This episode of Pictorial Parade, a long-running National Film Unit newsreel series, presents three events: at Mt Bruce, a native bird reserve is opened, the New Zealand Cricket Team’s tour of India is lost 1-0, and Miss World, Ann Sidney (UK), leads the way in fashion at the 1965 Wool Award and Fashion Parade in Lower Hutt. Watch for takahē feeding from the hand, a disconsolate kiwi being held by the Minster of Internal Affairs, Miss Hutt Valley Wool Princess finalists sashaying in the latest fashions, and the New Zealand cricket team sightseeing in India.
This 1968 Looking at New Zealand episode travels to NZ’s third-largest island: Stewart Island/Rakiura. The history of the people who've faced the “raging southerlies” ranges from Norwegian whalers to the 400-odd modern folk drawn there by a self-reliant way of life. Mod-cons (phone, TV) alleviate the isolation, and the post office, store, wharf and pub are hubs. The booming industry is crayfish and cod fishing (an old mariner wisely feeds an albatross); and the arrival of tourists to enjoy the native birds and wildness anticipates future prospects for the island.
Stellar* were a New Zealand radio favourite with their 1999 debut album Mix, and the band quickly became a top local act for Sony Music. Stellar*'s energetic pop-rock mix secured eight Tui Awards for Mix and its 2001 follow-up Magic Line. Stellar* was singer Boh Runga (sister of Bic), drummer Andrew Maclaren, guitarist Chris Van de Geer, and bassist Kurt Shanks. Runga is now living in Los Angeles, where she works as a songwriter. In 2007 she produced a successful native bird-inspired jewellery range, and released a 2009 solo album Right Here.
Like the eponymous native plant this children's puppetry programme stuck to the socks of many kiwis of a certain vintage. Produced in Dunedin by TVNZ's Natural History Unit (now independent production company NHNZ) Bidibidi followed the adventures of a sheep on a South Island station for two series. Bidibidi was adapted from the children's book by Gavin Bishop. Each programme interspersed puppet scenes and musical numbers with the expected first-rate NHU-shot footage of birds and other animals that Bidibidi meets en route, from kea to skinks and bitterns.
This song from the mysterious duo Fatcat & Fishface is from the Birdbrain album, praised by the Sunday Star Times as “the best children's record of 2009, and as witty as it is educational.” A collaboration with the Department of Conservation, the song gets down with the manu (birds) to reimagine the inhabitants of the NZ native bush at night as personalities dancing in a nightclub — from prowling with ruru/morepork to jiving with kiwi (“getting down on the ground”) and a boogying DJ kākāpō (“boom, boom!”). Nightclub was animated by Stephen and Ruth Templer.
This documentary examines the alpine flora and birdlife in the Upper Waitaki area of the South Island. Its distinctive bird-life includes karearea (falcons), mirimiro (tomtit), kererū and kea. The native vegetation is profiled in depth. The area's introduced animals include deer, chamois, and thar, which have become pests. Beautifully shot, directed, and packed full of information, this is the kind of film the NFU was famous for. It was commissioned by the Soil Conservation Council, NZ Forest Service and the Department of Internal Affairs.
This Land of Birds edition sees Kiwi naturalist Sir Robert Falla train his binoculars on the black-backed gull, or karoro. Familiar to most New Zealanders from stealing their hot chips, it's one of the few natives to have boomed in numbers since humans arrived in NZ, after adapting to feeding in “the effluent of human affluence”. The film follows the large bird's life cycle and examines its relationship with people, from airports (birdstrike risk) to farms (where they help control insects but also scavenge lambs). Falla died soon after the film was completed.
The devastating effects of introduced wasps in New Zealand, particularly on kaka (the forest parrot, here beautifully filmed) remain a serious issue. The horde of yellow and black marauders has left scientists struggling to protect animal and human victims. This film looks at the effect on the ecosystem of wasps, who compete with natives for honeydew and prey upon insects. Bandits of the Beech Forest won the Environment Prize for Best Film Illustrating Protection, Preservation or Conservation of Bird Life at the Festival du Film de l'Oiseau.
This trippy animation follows the spirit of a person killed in a motorway car accident. The life force (wairua) runs through forest and beaches on its journey to Te Rerenga Wairua (Cape Rēinga). En route it meets tourist buses and other spirits, before reaching the gnarly pohutukawa and making the leap towards Hawaiki-Nui. There's a real native joy in seeing contemporary 80s animation enliven ancient Māori spiritual concepts. Joe Wylie (Toy Love's Bride of Frankenstein) was in charge of the animation team; The Clean provide the soundtrack to the all-stops-out finale.
Director Paul Murphy follows Second Hand Wedding with a romance featuring comedian Rhys Darby, songs by Queen and ... a duck. Darby plays heartbroken nice guy Doug: after a close encounter with a native duck (a paradise shelduck) with emotional problems, he enlists expert help from a sassy animal specialist (played by Brit Sally Hawkins, a Golden Globe-winner for feature Happy-Go-Lucky). True to rom-com form, love ensues ... eventually. NZ Herald reviewer Russell Baillie called Love Birds “an endearingly funny, if sugar-coated local romantic comedy”.