Actor Ilona Rodgers made her name with a starring role as magazine editor Maxine Redfern in prime-time soap Gloss. But Rodgers' career began in her native England; her globetrotting career has seen her acting alongside Doctor Who, The Beverly Hillbillies, and the inhabitants of Marlin Bay.
Ilona Rodgers was probably the most famous woman in New Zealand at the time but she was always so gracious with fans and gave them her time no matter what. Caitlin Bossley
In 1983, director Geoff Murphy stormed out of the scrub of the nascent Kiwi film industry with a quadruple-barreled shotgun take on the great New Zealand colonial epic. Set during the New Zealand Wars, this tale of a Māori leader (Anzac Wallace) and his bloody path to redress 'imbalance' became the second local film officially selected for the Cannes Film Festival, and the second biggest local hit to that date (after Murphy's Goodbye Pork Pie). A producer-driven recut was later shown in the United States. This 2013 redux offers Utu “enhanced and restored”.
Rest for the Wicked showcases an all-star A-team of older Kiwi actors — among them John Bach, Bruce Allpress, and Gloss boss Ilona Rodgers. Gravel-voiced Tony Barry (the man who uttered the immortal line "goodbye pork pie") stars as Murray, a retired detective going undercover in an upmarket rest home. Frank hopes to catch his longtime nemesis (Bach). Instead he finds himself in the company of the randy, and the unexpectedly dead. The "sweet, rather knowing little movie" (Linda Burgess in The Dominion Post) marked the feature debut of advertising veteran Simon Pattison.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
In this dark whodunit Gareth Reeves (The Cult, A Song of Good) stars as a crime writer who goes bush with strangers, while on a break from researching a story on a serial killer. Soon there’s death in the muddy Waitakere backblocks. The film marked the big screen debut of filmmaking partners James Napier Robertson and Tom Hern, en route to their high profile drama The Dark Horse. The results won support from a strong ensemble cast (Ian Mune, Ilona Rodgers), an invitation to the NZ film festival, and praise from NZ Herald reviewer Peter Calder for "smart writing and good acting".
This children's post-apocalyptic fantasy series follows a circus troupe, Maddigan's Fantasia on their quest to save the world's only remaining city, Solis. The show was created by children's writer Margaret Mahy, developed for television by writers Gavin Strawhan and Rachel Lang for South Pacific Pictures, who produced the 13 x 30min series for TV3. Award-winning and successfully exported, it marked a debut lead performance from Rose McIver (future Tinker Bell in US TV show Once Upon a Time) acting with Michael Hurst, Peter Daube, Tim Balme and Danielle Cormack.
Over nearly two decades and almost 9000 hours of TV time, Good Morning was a TVNZ light entertainment mainstay, airing on weekdays from 9am on TV One. Filmed at Wellington’s Avalon Studios for most of its run, the magazine show ranged from advertorials for recipes and home appliances to news, film reviews, aerobics, interviews, and … hypnotism. Presenters included inaugural host Liz Gunn, Mary Lambie (with her cat Lou), Sarah Bradley, Brendon Pongia, Steve Gray, Hadyn Jones, Lisa Manning, Rod Cheeseman, Jeanette Thomas, Matai Smith, and Astar.
Having made a comeback after heart surgery in 1990, legendary entertainer Billy T James passed away in August 1991. Four years later that anniversary was commemorated with Billy T James - A Celebration. Hosted by Pio Terei, the special highlights some of Billy’s best moments of both comedy gold, and his vast talents as musician. Interviews with Billy T and his colleagues (including showband veteran Robbie Ratana, comedian Peter Rowley, and screen wife Ilona Rodgers) offer insight into the real man behind arguably New Zealand’s most beloved entertainer.
Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. It follows the events of a far-north resort and casino; a number of well-known actors made up the cast of earthy locals, wealthy foreigners and city weekenders, including Ilona Rodgers, Don Selwyn, Andy Anderson and Katie Wolfe. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. In this episode the swarthy Cosic cooks up an illegal smuggling scheme to diversify a farm's income stream.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
The video for this Red Nose Day chart-topper makes the most of a powerhouse combination: celebrities and cute babies. Although lead singer Hammond Gamble gets his share of screen time, the video is mostly devoted to close-ups of perhaps the biggest pile-up of famous Kiwis ever to cram into one music video. The faces include appearances early on by actors Simone Kessell, Ilona Rodgers, and Mark Raffety — plus The Wizard, sports legends Grant Fox, John Kirwan and Jeremy Coney, newsreaders Judy Bailey and Anita McNaught, and singers Tina Cross and Suzanne Lynch.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, produced by Tom Parkinson and features many Kiwi names in front of and behind the camera (Illona Rodgers, Ken Catran). Key original cast and the famous original title sequence and tune are reprised, but now with Beauty galloping along a west coast beach. Two seasons were produced.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, produced by Tom Parkinson and features many Kiwi names in front of and behind the camera. This extract from the fifth episode sees Vicky and Beauty meet a mysterious travelling circus; and postman Samuel (Bill Kerr) learns a lesson in trusting shysters.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in New Zealand and features many Kiwi names in front of and behind the camera. This extract from the fourth episode sees Vicky striving to convince the postmasters (Bill Kerr and Ilona Rodgers) that she and Beauty can be posties; and she faces hostility from local kids (including a young Claire Chitham).
