An epic documentary chronicling the extraordinary life of Kiwi filmmaker Colin McKenzie. Or is it? McKenzie's achievements included cinematic innovations involving steam power and eggs, and an unfinished biblical tale filmed on the West Coast. The first television screening of this Costa Botes/Peter Jackson production memorably stirred up New Zealand audiences. Forgotten Silver went on to screen at international film festivals in Cannes and Venice — where it won a special critics' prize.
Taro planter Lui’s grief for his dead wife is blighting his life and crops. A widow, Malia, is bound by anger to the grave of her abusive husband, as the rising sea slowly drowns it. When Lui and Malia meet by chance, he’s provided with a path from his hurt. Filmed in Samoan on the island of Upolu, and directed by Samoan-born Tusi Tamasese, the short is a fable-like meditation on communion, cooking and sacred places. It was selected for the Clermont-Ferrand and Hawaii film festivals, and was the precursor to Tamasese’s Venice-selected debut feature, The Orator.
Tusi Tamasese’s first feature tells the story of a taro farmer (played by real life farmer Fa’afiaula Sagote) who finds the courage to stand tall for his family and culture, and stand up to sceptical villagers. Variety called it “compelling drama”. Though previous films (e.g. Flying Fox on a Freedom Tree) had told stories inspired by Samoan writers, The Orator was the first feature written and directed by a Samoan — and the first filmed in Samoan. When it debuted in September 2011 at the prestigious Venice Film Festival, it won a special jury mention in the Orizzonti (New Horizons) section.
September 1994 marked a turning point in Peter Jackson's career. With the debut of his film Heavenly Creatures, many critics began to see him in a new light. This One Network News piece interviews Jackson at Wellington Airport, shortly after winning a Silver Lion at the Venice Film Festival for Heavenly Creatures. Jackson says he plans to keep making movies in New Zealand, and pays tribute to his late producer Jim Booth. Five months later, Jackson was nominated for his first Academy Award. Three months after that, he began Hollywood-funded movie The Frighteners in NZ.
In this short a wandering flock of geese find harbour in a rainy day puddle. They give delight to Juliet, staring out the window of her state house until her axe-wielding neighbour approaches the birds with less sanguine intentions. She’s unimpressed when boyfriend Martin doesn’t act in order to avoid confrontation. When a family arrives looking for their pets, the neighbour shrugs off the enquiries, and it’s up to Martin to prove himself. Adapted from a story by Jo Sole, the Annalise Patterson-directed short was invited to Venice and Hof film festivals.
In this The Years Back episode Bernard Kearns charts New Zealand's 6th Brigade and Maori Battalion as they fight their way through Italy between 1943 and 1945. Reaching Monte Cassino in 1944, the force suffered 1600 casualties in 12 weeks of bitter fighting. Using NFU pictures, the documentary traces the advance north after Cassino falls, and includes the bloodless capture of Padua and the setting up of the New Zealand Forces Club in the best hotel in Venice. The documentary ends with Kiwi forces facing down Tito's Yugoslav partisans in Trieste.
In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.
In this Paul Swadel-directed short, a work-gang on a remote Ruapehu construction site relieves boredom with cruelty. The edgy male camaraderie escalates towards a tense, inevitably dire — and OSH-unfriendly — conclusion. The scrum of Kiwi blokes going Lord of the Flies on the newbie (Marek Sumich) is played by a powerhouse cast: Marton Csokas, Rawiri Paratene, and Frank Whitten. Adapted by John Cranna from his short story, Accidents was filmed under the Makatote viaduct. It was selected for Venice Film Festival and won a special jury mention at Clermont-Ferrand.
This 1996 short film is billed as "a lyrical and musical tale of love at the crossroads”. Shot through a blue filter, the dialogue-free tale follows a trumpet-playing young woman at a railway station, as she romances and dances to vinyl records with a young man. After a lively meeting with his family, an invitation to a dance forces her to choose how she rolls. Armagan Ballantyne's first short was made in the Czech Republic during studies at Prague's Famu film school. It competed at the Venice Film Festival. Ballantyne went on to direct 2009 feature film The Strength of Water.
Lindsay Shelton's career testifies to his love of communicating, and his love of film. After working in newspapers he began a decade programming the Wellington Film Festival, while working in television news. In 1979 he joined the New Zealand Film Commission: over the next 22 years he was an enthusiastic promoter and salesman for New Zealand film around the globe.