Made by Turkish director Tolga Örnek, this acclaimed film looks at the 1915 Gallipoli campaign in World War I. A point of difference is that it is narrated by people representing both sides of the catastrophic battle (including Sam Neill and Jeremy Irons for the ANZAC and British forces, and Zafer Ergin for the Turks). Dramatisations, restored film, interviews with experts, and poignant readings from letters and diaries all help to personaliss the experience of the carnage. Urban Cinefile described the international co-production as a "potent and magnificent documentary".
This episode of the series about New Zealanders in World War I looks at Lottie Le Gallais. The Auckland nurse worked on the hospital 'mercy' ship Maheno, which transported wounded soldiers from Anzac Cove at Gallipoli. She arrived to find her brother Leddie had been killed. Te Papa exhibition Gallipoli: The Scale of our War featured a large-scale model of Le Gallais learning of Leddie's death, crafted by Weta Workshop. Weta boss Richard Taylor is interviewed here. The series was narrated by Hilary Barry, and screened during 3 News.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
This documentary tells the stories of the New Zealand soldiers who were part of the identity-defining Gallipoli campaign in World War I. In the ill-fated mission to take a piece of Turkish coastline, 2721 New Zealanders died with 4752 wounded. As part of research, every one of the then-surviving Gallipoli veterans living in New Zealand was interviewed, with 26 finally filmed. Shot at a barren, rocky Gallipoli before the advent of Anzac Day tourism, this important record screened on Easter Sunday 1984, and won a Feltex Award for Best Documentary.
Christchurch-raised Anna Cottrell is a prolific documentary maker, with a keen interest in the stories that people tell. Her work ranges widely, from documentaries on immigrants (An Immigrant Nation) and family (Other People's Children), to five seasons of the bite-sized Great War Stories. Cottrell launched her company AC Productions in 2001.
Trailblazing broadcaster Shirley Maddock, ONZM, was making and presenting television in 1960, when the medium first began in New Zealand. After doing theatre in London and radio in New York, she went on to produce and present a series of documentaries in her homeland, and wrote a bestselling book to accompany 1964 series Islands of the Gulf. Maddock passed away on 10 October 2001. She was 72.
After almost two decades of directing and producing documentaries, David Harry Baldock left TVNZ in 1988 to launch Ninox Television. The company’s roster of reality-based programming included export hit Sensing Murder, local award-winner Our People Our Century and nine seasons of Location Location Location. These days Baldock is busy making arts programmes from Shanghai.
Antonia Prebble played the manipulative Loretta West on Outrageous Fortune over six seasons, before starring in prequel Westside. Prebble began her screen career aged 12 on TV series Mirror, Mirror, and did five seasons on sci-fi hit The Tribe during her school holidays. From 2013 her career got even busier, with starring roles in legal thriller The Blue Rose, Witi Ihimaera film White Lies and bio-thriller The Cure.
As cantankerous plumber Max Ramsey, Kiwi Francis Bell was the original patriarch in iconic soap Neighbours. A popular and sought after actor in Australia, Bell had roles in numerous TV staples; he played ‘Pompey’ Elliot in the Anzacs mini-series. In the mid-80s Bell returned home, and in TV3 soap Homeward Bound played Dad to a young Karl Urban. In May 1994, aged 50, he fell from an Auckland building to his death.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.