This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
In this unexpurgated (and until-now unscreened) interview, Keith Quinn talks to TP 'Terry' McLean, who Quinn has called “the best rugby writer we have ever produced”. The late author and NZ Herald sports editor reminisces widely, though All Blacks are often on the menu: the “God-like figure” of George Nepia (who McLean wrote a book with), “audacious, thoughtful, cunning, chess player” Bob Scott, and Colin Meads, who McLean is candid in his opinion of. Quinn quizzes McLean on his beginnings, favourite sporting memories, and all-time favourite All Black Captain.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
The Gibson Group drama series centres on a team of TV journalists working on a weekly current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, who has been lured back to Wellington from Australia by a network boss hoping her tabloid style will help ratings. Her workmates are not so confident. In this excerpt from the start of the first episode, Robbins hits the news (literally) as she runs into a disturbed nightclubber (Katrina Hobbs) on a rainy night. A pre-Lord of the Rings Fran Walsh was one of the series writers.
This acclaimed Gibson Group series was set behind the scenes on a current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, hired for her tabloid style in a bid to raise the show's ratings. In this excerpt from episode two, a surrogate pregnancy turns into a nasty custody battle. Amanda chases the story, whatever the cost (journalistic ethics included) and acquaints herself with the surrogate. But then her in-house rival Liz (Jennifer Ludlam, who won a TV award for this episode) gets a scoop interview with the parents of the disputed child.