Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe.
Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
In this 1972 documentary writer James McNeish visits Opononi to examine the life and controversial death of Opo the dolphin. Working from a McNeish idea, director Barry Barclay uses Opo’s mid 50s visit to the Hokianga as the basis for a probing film essay on people, and other animals. Witnesses recall Opo “oomping away”; they include local Piwai Toi, filmmakers Rudall and Ramai Hayward, and author Maurice Shadbolt. Opo is provokingly not shown on screen. Michael King praised Miracle as “without a doubt the most interesting and evocative” slot in the Survey series to date.
Recut from material shot at least five years before, this National Film Unit short appears to have been driven by the Tourist and Publicity Department. Coming in for praise are New Zealand’s primary exports (farm products), road and railways, and social security. In the 50s long distance air links were opening NZ up to the world but international tourism was not a major industry, and NZ was focused firmly on agriculture. People are shown farming, “a little unsmiling” on city streets, and at play (fishing, sailing and skiing). Kids drink milk and Māori are assimilating.
Off his own bat, Ilam art student Glenn Standring got his third-year short into competition at the Cannes Film Festival. The minimal plot — hipster private eye Lenny Minute dryly narrates, before facing his nemesis, a rampaging giant blue “sheila doll” — allows Standring to conjure up a distinctive collage-styled cityscape, mined from a grab-bag of Americana inspirations: 50s sci-fi, jazz, the hardboiled detectives of Dashiell Hammett, and star Marlene Dietrich. After this early computer-aided short, Standring joined the Gibson Group as an animator, then directed two stylish features.
Mini-series Bread and Roses recreates the early days of trade unionist and politician Sonja Davies. Behind the scenes, the $4 million production required 175 speaking parts, and dozens of sets — many built from plywood, “to make something out of nothing”. This documentary follows director Gaylene Preston and producer Robin Laing from preproduction and filming a dance scene in Wellington Town Hall, to (old-fashioned film) editing. Meanwhile lead actor Geneviève Picot talks about the challenges of portraying a character who often kept her vulnerabilities hidden.
This National Film Unit documentary follows the British Lions 1959 rugby tour to New Zealand. Prior to live televised sports coverage, match highlights were rushed onto cinema screens; NFU tour coverage was later edited into this feature length doco. On the field the series was won by the All Blacks 3-1, including the first test where Don Clarke famously kicked six penalties to beat the Lions’ four tries. Off the field, the Lions visited farms and resorts, drove trout and tried Māori song and dance with guide Rangi. A star back for the Lions was Peter Jackson.
Scenic vistas of Aotearoa have become an important part of New Zealand identity. Hand-coloured photos produced by Whites Aviation from 1945 were formative in the genre, and hugely popular after WWll. This 2016 Loading Doc profiles 'colouring girl' Grace Rawson, now 83, who uses cotton wool and brushes to demonstrate the meticulous process behind colouring the images. The short was co-directed by artist and commercials director Greg Wood, and author Peter Alsop (Selling the Dream), whose book on the photos, Hand-Coloured New Zealand, was published in 2016.
This promotional film showcases Tongariro National Park, New Zealand's oldest (and the world's fourth oldest) national park. The film covers the park's four seasons, from dandy spring days at the Chateau ("holiday headquarters") for the romance of bowls and moonlit mountain jazz; to the scenic and snow-sport thrills of the volcanoes in winter: Ketatahi springs, the crater lake, beech forest, trout fishing, and skiing on the slopes of Mount Ruapehu where "the only sound in the white stillness is the hiss of the tips streaking into the snow".