The Coming-of-Age collection includes many of New Zealand's most beloved films. Featured are grumpy uncles, annoying parents, plus a wide range of children and teens negotiating the challenges of growing older — and wiser. Among the young actors making an early mark are an Oscar-nominated Keisha Castle-Hughes (Whale Rider), James Rolleston (Boy) and 12-year-old Fiona Kaye (Vigil). The titles include Alone, the winner of NZ On Screen's very first ScreenTest film contest. In the backgrounder, young Kiwi actor Thomasin Harcourt McKenzie writes from New York.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.
South Pacific Pictures marked its 30th anniversary in 2018. With drama production at its core, this collection highlights the production company’s prodigious output. The collection spans everything from Marlin Bay to Westside — including hit movies Sione's Wedding and Whale Rider — plus the long-running and beloved Shortland Street. In the backgrounder, longtime SPP boss John Barnett reminisces, and charts the company’s history.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.
This Loose Enz edition follows a theatre group developing a play about Greek Gods. The full gamut of am-dram tropes are featured: know-all director, a lecherous lead (Jeffrey Thomas), zealous extras, drunk techies, an existential playwright (Colin McColl), shambolic dress rehearsal etc. Estranged couple Tom (Grant Tilly) and Helen (Liddy Holloway) find the play’s lofty themes echoed in more earthly realities. With a who’s who of NZ luvvies of the era it’s not quite Carry On, but there are japes aplenty, the show must go on, and it’ll be all right on the night.
The war is Europe is over and New Zealanders take to the streets to celebrate in this NFU newsreel. The relief and excitement at the end of hostilities against Germany is clearly visible on the faces of the thousands who flood into New Zealand's towns and cities. But Deputy Prime Minister Walter Nash reminds the crowd the war is not over: Japan has yet to surrender. That doesn't stop wild celebrations following the National Declaration of Peace. Civilians and servicemen alike enjoy the party, many looking the worse for wear "in advanced stages of celebration".