In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.

The laidback pop-reggae of double platinum album On the Sun was a noughties Kiwi summer soundtrack, and this golden hour-hued affair is a video to match. A Seedy trio (Barnaby Weir, Bret McKenzie, Daniel Weetman) head on holiday to the Coromandel for a smorgasbord of baches, pohutukawa rope swings, mussels on the barbie, and cricket on the beach. There's a nod to the sponsor's product as McKenzie pulls the Holden into the Tararu Store for a Fruju pitstop: one of the future Oscar-winner's earliest paid acting gigs was in an ice-block commercial.

From a pre-Mythbusters era when science didn’t need explosions to merit primetime Saturday night screening, but after NZBC's blackboards and pointers, this series took a current affairs approach to reporting contemporary scientific research. Produced in Christchurch’s Studio 4, it was presented by Ken Ellis; Allanah James was a long-time reporter. Subjects ranged from volcanoes, underwater welding, talking lifts, STDs, mutant spiders, mussel extracts, and nude rats to the mysteries of tuatara and concert hall acoustics. The series was succeeded by Fast Forward.

An old woman (Olive Bracey) recounts to her nephew (actor Martyn Sanderson) memories of her life in Hokianga. The film is a mix of personal return journey for Sanderson and an affectionate record of his spirited aunt (she's "the one who ate wheatgerm" in the family). Autumn Fires mixes conversations, photos, and dramatisations of romantic letters. Sanderson rambles on the farm, picks mussels in bull kelp sandals, muses on industrial agriculture and on the "unambitious peaceful life". Directed by Barry Barclay, the elegiac film screened in TV1's Scene series.

Chef Cameron Petley was a crowd favourite on MasterChef in 2011 for his homestyle wild food recipes, before being eliminated by a cupcake challenge. Petley got another chance to share his enthusiasm for harvesting and preparing tasty kai onscreen in this cooking show for Māori Television. He shares whānau recipes (from kina omelettes and mussel fritters to pork belly), favourite local markets, and chef’s tips. The series became one of Māori TV's highest rating shows. In the second season Petley travelled to Rarotonga to sample Pacific cuisine.

After overhearing a parental argument which shows no signs of ending, a young boy (Nico Mu) decides to wander out onto the streets. Soon he is caught up in the K Road nightlife, clutching his sushi. Then a chance meeting with a talkative homeless woman (Verity George) and her dog offers him a new perspective. Inspired by an old woman who gave out mussel fritters to bus drivers, writer/director Karyn Childs set out with this short film to show K Road as a place where people of many backgrounds can feel they belong. Fritters was one of ten K' Rd Stories made in 2015.

Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').

This 76-minute documentary looks at efforts to restore the mauri (life spirit) of Northland's Lake Omapere, a large fresh water lake — and taonga to the Ngāpuhi people — made toxic by pollution. Simon Marler's film offers a timely challenge to New Zealand's 100% Pure branding, and an argument for kaitiakitanga (guardianship) that respects ecological and spiritual well-being. There is spectacular footage of the lake's endangered long-finned eel. Barry Barclay in Onfilm called the film "powerful, sobering". It screened at the 2008 National Geographic All Roads Film Festival.