On the 3rd of September 1974, Niueans voted to self-govern in free association with New Zealand. Inquiry visits the tiny Pacific Island atoll one week before this hugely significant referendum, to take the mood of the people and observe how the island, which relies on shipped imports, keeps its economy afloat. Reporter Joe Coté interviews future Niue premier Robert Rex and Hima Douglas, a future politician. Coté investigates if the decision to self-govern will affect the large number of Niueans who leave each year to settle in New Zealand.
NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa.
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
TV drama The Governor examined the life of Governor George Grey in six thematic parts. Grey's 'Good Governor' persona was undercut with laudanum, lechery and land confiscation. NZ televison's first historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. In first episode 'The Reverend Traitor', Grey arrives to colonial troubles: flag-pole chopping Hōne Heke, missionary Henry Williams, and rebellious Te Rauparaha. Writer Keith Aberdein goes behind the scenes here.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
This stylishly high camp melodrama from directors Stewart Main and Peter Wells won acclaim, after debuting at the 1993 Cannes Film Festival. In the imaginary 19th-century town of Hope, draper Dorothea Brooks (Jennifer Ward-Lealand) is desperate to save her sister from the clutches of opium, sex and the dastardly Fraser. She begs hunky migrant Lawrence Hayes to help; but complications ensue. Inspired partly by 1930s and 40s Hollywood melodramas, Desperate Remedies was sumptously shot by Leon Narbey (Whale Rider). Richard King writes about the film here.
This documentary, made by TVNZ’s Natural History Unit (now NHNZ), charts the progress of the nor'west wind from its formation in the Tasman Sea across the Southern Alps to the Canterbury Plains and the east coast of the South Island. Along the way it dumps metres of precipitation on West Coast rain forest and snow on the Alps, then transforms to a dry, hot wind racing across the Plains. The film shows the wind's impact on the ecosystem and farming and muses on the mysterious effect it can have on humans. It screened as part of the beloved Wild South series.
Ngaio Marsh Theatre was based on four murder mysteries by crime writer Dame Ngaio Marsh: Vintage Murder, Died in the Wool, Colour Scheme, and Opening Night (the latter was the only one not set in her homeland). UK actor George Baker (The Ruth Renell Mysteries, I, Claudius) starred as Inspector Roderick Alleyn — the rational Englishman solving murderous crimes in the green and pleasant colony. The series successfully leveraged the international appeal of Marsh's novels. Ngaio Marsh Theatre was the first New Zealand television drama to screen in the US (on PBS).
Nature documentary A Flock of Students captures footage of a species rarely caught on camera: a colony of young human 'freshers' who have migrated south to Dunedin. Over footage of nesting, university pie-eating contests and social gatherings, narrator Sydney Jackson provides insights into student display rituals, social groupings and early, "somewhat unfocused" attempts at courtship. As winter bites, temperatures fall below zero, and the male of the species builds up resistance by exposing itself to all available germs. David Kilgour (The Clean) provides the music.
This award-winning National Film Unit production soars on thermals with the world's largest seabird, the toroa or royal albatross. Director Grant Foster captures the majesty of the flyer with a three metre-plus wingspan (“as wide as two volkswagen cars parked side by side”); laments historic slaughter; celebrates conservation efforts (hat tipping legendary toroa custodian Dr Lance Richdale); and surveys the albatross's life cycle at its only mainland breeding colony on Otago Peninsula, from courtship and nesting to taking off on an epic oceanic OE.