of drama (Stalin’s Sickle, Saving Grace ), a run of feature-length documentaries (Angie, Candyman, The Last Dogs of Winter) and at least one film that is very difficult to classify (Forgotten Silver). Botes also spent many years as a film critic, with a reputation for an acerbic wit.