Paul Callaghan (1947 - 2012) was an internationally celebrated scientist, and a passionate advocate for Aotearoa. He was a popular science communicator (including a radio show with Kim Hill), campaigned to make New Zealand “a place where talent wants to live”, and championed the idea of a predator-free New Zealand. Shirley Horrocks' documentary focuses on the field that Callaghan became a world expert in — magnetic resonance — and interviews Callaghan's family, colleagues, students and friends. The film was invited to play at the 2018 NZ International Film Festival.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
This National Film Unit film follows Nobel Prize-winning scientist Ernest Rutherford, from farm boy in the Marlborough Sounds to leading Cambridge University's legendary Cavendish Laboratory. Described by Einstein as "a second Newton", Rutherford was one of the founders of modern atomic physics. Director David Sims pays special attention to Rutherford's colonial upbringing and education, and how it encouraged him to experiment. The atom-splitter famously said of Kiwi ingenuity, "we don't have the money, so we have to think". Rutherford is voiced by actor Grant Tilly.
For more than two decades, Shirley Horrocks has been creating documentaries focussing on key figures from the New Zealand arts scene. Among her works are docos about photographer Marti Friedlander, artist Len Lye and playwright Roger Hall. She has also directed two science related films – Venus: A Quest and Paul Callaghan: Dancing with Atoms.
Described in Melody Maker in 1996 as "an atom bomb drop of a surprise", Solid Gold Hell was all about noise-rock. Although now disbanded, Solid Gold Hell released two albums on the Flying Nun label - 1994's Swingin' Hot Murder, followed two years later by the critically acclaimed mini-album, The Blood and the Pity. Both are now rare and highly sought after at record fairs and on internet trading sites.
This 1995 documentary comprehensively plots New Zealand's progress from enthusiastic supporter of the atomic bomb in the 1940s to becoming proudly nuclear free by the late 1980s. The birthplace of "father of the atom" Ernest Rutherford willingly participated in British tests at Christmas Island in the 1950s (and looked eagerly for uranium in the Buller Gorge). But as testing increased in the Pacific, Prime Ministers Holyoake, Kirk and Lange voiced opposition. Moruroa, nuclear ship visit protests and the Rainbow Warrior bombing fuelled the anti-nuclear cause.
Shirley Horrocks, ONZM, is one of New Zealand’s leading directors of documentaries about the arts. Her work has chronicled the work and lives of artist Len Lye, photographer Marti Friedlander, writer Albert Wendt and playwright Roger Hall. Her films have won awards, and screened at festivals from France and Italy to the United States.
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.
Simon Price grew up in Dunedin. Named most innovative graduate at Melbourne's VCA Film School, he worked in Australia for many years as a writer/director, editor and video artist before returning home to help edit King Kong. Price's feature editing credits have since included Blackspot, landmark Samoan drama The Orator, Cambodian-set fable Ruin, Pā Boys, and docos Last Men Standing and Antarctica: A Year On Ice.