This film is about the redemption of Jake the Muss. It picks up the story after Jake has turned his back on his family (his wife has left him to escape the violence) and is up to his usual tricks in McClutchy's Bar. After one of his sons dies suspiciously in a gang fight, another sets out to find revenge, accompanied by young gang member Tania (Nancy Brunning). Scripted by Alan Duff and directed by Ian Mune, the film was the second-highest-earning NZ film of the 1990s, (eclipsed only by Once Were Warriors). It scooped most of the categories at the 1999 NZ Film & TV Awards.
Kingi (Mitchell Manuel) is a sultry teenager who encounters domestic violence and racism and veers down a path of petty crime. School ground punch-ups, stealing milk money and shoplifting see him placed under care of a social worker — and eventually Kingi runs out of chances. From writer-director Mike Walker, Kingi's Story tackles Māori youth and the path to delinquency and is based on the lives of a group of boys (including Manuel) who became wards of the state. It is the first part of a loose trilogy that includes Kingpin (1985) and Mark II (1986).
Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This episode is about Shakti - a support organisation for women from ethnic communities who are in crisis because of domestic violence. Shakti offers immigrant women in violent relationships a safe haven and a helping hand to make a fresh start. Shakti NZ founder Farida Sultana says it is so culturally difficult for some of the women to leave their marriages they can get to the point of being in fear for their lives.
This documentary chronicles the story of Waikato women’s refuge Te Whakaruruhau, and shines a light on a subject not often shown in mainstream New Zealand media: family violence in rural areas. Written "by the women of the Waikato", the film features interviews with the women behind the refuge, who have created a space for victims of domestic violence, safe from danger. Directed by Richard Allan Litt, the documentary screens in Kiwi cinemas from March 2018, with proceeds going to the refuge. Te Whakaruruhau, founded in 1987, was the first Māori women’s refuge.
This black comedy sees Kiwi blokes Barry (Tim Gordon) and Kev (Jason Hoyte) set off into the sunrise for a day’s fishing. The ‘men alone’ glories of Godzone in a runabout are disrupted when they discover their attitudes towards domestic violence and sexuality are at odds. Director Adam Stevens adapted the story from a scene in Atrocities, a play written by Hoyte and Jonathon Brugh (aka Sugar and Spice). In 2001 Beautiful went to the New York, Melbourne and Montreal film festivals, before screening at Sundance; it won Best Short Film at the 2003 NZ Film Awards.
Once Were Warriors opened the eyes of cinemagoers around the globe to an unexamined aspect of modern New Zealand life. Director Lee Tamahori's hard-hitting depiction of domestic and gang violence amongst an urban Māori whānau was adapted from the best-selling Alan Duff novel. The film provided career-defining roles for Temuera Morrison and Rena Owen as Jake the Muss and Beth Heke. It remains NZ's most watched local release in terms of bums on seats. Among a trio of backgrounders, Riwia Brown writes about adapting Duff's book for the screen.
Almost two decades before Once Were Warriors, another drama about urban Māori under pressure stirred controversy. Hema (Dale Williams) and Janey (Julie Wehipeihana) are two kids adrift in the city, trying to escape a broken home. Screen historian Trisha Dunleavy found this "the most powerful and controversial" edition of the Winners & Losers series; it was TV's first drama about "the alienation of Māori in a contemporary urban setting". Based on a Witi Ihimaera story, it also marked the first solo directing credit for Ian Mune. He later directed the sequel to Once Were Warriors.
In this 2016 Loading Doc, Regina Tito talks about life for a homeless person, gleaned from her own experiences of living on the streets. She reflects on the circumstances that forced her to leave home, and describes the emotional experience of being homeless. The Downtown Community Ministry worker ended up on the streets to escape family violence – "at that time the streets were a lot safer". First-time director Leigh Minarapa and producer (and industry veteran) Nathaniel Lees set out to win empathy for people who are sleeping rough.
Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This episode focuses on family violence and the work done by Auckland-based organisation Shine to help those affected. Using actors, it explores the personal experiences of women in abusive relationships and the services Shine provides. They include helping women leave such relationships, child advocacy and helping women improve security so they feel safer at home.
The God Boy is a portrait of a troubled teen Jimmy (Jamie Higgins) growing up in post-war small town New Zealand and wrestling with a repressive education and home front turmoil. Adapted from the Ian Cross novel by Ian Mune and directed by Murray Reece, the landmark film was the first NZ telefeature, gaining Feltex awards and front page reviews. With menace and Catholic guilt ever-present, it’s credited as a pioneer of what Sam Neill dubbed NZ’s “cinema of unease”. Higgins later starred in Australian TV show The Sullivans.