Kiwi comedy-drama Being Eve "tacked the trails and tribulations of everyday adolescent life" (as website The Spinoff put it). It launched the career of Fleur Saville, starrig as amateur teen anthropologist Eve. In this excerpt from episode 10 of series one, Eve grapples with the day-to-day stuff of negotiating relationships (now that Matt is her boyfriend, does she have to sit next to him in every class?). Friends and family expose their relationship-challenging racial prejudices. Rated best drama at the 2002 NZ TV Awards, Being Eve was nominated for an International Emmy.
Being Eve was a popular and self-aware comedy-drama for teens. It launched the career of actor Fleur Saville, who played 15-year-old amateur teen anthropologist Eve. This excerpt from episode 22 of the second series sees angst and ambition collide, as Eve dreams of Hollywood success via a school Shakespeare production. Shakespeare himself makes a cameo (as Eve's muse), while she struggles with her original vision for the classic. But will she be upstaged by Sam? The series won best drama at the 2005 NZ Screen Awards, and fostered young directing and producing talent.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
This late 70s gender politics satire was a Television One sitcom written by future Gloss creator Rosemary McLeod; it was broadcast live-to-air from Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson who cast Bruno in his breakout big screen lead role: Al Shaw in Smash Palace.
Billy Apple: enigma, con man, or artist? This film illuminates the practise of one of New Zealand's most controversial contemporary artists - Billy Apple. It shows his work in its international art context (particularly the historic development of conceptual art), introduces the artist - the ‘living work of art' - and explores how his life and work have become a brand.
This episode of the six-part Our People, Our Century series explores the mix of cultures that Aotearoa-New Zealand has become. In these excerpts, a Chinese Kiwi family speaks of the racism they experienced, from the poll tax of the 1890s to their relative isolation — despite living in downtown Wellington. Artist Trevor Moffitt describes his father's “heavy silent disapproval” at his artwork; Moffitt went on receive acclaim for paintings that explore themes of NZ identity. Finally, mixed marriages between Māori and Pākehā shed some light on biculturalism.
This quirky, upbeat comedy-drama looked at teen life through the eyes of 15-year-old Eve (Fleur Saville). Something of an amateur teen anthropologist, Eve questions everything in her world, musing on life to the camera and in voiceover. The series' fresh, self-aware style appealed directly to media-savvy teenagers. The TV3 series launched Saville's TV career, fostered young directing and producing talent, won many awards (including Best Drama Series at the 2002 NZ TV Awards) and sold to over 40 territories, screening in the US on Nickelodeon.
All Things Being Equal was an early TVNZ sitcom written by future Gloss creator Rosemary McLeod. Screening on Friday nights the 70s gender politics satire was a one-off NZ TV experiment, broadcast live-to-air from Avalon Studios (a second series ditched the live shoot). Ginette McDonald and Bruno Lawrence had made their screen debut together in Pukemanu and were reunited by series director Ross Jennings. When film director Roger Donaldson saw Bruno on the show, it led to Lawrence being cast as Al Shaw in Smash Palace — his career-defining big screen role.
This excerpt from TV One's 6.30PM News shows a famous photo opportunity from the 1983 Royal Tour downunder by Prince Charles and Princess Diana (with the recently issued baby William in tow). The scene of the doting parents and wee Will sitting on the lawn of Government House in Auckland was broadcast around the world. In front of the paparazzi George's future father bites on the iconic antenna of a Buzzy Bee, the heir apparent’s hair is still on his head, and a winsome Diana’s collar is perhaps not of the style that would later typify the 'People's Princess'.
Ruban Nielson’s Portland-based Unknown Mortal Orchestra explores lo-fi, funk psychedelia on this bittersweet number from their second album. The video, shot by an American cast and crew at counter-culture hangout Venice Beach in Los Angeles, follows Chris Mintz-Plasse (Superbad, Kick-Ass) as he attempts to extricate a loved one from the clutches of a panhandling, Manson Family style cult. Former Mint Chick Nielson (in black jersey and beanie) and his fellow UMO members have cameos but can’t compete with the family members dancing in the California sun.