This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
Lew Pryme's life was a wild ride that took in everything from rock and roll to rugby before it was cut short by AIDS in 1990 (he was 51). This moving documentary interviews an ailing Pryme reflecting on his journey and (still secret) sexuality; it follows him from Waitara to becoming one of the most popular hip-swinging music stars of the 60s. He went on to manage singers Mark Williams, Rob Guest and Tina Cross; and in the early 80s he became the first executive director of Auckland Rugby Union, introducing cheerleaders and 'pizazz' to Eden Park.
The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.
In this documentary, writer and satirist Peter Hawes crosses the Bombay Hills border in his Morris van to record his take on mid 1980s Auckland. Pocked with as many puns as Auckland has volcanic craters, Hawes' profile is a sprawling, breezy look at New Zealand's largest city: from a Chase Corporation high rise to shearing sheep in Cornwall Park; from Eden Park to Bastion Point. Interviews (with politicians, sportspeople, gossip columnists, strip club fashion designers) are mixed with skits covering jogging, bridge building, shipwrecks, multiculturalism and sewers.
Christopher Bourn is the pioneering entertainment producer best known for his work on the classic talent series Studio One. He has also worked as a sports director, and on a range of other early TV shows. His legacy of live TV broadcasts includes directing the first ever All Black rugby test to be broadcast on television, as well as the boxing at the 1974 Commonwealth Games; and serving as New Zealand producer for international co-production The Pacific Song Contest.
Lew Pryme was a popular New Zealand performer, who appeared in big screen musical Don't Let it Get You and on sixties television show C'mon. After stints as a music promoter and agent, Pryme played a part in bringing the entertainment and sports worlds together as executive director of the Auckland Rugby Union - introducing cheerleaders, mascots and music entertainment to rugby fans.
Amanda Millar is one of New Zealand's most experienced and awarded television journalists. Millar has reported on many high profile 60 Minutes and 20/20 stories, including stories on former police Assistant Commissioner Clint Rickards, 'Parnell Panther' Mark Stephens, and disgraced Christchurch GP Morgan Fahey. In 2018 she directed her debut feature Celia, about social justice advocate Celia Lashlie.
Veteran presenter Peter Williams has been working continuously in broadcasting, ever since starting in radio as a teen. In 1979 he joined TV One as a sports show host and commentator, and went on to present from the Olympics and the Rugby World Cup. In the mid 90s the longtime cricket and golf fan began a move into news; these days he reads the news on Breakfast and for primetime weekend bulletins on TV One.
From a career in print journalism and public relations that began in his teens, Gordon Dryden became a familiar face on New Zealand television in the mid 70s. Earning himself a reputation as a tough interviewer, Dryden hosted coverage of the 1975 election before presenting Friday Conference. A 1991 TV series on education would lead to book The Learning Revolution, which sold in the millions.
After stints in the merchant navy and the British film industry, Steve Locker-Lampson began a new life in New Zealand in the 60s, heading the camera department at indie production house Pacific Films. The following decade he forged a reputation as one of the country's pioneer aerial cameramen, and worked behind the scenes on movies Solo and Smash Palace. Locker-Lampson passed away in October 2012.