The Mockers had a breakthrough year in 1984. Their sixth single 'Swear It's True' caught New Zealand's attention, and in May their debut album peaked at number four on the Kiwi charts. In June they played Mainstreet for one of 1984's batch of Radio with Pictures specials, spawning the live album Caught in the Act, which was released in July. Vocalist and part-time poet Andrew Fagan cuts a piratical figure in his sailor's jacket and trademark fingerless gloves. Dunedin band The Idles were a lesser known proposition. They made ripples in 1984 with their first EP, 'Agroculture'.
As soon as the guitar line of 'Blue Lady' sparks up, the sea of perms, sweaty denim and cigarettes starts jumping. The Legionnaires (Hello Sailor reincarnated) were one of several top Kiwi bands to record live Radio With Pictures specials at Auckland's Mainstreet Cabaret during the 1980s. Their eight-strong set list contains bonafide hits like 'Blue Lady' and Graham Brazier's ode to his Liverpudlian roots, 'Billy Bold'. Another highlight is a moody rendition of 'Remember The Alamo' from guitarist and singer Dave McArtney's Pink Flamingos' catalogue.
This track by Auckland post-punk trio Blam Blam Blam became a theme song for the long, troubled winter of 1981, as New Zealand was wracked by division during the Springbok rugby tour. Poet and playwright Richard von Sturmer wrote the lyrics; the music was by Blams drummer Don McGlashan. The video features the band after dark on the roof of TVNZ’s old Shortland Street studios in Auckland, alongside fleeting shots of Kiwi celebrity lawnmowing. The dancing Marmite and Vegemite jars were originally created for a piece of political theatre written by von Sturmer.
Live from Auckland's Mainstreet Cabaret, this Radio with Pictures special showcases bands Coconut Rough and The Narcs. Coconut Rough open their six song set with an instrumental and close with 'Sierra Leone', after proving they're much more than one hit wonders. RWP host Karyn Hay then introduces the "high energy rock" of The Narcs. The driving keyboards of second track 'Look the Other Way' hint at how the band's sound was broadening. Label CBS released both gigs as album Whistle While You Work, which reached number 17 in the New Zealand charts.
The basic format of Blind Date involves putting a series of questions to three potential dates who can't be seen. First in the driver's seat is Natalie, a “part-time actress and model who would love to meet somebody fast and exciting” — although not too fast. Her choices are a “Greenpeace supporter”, an accounts clerk, and a welder who likes to work out. Watch out for Suzanne Paul as one of the show's later suitors, who gets laughs for making clear the romantic impact of a well-built wallet. Two contestants also provide a post-mortem on their blind date.
Corbans Fashion Collections was a live event and TV special staged annually in the 1990s, where local fashion houses showcased their upcoming collections. The producer of both the live shows and the TV programmes was Pieter Stewart, who went on to launch NZ Fashion Week. This 1995 show is narrated by Craig Parker and Alison Mau; Fashion Quarterly editor of the time, Paula Ryan, gives style tips; and Geeling Ng and Hinemoa Elder feature as celebrity models stepping out for Francis Hooper and Denise L'Estrange-Corbet's World label.
This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directed coverage of the ballet.
Marking New Zealand television’s 50th birthday, this TVNZ Heartland series looked back at the medium's history, decade by decade. Each episode featured an interview with a prominent TV figure from the era. In this excerpt from the 1970s survey, host Andrew Shaw interviews broadcaster Brian Edwards, who reflects on changes in TV political interviewing from veneration to confrontation, and the impact of Muldoon; his key role in brokering a Post Office dispute, live on screen; and the birth of consumer affairs show Fair Go, and why it has lasted so long.
Clash of the Codes was a made-for-TV series that pitted teams representing various sports against each other in a series of devised physical challenges. In this final episode from the first series, rowing and canoeing are the frontrunners, with plenty of Olympic podium experience on both teams (Ian Ferguson, Eric Verdonk and Chris White, plus world champ sculler Phillipa Baker). They tackle a steep bush rescue and the army confidence course at Whangaparaoa Peninsula. A young Marc Ellis (rugby) gets early practice playing the larrikin onscreen.
This quirky, upbeat comedy-drama looked at teen life through the eyes of 15-year-old Eve (Fleur Saville). Something of an amateur teen anthropologist, Eve questions everything in her world, musing on life to the camera. The series' fresh, self-aware style appealed directly to media-savvy teenagers. The TV3 series launched Saville's TV career, fostered young directing and producing talent, won many awards (including Best Drama Series at the 2002 NZ TV Awards) and was nominated for an International Emmy. It sold to over 40 territories, including the United States.