Roy Good is the creative talent behind a wide range of set designs (1960s music show C'mon, Hudson & Halls, Top Half) and graphics (including iconic logos for South Pacific Television, and Television New Zealand's Southern Cross logo). Good started his television career painting sets and designing graphics for C'mon. The accomplished artist led a large design team at TVNZ for most of the 1980s.
Christchurch editor, artist and animator Ken Clark turned a childhood passion for magic and monsters into stop motion animation. After making student films, a decade at TVNZ saw him editing staples across news, sport, and children's programming. He also designed titles for After School and CGI for What Now?. Since 1990 Clark has tutored in animation; his shorts have shown in galleries and festivals.
Filmmaker and artist Gaylene Barnes has used her grab bag of skills on film sets, in editing suites, and as a painter and multi-media artist. Nominated for awards as both a production designer and an editor, Barnes has also directed everything from Hunger for the Wild to documentaries and animated shorts.
Award-winning designer and cartoonist Ant Sang is the artist behind the characters and backgrounds of animated hit bro'Town.
Ash Turner is a production designer and art director with over 20 year's experience contributing to award-winning features and television dramas, plus short films, commercials and live events. His work includes design for the films Snakeskin, A Song of Good, and Planet Man, as well as award-winning TV drama Ngā Tohu: Signatures.
Kelly Martin is chief executive of leading New Zealand production company South Pacific Pictures. Martin rose through the network ranks from photocopying to international acquisitions, before she became director of programming at TV3 — where she oversaw local drama successes like Outrageous Fortune, and comedy hits bro’Town and 7 Days. In 2012 she left TV3 to head up South Pacific Pictures.
Between 1975 and 1983, London-born variety artist Chic Littlewood entertained a generation of Kiwi kids, writing and presenting 500 plus episodes of his after school shows Now C Here, Chicaboom and Chic Chat — appearing with Alma Woods, puppet Willie McNabb, and as Gramps. In 1993 Littlewood enjoyed a primetime career revival, after starting a three year stint on Shortland Street. He passed away on 11 January 2015.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.
Denis Harvey's career encompasses a range of leadership positions – but he is best known for his contributions to sports coverage, especially his work across multiple years of America's Cup and Olympic sailing. Harvey spent three decades working for state TV, including seven years commanding sport, and four as TVNZ's overall head of production. These days he balances work in broadcasting and production.
Bob Stenhouse, the first Kiwi animator to be nominated for an Academy Award, spent 12 years working for state television. After joining the Government’s National Film Unit in 1980, he made Oscar-nominated short The Frog, The Dog and the Devil. Stenhouse’s later films have included several Joy Cowley short stories, plus award-winning short The Orchard, a Japanese fable adapted to a New Zealand setting.