Stuart Page's work is sometimes controversial, often breathtakingly beautiful, and always memorable. And Killer Clown, one of the most exhilaratingly engaging and original music videos NZ has ever produced, is no exception. The delightful colours, simple special effects and outstanding performances merge to produce a kind of sickly sweet malevolence, rendering this work of art greater than the sum of its parts.
Actor Ian Hughes made a big impact on our screens playing the ‘sad clown’ Ant in the acclaimed TV series and movie Topless Women Talk About Their Lives. From there, he went on to play a number of roles on television shows such as Shortland Street, Hercules, Xena, and Doves of War. He has also appeared in feature films including The Lord of the Rings: The Return of the King, and directed his own short film The Waiting Room.
In this episode of her TV3 series for pre-schoolers, Suzy Cato uses songs, stories, animations and puppets to focus on a topic that will soon loom large for her audience — going to school. Suzy explores the mysteries of the schoolbag with its lunchbox and pencil case; and she tells a story about her own first day at school. A blackboard is used to name parts of the human body in English and Māori; and there are field inserts that take a bilingual look at different colours, and join a family preparing a picnic which they then take to the beach.
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
In this Christmas special from the long-running disability interests show, the team don festive costumes. Reporter Grant Sharman takes some of the young stars out for a tea party, Curtis Palmer presents his third postcard from Turkey, Northland blind student Aine sings a carol, and we attend the opening of the Mouth and Foot Painters Association exhibition in Christchurch. Meanwhile junior reporter Anthony Jellyman takes us on a tour of the Attitude set with his own camera in hand, and introduces some of the cast and crew.
Director, photographer and Axemen drummer Stuart Page is a prolific filmmaker, who has made over 40 music videos. Page has directed clips for Superette, The Clean, and The Skeptics’ infamous AFFCO. In 2009 he won Best Feature Documentary and Best Emerging filmmaker at the DocNZ International Film Festival for his film Shustak, a portrait of American photographer Laurence Shustak. Page also compiled alternative music compilation Noisyland.
Black, white and red exuberance abound in this award-winning music video from Supergroove. The band's funk-heavy live performance is intercut with scenes of the band clowning around at the Otara Market, on a Three Kings volcano, and crowded into the back of an open-top VW. The hairstyle of vocalist and future Cambridge classics scholar Karl Steven — shaved, aside from an extended fringe arrangement at the front — is a relic from another era. An alternative video made for the same song revolves around the band doing everything backwards.
This documentary tells the story of the inimitable kea. The 'Clown of the Alps' is heralded as the world’s smartest bird (its intelligence rivals a monkey’s). Kea are famous on South Island tracks and ski fields for their insatiable (and destructive) inquisitiveness. Curiosity almost killed the kea when it was labelled a sheep killer, and tens of thousands were killed for a bounty. After shots of baby kea being fed, there is extraordinary night footage in clip four of the 'avian wolf' in action. The award-winning film makes a compelling case for the charismatic kea as a national icon.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
Soul songstress Hollie Smith looks gorgeous in a fierce kind of way, in this clip directed by Preston McNeil. Auckland bars Hotel DeBrett and Sale St gleam, and there are clowns, stylish assassins and a mysterious crime. Not to mention celebrity cameos galore — including Danielle Cormack, future Westside actor Pana Hema-Taylor, and music TV hosts Shavaughn Ruakere, Nick Dwyer and Helena McAlpine. Topping it all off: surely the longest credits sequence in the history of Kiwi music videos.