Stuart Page's work is sometimes controversial, often breathtakingly beautiful, and always memorable. And Killer Clown, one of the most exhilaratingly engaging and original music videos NZ has ever produced, is no exception. The delightful colours, simple special effects and outstanding performances merge to produce a kind of sickly sweet malevolence, rendering this work of art greater than the sum of its parts.
Actor Ian Hughes made a big impact on our screens playing the ‘sad clown’ Ant in the acclaimed TV series and movie Topless Women Talk About Their Lives. From there, he went on to play a number of roles on television shows such as Shortland Street, Hercules, Xena, and Doves of War. He has also appeared in feature films including The Lord of the Rings: The Return of the King, and directed his own short film The Waiting Room.
In this episode of her TV3 series for pre-schoolers, Suzy Cato uses songs, stories, animations and puppets to focus on a topic that will soon loom large for her audience — going to school. Suzy explores the mysteries of the schoolbag with its lunchbox and pencil case; and she tells a story about her own first day at school. A blackboard is used to name parts of the human body in English and Māori; and there are field inserts that take a bilingual look at different colours, and join a family preparing a picnic which they then take to the beach.
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
In this Christmas special from the long-running disability interests show, the team don festive costumes. Reporter Grant Sharman takes some of the young stars out for a tea party, Curtis Palmer presents his third postcard from Turkey, Northland blind student Aine sings a carol, and we attend the opening of the Mouth and Foot Painters Association exhibition in Christchurch. Meanwhile junior reporter Anthony Jellyman takes us on a tour of the Attitude set with his own camera in hand, and introduces some of the cast and crew.
Director, photographer and Axemen drummer Stuart Page is a prolific filmmaker, who has made over 40 music videos. Page has directed clips for Superette, The Clean, and The Skeptics’ infamous AFFCO. In 2009 he won Best Feature Documentary and Best Emerging filmmaker at the DocNZ International Film Festival for his film Shustak, a portrait of American photographer Laurence Shustak. Page also compiled alternative music compilation Noisyland.
Auckland band the Headless Chickens went against the grain of the so-called Dunedin Sound that dominated the roster of legendary record label Flying Nun, by making extensive use of beats and electronica. The band won the Rheineck Rock Award in 1987, and the prize money funded their innovative (for its use of sampling) debut album Stunt Clown. Singer Fiona McDonald joined the band in the early 90s, and it was during this time that they attracted their widest audience. Headless Chickens split up in 1998, but in 2008 performed reunion gigs in Australia and New Zealand.
In this charming clip Look Blue Go Purple show they know how to do video clip clowning around as well as the Flying Nun menfolk. It features the Nun trademark grainy imagery, and a touch of Len Lye-style film scratching. Not surprisingly for a song called 'Cactus Cat', there are lots of shots of cactuses and cats, both real and animated. Assorted early Flying Nun luminaries make guest appearances, including a young Robert Scott. Watch out for the so-not-LA Dunedin take on the handbag dog.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
This documentary tells the story of the inimitable kea. The 'Clown of the Alps' is heralded as the world’s smartest bird (its intelligence rivals a monkey’s). Kea are famous on South Island tracks and ski fields for their insatiable (and destructive) inquisitiveness. Curiosity almost killed the kea when it was labelled a sheep killer, and tens of thousands were killed for a bounty. After shots of baby kea being fed, there is extraordinary night footage in clip four of the 'avian wolf' in action. The award-winning film makes a compelling case for the charismatic kea as a national icon.