Reality TV host Marc Ellis tones down his laddish antics to present this series on other cultures and beliefs. In this episode he asks "what makes the Hare Krishna tick...what makes them so happy all of the time?". Ellis moves in with a Krishna community in West Auckland, where his strikingly casual guide teaches him what it is to be a Hare Krishna. Late night and early morning dance sessions prove to be less of a struggle than anticipated for Ellis, who seems to fit right in — although the haircut might be a little close, and the proximity of the local pubs a temptation too far.
This documentary follows two young people with significant disabilities — Miles Roelants and Shelly West (real name Michelle Belesarius) — as they move into a flat together and face considerable challenges. Shelly is blind with rheumatoid arthritis, and Miles has spina bifida. The film provoked public debate at the time of screening about disabled peoples' right to live ‘normal’ lives. This was the first of several documentaries about Belesarius including the high-rating Shelly Has A Baby and Mum, Dad and Michela. She died in 2010.
Gary McCormick heads west to Raglan, to ask "What goes on here? Why do people live here? What do they do?". To find out he goes surfing on the famous left-hand point break, hangs with hippies and Dave McArtney, catches Midge Marsden and the Mudsharks at the Harbour View Hotel, and discusses land rights with kaumatua Sam Kereopa. The recipe — McCormick as genial small town anthropologist discovering the locals — earned this a 1989 LIFTA award, and inspired long-running series Heartland. McArtney composed the soundtrack; Finola Dwyer (An Education) produces.
It's Academic was an 80s general knowledge quiz show for high school students. Like its intermediate school sibling The W Three Show (aka W3), It's Academic was hosted by Lockwood Smith. With his Cheshire cat's grin the future Speaker of the House pulls questions from the numbered pockets, as teams from Onslow, Wellington and Newlands colleges — seated in the distinctive triangular pod set — compete in the Wellington regional final. At stake are brainiac bragging rights, school pride ... and digital watches, Britannica encyclopedias and handheld calculators.
In this 2002 documentary director Brita McVeigh heads down the aisle to explore the world of air hostesses in air travel’s glamorous 60s and 70s heyday. Seven ex-“trolley dollies” recall exacting beauty regimes, controversial uniform changes, and the job’s unspoken insinuation of sexual availability. The cheese and cracker trolley becomes a vehicle that charts the changing status of women as McVeigh argues that — despite layovers in Honolulu, and a then-rare working opportunity for ‘girls’ — the high life concealed harassment, and struggles for equal rights and pay.
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.
Danielle Cormack has showcased her naturalistic, seemingly effortless acting style on both sides of the Tasman. After roles in TV soaps Gloss and Shortland Street, she began a run of big screen starring roles — Topless Women Talk About Their Lives, The Price of Milk and Via Satellite (playing twins). On Australian TV, Cormack has starred as a prisoner (Wentworth), crime lord (Underbelly: Razor) and barrister (Rake).
Richard Thomas has a passion for documentary. After directing for the BBC's legendary doco series Man Alive, he moved downunder and became head of Television One’s information programme department. Following a short spell as Director of Television at the ABC in Australia, he settled in New Zealand to make some compelling television documentaries — and inspire others to do the same.
Alister Barry has been making intelligent and provocative documentaries for more than three decades. Barry's films reflect his longtime interest in how power is exercised in a democracy, and how the decisions of the powerful impact on ordinary people's lives.
After concocting all manner of outlandish images on 8mm film, Bad Taste was Peter Jackson’s breakthrough; years in the making, it was the first feature to make it from his Pukerua Bay backyard to cinema screens, where it quickly began to rack up sales. An all-male cast of public service Alien Investigation and Detection Service operatives run amok with guns, food, vomit, rockets and misguided enthusiasm, to rid the earth of alien Lord Crumb and his fast-food gang — who want to turn earthlings into hamburgers. Jackson took two acting roles in this ‘splatstick’ sensation.