Directed by award-winning current affairs journalist Amanda Millar, this documentary celebrates the life of equality advocate Celia Lashlie. The first female prison officer in a male prison in New Zealand, Lashlie fought to get people the tools for making responsible decisions, from female prisoners to fatherless boys to impoverished children. Lashlie had a particular focus on empowering mothers. The documentary was filmed over the last months of her life, following a diagnosis of terminal cancer. Celia premiered at the 2018 New Zealand International Film Festival.
While visiting family down under, American teen Lonny catches up with his grandfather, a man with an infectious giggle, a thirst for adventure — and two vampire-sized incisors. Released locally as Grampire, this family-friendly adventure combines local names (among them future Pluto singer Milan Borich) with a winning turn as nice guy vampire by American Al Lewis (cult series The Munsters). Director David Blyth was won over by Michael Heath’s script because it reversed convention, and “was a plea for children to be allowed to keep and develop their imaginations”.
For this documentary director Gaylene Preston goes behind the scenes during the making of Geoff Murphy's Utu — his ambitious 'puha western' set during the 1870s land wars. “It’s like football innit? You set up the event and cover it…” says Murphy, as he prepares to shoot a battle scene. In this excerpt, the film’s insistence on cultural respect is conveyed: Merata Mita discusses the beauty of ta moko as star Anzac Wallace is transformed into Te Wheke in the makeup chair, and Martyn Sanderson reflects on having his head remade to be blown off: “What’s the time Mr Wolf?”.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
South Pacific Pictures marked its 30th anniversary in 2018. With drama production at its core, this collection highlights the production company’s prodigious output. The collection spans everything from Marlin Bay to Westside — including hit movies Sione's Wedding and Whale Rider — plus the long-running and beloved Shortland Street. In the backgrounder, longtime SPP boss John Barnett reminisces, and charts the company’s history.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
Filmed in Canada, Kiwi Jesse Warn’s first feature is a thriller built on riddles. A mysterious trail of riddles lead a student (Carly Pope) into dangerous territory, and help her realise her journey may be connected to an imprisoned woman (Rena Owen) who murdered a child, claiming it was part of a grand design. Nemesis Game was a co-production between NZ, Canada (including company Lionsgate) and the UK. Nominated for best film, it won four NZ Film Awards including cinematography and editing. Ian McShane (Deadwood) and Adrian Paul (TV’s Highlander) co-star.
In Moynihan, secretary of the carpenters’ union Leo Moynihan (Ian Mune) — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. The first NZ-Australia co-production (with ABC) was devised by union organiser Earle Spencer and Jane Galletly (a rare credit in the then-male dominated industry). It was the first series made by TV One’s drama department; it won viewers as well as Feltex awards for best drama and Mune’s performance. The changing face of Wellington, including an under-construction Beehive, features.
Ian Mune is Leo Moynihan, secretary of the carpenters’ union, who — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. In this episode, earthquake regulations, a shifty minister and stand-over tactics from worksite agitators, count amongst Moynihan’s workplace problems. At home he has to introduce lecturer girlfriend Sarah to his young son. The NZ-Australia co-production (with ABC) was the first drama series made by TV One’s drama department. It won Feltex awards for best drama and Mune’s performance.
The Mackenzie Affair told the story of colonial folk hero James Mackenzie: accused of rustling 1000 sheep in the high country that would later bear his name. This fifth and final episode sees the manhunt for Mackenzie over, with ‘Jock’ facing a sentence of hard labour and provoking sympathy from equivocal sheriff Henry Tancred. Adapted from James McNeish’s book, the early co-production (with Scottish TV) imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft. It was made by Hunter’s Gold producer John McRae.