An epic documentary chronicling the extraordinary, unbelievable life of pioneer Kiwi filmmaker Colin McKenzie. Or is it? The first clue that none of this story is true is that the film begins (the opening 10 minutes is excerpted here) with Peter Jackson leading the viewer down a garden path. Much that is absurd and unlikely follows, leading to a curiously emotional climax. The screening of Forgotten Silver memorably stirred up NZ audiences, and it screened at international film festivals such as Cannes and Venice, where it won a special critics' prize.
Gliding On meets Borat, as a man pretending to be a fisherman from a fictional town heads to Wellington to find out if any government agency will take action about fish he says are dying in his river. Clad in jacket and tie and walk shorts and walk socks, he traipses the corridors of power which are artfully shot to look like a hell from which he will never escape. His attempts to find someone who can take action yield only a succession of impotent bureaucrats who participate happily but only to explain, often at length, why they can’t actually do anything.
This first episode in the second series made about “South Auckland’s finest singer”, Wayne Anderson, sees his career at a crossroads. Poor sales have torpedoed his breakthrough concert at Sky City and his manager, Orlando, is preoccupied with his new job at a car park. Still, there’s a gig at Acacia Cove — the most glamorous venue on the rest home circuit; and Wayne is now getting styling advice from Faye (a fellow member of the Elvis Presley Fan Club). Even more exciting is the prospect of taking his music to Manukau with his own radio station.
Ask Country Calendar viewers which shows they remember and inevitably the answer is "the spoofs" — satirical episodes that screened unannounced. Sometimes there was outrage but mostly the public enjoyed having the wool pulled over their eyes. Created by producer Tony Trotter and Bogor cartoonist Burton Silver, the first (in late 1977) was the fencing wire-playing farmer and his "rural music". This special episode collects the best of the spoofs, from the infamous radio-controlled dog, to the gay couple who ran a "stress-free" flock, and more malarkey besides.
Wayne Anderson is a man out of time. His three and a half octave voice and undying devotion to the “evergreens” of popular music (Elvis, Engelbert and Tom) should surely have seen him in Vegas by now. However, despite the best attempts of hapless manager Orlando, Wayne’s star has never ascended higher than the rather less lucrative Manurewa rest home circuit. The cameras follow him in his quest for a show business career – along with the perfect perm and hot pie – in a series where the boundary between fact and fiction is as elusive as that big break.
Eating Media Lunch satirised mainstream media, from "issues of the day" journalism to reality TV to the society pages (lampooned in the "celebrity share market index index"). No fish was too big or barrel too small. Presenter Jeremy Wells kept a straight face over seven seasons of often controversial episodes, while investigating issues inexplicably missed by other media (eg the porno film made in Taranaki and shot in te reo, or ritalin-fueled reality programme Medswap). EML's seventh season won Best Comedy Programme at the 2008 Qantas Film and Television Awards.
This hit Māori Television mockumentary series follows a couple of metro Māori men on a mission to claim a large inheritance…by finding a Māori bride. But in order to do so, the two 'plastic Māori' – property developer Tama Bradley (Boy's Cohen Holloway) and accountant George Alpert (singer/actor Matariki Whatarau) – must get in touch with their culture. In this first episode their unreadiness for the challenge is clear. NZ Herald's Alex Casey praised the show as a "hotbed for humour". Māori Bride was produced by the company behind webseries Auckland Daze and movie Waru.
In this mockumentary series, two metrosexual Māori males have six months to find a Māori bride in order to win a hefty inheritance. Created by writer Dane Giraud, the show mines comedy from being a modern Māori in the city. NZ Herald reviewer Alex Casey praised it for adding "much-needed fresh perspectives to New Zealand television comedy." The cast of the Kiel McNaughton-directed hit includes Cohen Holloway (Boy), Amanda Billing (Shortland Street), Rachel House (Whale Rider) and Siobhan Marshall (Outrageous Fortune). Jennifer Ward-Lealand narrates.
Winner of Best Actor and Best Director at short film festival Tropfest in 2013, this mockumentary follows the travails of Dave Dobson, "audio enhancement engineer for adult films". Dave’s passion for his job results in some sloppy aural props, in the hope that his soundtrack for Blizzard of Jizz will score a win at the Golden Clams. Not that his efforts are appreciated by his sleazy boss Gary, and hapless colleague Jake. Written and starring Greg Stubbings (Seven Sharp, The Crowd Goes Wild guest presenter), the comedy was selected for the ImagineNATIVE and Austin film festivals.
In this mockumentary series, hapless property developer turned politican Dennis Plant (played by Bob Maclaren) campaigns to win a fictional Queenstown seat, then later launches party Future New Zealand. Made by Great Southern, the first season screened on TV3. A second season on TV One coincided with the 2008 election; it was thrice nominated at the 2009 Qantas NZ Film and TV Awards (Best Comedy, plus Actor and Supporting Actor, for Maclaren and Andrew King respectively). Reality met fiction when Plant's 2008 election blog appeared on the NZ Herald website.