Born in England, Mark Mitchinson spent a number of formative years in New Zealand, before returning to the United Kingdom and training as an actor. But he kept coming back, eventually settling downunder in 2002 and rekindling his love of acting. Mitchinson has won awards and acclaim for TV movies Bloodlines and Siege, and has also starred in The Monster of Mangatiti and web series High Road.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.
The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.
Andrew Adamson, NZOM, began his career at Auckland computer animation company The Mouse that Roared. After moving to the States and working in visual effects, he won fame in 2001 after co-directing Shrek, the first film to win an Academy Award for best animated feature. Adamson has returned home to shoot the first two installments of the Chronicles of Narnia, followed by Lloyd Jones novel Mister Pip.
In Scarfies, five Dunedin students find themselves in a free squat, and a dark place, after taking a criminal captive in their basement. The debut feature from Robert Sarkies starts as a comic tribute to Otago student days, then turns into a psychological thriller. Outside of the two Warriors movies, Scarfies was the most successful Kiwi release of the 90s on home turf. It went on to scoop best film, director and screenplay awards at the 2000 NZ Film and TV Awards. This excerpt sees the scarfies torn between dealing with the crim and a footy match at Carisbrook.
During his career as a production designer, Rob Gillies has drafted plans for subterranean caverns (Under the Mountain), 60s era Kiwi garages (The World's Fastest Indian) and a slew of palaces, forts and magical kingdoms. Along the way he has won awards for a number of productions, including Fastest Indian and Xena: Warrior Princess.
Fascinated by every stage of the television process, Zane Holmes began in the backroom as an editor and has gone on to stints in producing, directing and visual effects. After getting his directing break on hit Being Eve, he later joined Jeremy Dillon as a partner in company Pop-Up Workshop,which specialises in shows for children. They followed series Pop-Up with The Moe Show, starring a friendly creature with big ears.
Yvonne Mackay is a prolific director of New Zealand television, whose work has often focused on the arts and projects made for young people. She made history as the director of The Silent One (1984), the first New Zealand feature film directed solely by a woman. These days Mackay runs Wellington company Production Shed TV.
The prolific Dale Bradley has produced and directed feature films on both sides of the Tasman. After setting up company Daybreak Pictures with his brother Grant, and directing his first feature, Gallipoli tale Chunuk Bair, Dale Bradley developed and directed movies in New Zealand and then Australia. In 2013 the Bradleys established NZ/UK-based company Aristos Films.
Actor and director Michael Hurst is a Kiwi creative institution. Even leaving aside his work as a director and stage actor, Hurst's screen resume runs to 50 roles and counting: including playing everyone from painter Toulouse-Lautrec, to Hercules's sidekick Iolaus, to politician Rodney Hide.