In this leg of The Big Art Trip, hosts Fiona McDonald and Douglas Lloyd-Jenkins drive through Hawke’s Bay and catch up with artist Dick Frizzell to discuss landscape painting and his Phantom comic series. Then they’re off to Napier to meet musician Paul McLaney and his co-producer David Holmes, who explain their song production techniques. Painter and ceramic artist Martin Poppelwell shares his art, Douglas describes art deco and modernist architecture and they head south to nearby Waipawa to meet potter Helen Mason and painter Gary Waldrom.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.
The Mighty Civic offered a delirious and colourful celebration of Auckland's grandest old movie palace, made at a time when the building's future was under threat. The film uses a mixture of stylised sequences, archive footage, personal memories and poetic narration to evoke the spirit of the theatre in its heyday. Director Peter Wells' film galvanised public support, and ultimately the building was saved and refurbished, to remain the crown jewel of Queen Street's cinema district. This clip features the first 10 minutes of the hour long film. Costa Botes writes about the film here.
This was the song that started it all for The Exponents. Instead of the usual TVNZ studio cheapie, the promo is a film clip, complete with fantasy 80s Christchurch night-life scenes. The song was inspired by Jordan Luck's onetime landlord, who was trapped in an abusive relationship. Locations include the Arts Centre and deco apartments opposite. Reaching number six, the song would prove to be the biggest hit on a debut studio album packed with classics. Luck later described it as "a strange song to pick as a first single"; but the right one.
During his career as a production designer, Rob Gillies has drafted plans for subterranean caverns (Under the Mountain), 60s era Kiwi garages (The World's Fastest Indian) and a slew of palaces, forts and magical kingdoms. Along the way he has won awards for a number of productions, including Fastest Indian and Xena: Warrior Princess.