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, and features many Kiwi names in front of and behind the camera. This extract from the eighth episode sees Manfred attempt to fly on Karekare beach in a Richard Pearse-like contraption, as a shady-looking Kurt (Michael Hurst) looks on, and Vicky charges to the rescue on Beauty.
In these excerpts from his last TV series — a family based sitcom — Billy T has to deal with his radical older daughter who wants to get a moko, a teenage boy trying to smuggle beer into his younger daughter’s birthday party, a defamation writ, and another tribe becoming his landlord. There are varying degrees of help from his wife (Ilona Rodgers), his aggressively dim Australian brother-in-law (Mark Hadlow) and his daughter’s painfully politically correct pakeha boyfriend (Mark Wright), as well as cameos from Temuera Morrison, Martin Henderson and Blair Strang.
A continuation of the classic 70s UK TV series cherished by herds of horse-loving girls, the New Adventures follow Vicky Denning (Amber McWilliams) who has emigrated to the antipodes with her step-mother, where she is captivated by a mystic black horse. The co-production was set in NZ, produced by Tom Parkinson and features many Kiwi names in front of and behind the camera (Illona Rodgers, Ken Catran). This extract from the first episode follows preparations for the trip down under, and introduces Vicky to the original Black Beauty.
This sci-fi telefeature for kids follows the adventures of runaways Peter (Toby Laing) and Maggie (Toni Driscoll), who meet when Maggie’s attempt to get Picnic bars on a five finger discount go awry and "rich brat" Peter is on the lam on a 10-speed. After falling into a grave of golden light at a farm cemetery, they wake up in the house of the strange Piper family. Laing is now trumpeter for Fat Freddys Drop, and a young Kerry Fox appears briefly as a policewoman in the opening. Scripted by veteran Ken Catran, the telefeature was re-cut from a four-part series.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Yuppies, shoulder-pads, sports cars and méthode champenoise abound in this cult 'glamour soap'. Gloss was NZ's answer to US soap Dynasty, with the Carrington oil scions replaced by the wealthy Redferns and their Auckland magazine empire. The series epitomised 80s excess, and became something of a guilty viewing pleasure. In this Rosemary McLeod-penned pilot, a 'Remuera Revisited' plot unfolds as Brad Redfern's plans to have a quiet wedding get waylaid by ex-wife Maxine. Schoolgirl Chelsea wags, listens to her Sony Walkman and gets an unorthodox haircut.
Katherine Mansfield, a rare New Zealand writer to achieve international renown, left for Europe as a 19-year-old. This documentary examines her complicated relationships with her family and homeland, her turbulent personal life, her writing — credited with changing the course of the English short story — and her early death in France in 1923, at age 34. Shot in five countries and presented by Catherine Wilkin, it includes excerpts from interviews with her companion, Ida Baker (from 1974) and biographer Claire Tomalin. Ilona Rodgers reads from Mansfield’s writings.
It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”
Died in the Wool was part of an anthology series adapting the murder mysteries of Dame Ngaio Marsh. MP Flossie Rubrick has been found dead in a wool bale, and it's up to Inspector Roderick Alleyn (English actor George Baker — Z Cars, I, Claudius) to unravel the secrets of a South Island sheep station. The tale of a cultured Englishman amidst World War II spies, Bach and seamy colonial crimes found a global audience. It was the first New Zealand television drama to screen in the United States (on PBS). Included is a Cluedo-style sitting room inquest and a wool shed reveal.
This classic kids’ adventure series follows a boy trying to find his missing father, amidst the 1860s Otago gold rush. The show displayed unprecedented production values, and demonstrated that Kiwi-made kids’ drama could be successfully exported. This first episode sees Scott Hunter (Andrew Hawthorn) steal away to Tucker’s Valley, spurred on by his unsympathetic uncle. In the background pieces, writer Roger Simpson recalls creating 13 scripts at high speed, and director Tom Parkinson writes about the Kiwi landscape as character, and finding the production team.
Pioneering soap opera Close To Home first screened in May 1975. For just over eight years (until August 1983) middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977 nearly one million viewers tuned in twice weekly to watch the series co-created by Michael Noonan and Tony Isaac. This first episode sees the family gathering for Grandfather’s 78th birthday. Vivian (Ilona Rodgers) moans to Tom (John Bach): “you’ve drunk all my cooking sherry”, then tenderises the beef with the empty bottle.
This acclaimed drama from 1975 adapts a Katherine Mansfield story about three travellers who encounter a strange woman and child, at a remote country store. Co-directed by Roger Donaldson and Ian Mune, it won Feltex Awards for Best Script (Mune and Peter Hansard) and Actress (Ilona Rodgers). Mune and Donaldson used the drama's success and innovative financing model as a 'proof of concept', to secure funding for their 1976 series Winners & Losers. The Woman at the Store debuted on Kiwi TV screens in March 1975; it was sold as part of the Winners series overseas.