This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".
This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).
The Governor was a six-part TV epic that examined the life of Governor George Grey (Corin Redgrave). This episode arguably best lived up to the blockbuster scale and revisionist ambitions of the series. It depicts key battles of the 1863-64 Waikato Campaign (including ‘Rewi’s last stand’ at Ōrākau). General Sir Duncan Cameron (Martyn Sanderson) feels growing unease following Grey’s orders to evict Māori villagers, as he learns respect for his foe, and that Grey’s motives are driven not just by the urge to impose order on ‘the natives’ but by land hunger.
The Governor examined the life of George Grey, providing a whole new angle on traditional portraits of him as the "Good Governor". The six-part historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. This episode — 'He Iwi Kotahi Tatou' (Now We Are One People)' — won a Feltex award for best script. War looms in the Waikato as Māori tribes band together; peacemaker and kingmaker Wiremu Tāmihana (the late Don Selwyn) agonises over the right course of action.
This 'making of' film goes behind the scenes of New Zealand TV's first (and only) historical blockbuster: George Grey biopic The Governor. Presented by Ian Johnstone, it looks at the production's re-construction of 19th Century NZ and wrangling of large scale battle scenes; the footage is a fascinating snapshot of a nascent industry. It also examines Governor's place in 70s race politics and its revisionist ambitions. Key players are interviewed: Keith Aberdein, Don Selwyn, Tony Isaac, Corin Redgrave, Martyn Sanderson, and Casino Royale's Terence Cooper.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ televison's first historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. In ‘Episode One: The Reverend Traitor', Grey arrives to colonial troubles: flag-pole chopping Hōne Heke, missionary Henry Williams, and rebellious Te Rauparaha.
A key player behind the scenes, Gary Hannam’s ability to find and exploit mechanisms for financing movies was a key driver in the rapid growth of the NZ film industry during the 1980s.
The career of Grant Bradley demonstrates that New Zealand producers can find many sources to fund their movies, beyond the beaten path to the Film Commission. Bradley set up company Daybreak Pictures in 1990. After producing more than 20 titles for Daybreak, he relocated to Australia in 2008 with his brother Dale. The duo established NZ and UK-based company Aristos Films in 2013.
Glenn Standring is a writer/director with a background in animation and computer graphics. His 1996 short Lenny Minute was accepted into competition at Cannes. To date his feature films have been southern gothic takes on the occult/horror genres. He also provided the script for historical action tale The Dead Lands, directed in 2014 by No. 2 talent Toa Fraser.
The prolific Dale Bradley has produced and directed feature films on both sides of the Tasman. After setting up company Daybreak Pictures with his brother Grant, and directing his first feature, Gallipoli tale Chunuk Bair, Dale Bradley developed and directed movies in New Zealand and then Australia. In 2013 the Bradleys established NZ/UK-based company Aristos Films.