In this documentary, Kiwi icon Lynn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl from the suburbs explores the gamut of masculine mythology, from Man Alone to mateship, and asks "can a woman ever be a mate?". Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers and gay ten-pin bowlers. The opening credits mispell Lynn as Lyn.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
A talkback radio operator (Lucy Sheehan) is forced to stand in for the regular host when he walks out because of a personal crisis. In between trying to answer calls, organize a replacement and discuss odd topics with a succession of callers, the flustered operator makes a surprising connection with another lost soul. Auckland's urban soul is captured with distinctive assurance in this neglected 48-minute drama from director Alison Maclean — who wrote the script with Geoff Chapple.
This docudrama recreates the story of Radio Hauraki: a bunch of rebel DJs whose cause was bringing rock’n’roll to the radios of 60s NZ youth. Their fight for the right to broadcast involved a pirate vessel in the Hauraki Gulf. Director Charlie Haskell films the recreations from the point of view of late DJ Rick Grant, and cuts them together with interviews with the protagonists, animation and Hard Day’s Night-style japes. Based on Adrian Blackburn's book Radio Pirates, the telefilm debuted on TV One on 27 July 2014. It was nominated for a Moa Award for Best TV Feature.
Anthology series Freaky set out to scare its young audience each week with three tales of terror and the fantastic. This first episode includes a pair of cautionary tales, and a cannibal story straight from a horror film. The first story sees a boy ignoring a warning sign on a broken waterslide, and ending up lost in a prehistoric jungle. The second features a girl in biology class learning worrying news about a teacher and fellow pupil. The last story involves a teenager who wishes for her own personalised radio station, and gets more than she bargains for.
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).
This Lookout special follows colourful property tycoon Bob Jones hustling on the 1984 campaign trail, and talking up his newly-formed New Zealand Party. The outspoken advocate for free market liberalisation drew crowds at halls across New Zealand. The Rocky theme music shamelessly plays as boxing fan Jones approaches the rostrum. The party was ultimately short-lived and won no seats, but achieved its goal of denying National a third term by splitting the vote. The documentary includes scenes of the libertarian attempting to dictate how television media filmed him.
Shot in black and white (by Terry King and future Harry Potter cinematographer Michael Seresin), this early Tony Williams directorial effort answers its road safety instructional mandate with style. A jazzy soundtrack scores the setting up of a literal ‘lives collide’ plot. Two lovers go rambling; a gallerist in a goatee takes photos on a car trip, a beau takes his girl for a Wellington coastal drive, a musical duo drive from a 2ZB recording session ... all the while emergency room flash-forwards are intercut and the clock ticks as basic road safety lessons are ignored.
Douglas Drury was one of a group of producers who lead an expansion of local television drama at a time — the mid 60s — where New Zealanders rarely saw their own stories on screen. Later, as second in command of state television’s drama department, he helped launch landmark series Pukemanu and initiated NZ's first situation comedy, Buck House. Drury passed away in Australia on 5 February 2016.