One of seven singles from Bic Runga's mega-selling debut album Drive, 'Suddenly Strange' is about calling time on a relationship. Runga's bittersweet lyric is a declaration of independence that never quite becomes unequivocal. Nominated for Best Video at the 1998 NZ Music Awards, the stylishly colourful clip finds her inside a cube in various locations around Auckland — enclosed while life carries on around her, at least until the hopeful final shot. Director and graphic designer Wayne Conway (partner of Kate Sylvester) also designed the cover of the Drive album.
"New Zealand is ready" is the message in this early propaganda film made by the National Film Unit. It follows Japan's entry into World War II in December 1941. Until then the war had been a largely remote experience for many New Zealanders. Now our own soil was threatened. Using robust language and delivery, along with pictures of New Zealand defence forces in live-fire exercises, the film seeks to reassure while warning against overconfidence. New Zealand's remoteness is presented as a plus for defence and there's a subtext of self-reliance.
This 1988 Europa commercial showcases the guitar playing of American bluesman Stevie Ray Vaughan. An anthem to good times on the road, the promo features four friends — musician Midge Marsden, jingles veteran Murray Grindlay, Vaughan’s fiance Janna Lapidus and Brigitte Berger — larking around the North Island in an old ute. Stopping off at the iconic DC3 aeroplane parked in small-town Mangaweka, they step into a bar made from car parts to join Stevie Ray on stage. A shorter cut of this petrol station promo also screened, plus an ad featuring an acoustic version of the song.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
Like many of his generation in the United Kingdom, Ray Green was called up for National Service. But it wasn’t until he and his mates were almost on the troopship heading to Korea in 1951, that they realised they were going to fight. Green’s Welsh regiment spent a full year in the combat zone. Danger was ever-present as they patrolled on pitch black nights with the enemy just two thousand metres away, or over the next hill. As he recounts in this interview, Green escaped death or injury on several occasions. He relives it every night, but says it was an adventure he wouldn’t have missed.
Director Greg Stitt's 50min short sees actor Mark Hadlow playing Kevin: a pie cart worker obsessed with the singer Mario Lanza. Kevin's idolatry turns into an identity crisis as operatic-scale fantasising clashes with his meek disposition. Further complications arise from a friendship with his brash punk neighbour, and from stage fright ahead of a fundraiser for Kev's Lanza fan club (Lanza also had a noteworthy teenage fan club in Heavenly Creatures). Will Kev get his Susan Boyle moment? The black comedy was written with Scarecrow scribe Michael Heath.
Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleeping Dogs, Goodbye Pork Pie, Smash Palace) represented a vital new cultural force. The film features interviews with the major players, and clips from their movies.
John Wills joined the New Zealand Army as soon as he could when war broke out in 1939. He ended up serving in North Africa and Italy until war’s end in 1945. Now 96, Wills looks back at his time as a driver for an artillery battery. Taken prisoner and held by the Italians in Libya, he was liberated by Indian troops in time to see action at the battle of El Alamein. He was also present, behind the lines, at the brutal Battle of Cassino, north of Naples. Tales of fighting, hardship and bravery are balanced with humour.
This 1983 film looks at New Zealand in World War II, via a compilation of footage from the National Film Unit’s Weekly Review newsreel series, which screened in NZ cinemas from 1941 to 1946. It begins with Prime Minister Savage’s “where Britain goes, we go” speech, and covers campaigns in Europe, Africa and the Pacific, and life on the home front. The propaganda film excerpts are augmented with narration and graphics giving context to the war effort. Helen Martin called it "a fascinating record of documentary filmmaking at a crucial time in the country’s history".
Harold Beven reckons he’s the luckiest man to serve in the Second World War. Born in a village east of London, he saw plenty of action in the (UK) Royal Navy, but by his own admission, never got his feet wet. Joining up as soon as possible after the outbreak of war, Beven served in almost all the naval theatres. As a Chief Petty Officer, he was involved in the evacuations of Greece and Crete — and later the allied invasions of Sicily and Italy — as well as the D-Day invasion of France. At the age of 96, Beven remembers entire conversations as if it was yesterday.