Mixing three separate strands, On an Unknown Beach is a so-called “‘speculative documentary" about journeys into landscapes of ruin. Sonic artist Bruce Russell explores the ruined Christchurch CBD, scientist Di Tracey captures compelling underwater footage while examining coral damage on the seabed, and poet David Hornblow undergoes hypnotherapy to explore his consciousness and past experiences with addiction. The film was made by Adam Luxton and Summer Agnew, whose 2005 documentary Minginui (2005) focussed on an ex-forestry town in the North Island.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
The origins of Die! Die! Die! go back to Dunedin's Logan Park High School, where founding members Andrew Wilson and Mikey Prain formed their first band after being inspired by local noisemakers The Dead C and HDU. Their band, Carriage H, won the 2001 Smokefree Rockquest. Wilson and Prain formed Die! Die! Die! in 2003. Since then a relentless work ethic has seen them record albums and EPs in Chicago, New York and New Zealand, and tour repeatedly around the globe, alongside occasional some extended layoffs. In 2010 they became the second act to be signed by the relaunched Flying Nun label.
'Saint Paul' was one of the biggest hits by a NZ artist in the late 60s. Written about Paul McCartney by American producer Terry Knight, it borrowed liberally from Beatles songs (eventually with their publisher's permission) and played an early part in the "Paul is dead" conspiracy theories. Shane’s version went to number one and was the 1969 winner of the Loxene Golden Disc for local song of the year. This footage from the awards show comes complete with interview by host Peter Sinclair and as many groovy special effects as TV could muster at the time.
Kevin Smith was the multi-talented actor who appeared in a host of television shows, starting with eighties soap Gloss. He also starred in three tele-movies as maverick private investigator John Lawless. His feature films include period melodrama Desperate Remedies, and offbeat drama Channelling Baby.
Barbara Darragh's screen costumes have been worn by ghosts, prostitutes, Māori warriors and Tainuia Kid Billy T James. An award-winner for The Dead Lands, River Queen and The End of the Golden Weather, Darragh's CV includes TV shows Under the Mountain and Greenstone, plus more than a dozen other features. She also runs Auckland costume hire company Across the Board.
Actor Grant Tilly, who died in April 2012, displayed his gifts for understated comedy in movies Middle Age Spread and Carry Me Back. The versatile Tilly had done it all — from acclaimed theatre performances (often in Roger Hall plays) to screen roles that took in everything from adventure movies and landmark historical dramas (The Governor), to children's TV, sitcoms (Gliding On), and many voice-overs.
Bernie Allen, QSM, was a professional musician and teacher before beginning his TV career as musical director of popular 60s show C’mon. He continued on to Happen Inn, followed by a vast number of shows as composer or music director over the next two decades. His score for Hunter’s Gold won an APRA Silver Scroll; his arrangement of ‘Hine E Hine’ accompanied the classic Goodnight Kiwi animation.
One of New Zealand's best known screen actors, Sam Neill possesses a blend of everyman ordinariness, charm and good looks that have made him an international leading man. His resume of television and 70+ feature films includes leading roles in landmark New Zealand movies, from a man alone on the run in breakout feature Sleeping Dogs to the repressed settler in The Piano.
James Bartle left his native Australia to work in New Zealand in the 1970s. Bartle made a stylish big-screen debut in 1982 with gothic tale The Scarecrow. His work ranges from shooting psychological drama (Heart of the Stag) to splatter movies (Death Warmed Up). In 1987 Bartle won a NZ Film and TV award for his work on end-of-the-world saga The Quiet Earth. Since then he has worked largely on US tele-movies.